Music Review: Now! That’s What I Call Music #13

Day 13’s Now! compilation came out on 21st November 1988.

November 1988
This is the way the world looked in November 1988. I wasn’t actually put in a cage that often. If I had kids they’d be in a cage – uh, sorry, ‘playpen’ – 24 hours a day. This is one of the many reasons I know I’m not meant to be a parent.

Let’s see what pop hits the Now! compilers have for me today.

Now! That's What I Call Music #13
Track 1: Yazz & The Plastic Population – The Only Way Is Up

Classic party track, and that blaring horn at the start is great, but I find the tune to the vocal a bit annoying.

Track 2: Womack & Womack – Teardrops

Nice tune, though it’s a bit repetitive for me.

Track 3: Erasure – A Little Respect

I adore this one!  Brilliant singalong party track.  Also, I can’t not post that excellent Tube singalong video.

Track 4: The Christians – Harvest For The World

A little ashamed to say that I’m not familiar enough with the Isley Brothers original to be able to say whether this cover is pointless or not.  There’s lots of very ’80s twiddly instrumentals, but the vocal is a bit mid-century throwback, so it’s hard to guess.

Track 5: Hue & Cry – Ordinary Angel

Interesting instrumentals at the start, a bit Eastern-tinged.  Nice tune, though it’s a bit slow for me.

Track 6: UB40 and Chrissie Hynde – Breakfast In Bed

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Fairly standard UB40 slow reggae – great vocals from both singers.  I actually like this even more than their cover of I Got You Babe.

Track 7: Robert Palmer – She Makes My Day

Really nice tune from Robert Palmer – interesting instrumental lines and great vocals.

Track 8: Breathe – Hands To Heaven

Nice instrumentals, but far too slow and saccharine for me.  Apart from the sax solo.  You can’t go wrong with a sax solo.

Track 9: Phil Collins – A Groovy Kind Of Love

Not a pointless cover as it’s very different from the Mindbenders original.  It’s much slower and a lot more boring.  Not a fan.

Track 10: Bobby McFerrin – Don’t Worry, Be Happy

I’ve always quite liked this jaunty tune.  Didn’t they use to sell singing novelty fish that sang this song, or am I imagining that?

Track 11: The Art Of Noise and Tom Jones – Kiss

Nothing can beat the original Prince version, but this cover is not bad at all.  It’s very different to the original, and I’m a big fan of Tom Jones and his distinctive voice.  That guitar solo is great too.

Track 12: Bryan Ferry – Let’s Stick Together

Nice upbeat track, originally released a decade earlier, so the stylings are obviously very ’70s.  Love the instrumentals though, and though it’s a late ’70s song, there’s something quite glam rock about it – Ferry still channelling his earlier Roxy Music days.

Track 13: Kim Wilde – You Came

At the Kim Wilde gig last week (sorry, not going to shut up about that just yet!), Kim dedicated this one to the audience.  Great solid pop track with an awesome epic singalong chorus.

Track 14: Bomb The Bass – Don’t Make Me Wait

Bit of an irritating intro, but the track is good once you get past that – great synth line, great vocals, great tune.

Track 15: Brother Beyond – The Harder I Try

This one’s a bit cheesy for me, but the tune’s quite nice and it’s a good head-nodder.

Track 16: The Hollies – He Ain’t Heavy, He’s My Brother

Not sure why this one was back in the charts, but it’s a classic for a reason.  Great track.

Track 17: Fat Boys and Chubby Checker – The Twist (Yo, Twist!)

It’s that Fat Boys cackle at the start again, but this retro-tinged rap track would not have been at all scary to my toddler self.  Definitely a party song.

Track 18: Wee Papa Girl Rappers – Wee Rule

Quite an interesting song – I like the tune on the chorus, and it’s nice to hear female-fronted rap in the ’80s style.

Track 19: Salt-N-Pepa – Twist And Shout

Speaking of which…  Was it a thing in 1988 to fuse rap with retro rock ‘n’ roll stylings?  I wouldn’t have expected to like that, but I do.  This one’s great, with rap verses straddling the classic chorus.  The opposite of a pointless cover.

Track 20: Yello – The Race

Ohhhh…it’s this one!  Classic party tune, but I didn’t know what it was called or who it was by.  Every day’s a learning experience.

Track 21: Inner City and Kevin Saunderson – Big Fun

Fairly standard for Inner City – nodding my head, but the tune’s not super exciting.

Track 22: D-Mob and Gary Haisman – We Call It Acieed

Infamous vocal, classic dance track.  Bit repetitive for me, but it’s a good party song.

Track 23: Beatmasters and PP Arnold – Burn It Up

‘Not on Spotify’ Type 2: YouTube Pause (TM).

I find this one a bit dull, nothing out of the ordinary, though I quite like that trumpet hook.

Track 24: Milli Vanilli – Girl You Know It’s True

By the time I started reading Smash Hits in the early ’90s, Milli Vanilli were a bit of a joke in the pop magazines as it was widely believed that they didn’t actually provide the vocals on their records.  I’m not sure if this was true, but it was the kind of thing that was a symptom of the irritating move towards manufactured pop groups.

As for the song itself, the possibly-fake vocals are a bit cheesy, but the instrumentals are great.

Track 25: Level 42 – Heaven In My Hands

I have the Sage Gateshead tab open ready on my browser to order those tickets!  I’ve just…not done it yet.  I will soon.

More fab instrumentals, great upbeat guitar, interesting track.  Like this one.

Track 26: Jane Wiedlin – Rush Hour

Chair-dancing here from the start – great singalong chorus, great tune.

Track 27: The Proclaimers – I’m Gonna Be (500 Miles)

The unofficial Scottish national anthem, played whenever we score points at the rugby.  Get several hundred Scots in a room, play this song, and watch the chaos ensue.  The ultimate in singalong classics.

Track 28: T’Pau – Secret Garden

The chorus annoys me, but otherwise it’s quite a good tune.

Track 29: Transvision Vamp – I Want Your Love

Really interesting song with great vocals.  Big fan of this one…

Track 30: Duran Duran – I Don’t Want Your Love

…and the title juxtaposition here is hilariously schizophrenic.  I hope that was deliberate, Now! compilers!

Duran Duran may not want our love…but I think you know what I’m about to say.  I love Duran Duran, and this song is another cracker.  Lovely vocal harmonies on the verses, nice epic atmosphere, brilliant singalong chorus, great lyrics.

Track 31: The Human League – Love Is All That Matters

Interesting to hear the Human League’s later ’80s stuff here.  The synth isn’t nearly so prominent, and it’s a bit smoother and more polished-sounding than their earlier stuff, especially the backing vocals.  Nice tune, too, and that outro is beautiful.

Track 32: All About Eve – Martha’s Harbour

Classic goth ballad.  I’ve always liked this one, so I’ll forgive the Now! compilers for ending yet another compilation with a ballad.

Music Review: Now! That’s What I Call Music #3

It’s day 3 of the Now! reviews!

Now! #3 was released on 23rd July 1984, so hopefully its summer release means that there won’t be any Christmas music on this one.

July 1984
This is how the world looked in July 1984! I am sort of in this picture, because it’s a picture of my pregnant mum and her awesome ’80s coat.

Review time!

Now! That's What I Call Music #3

Track 1: Duran Duran – The Reflex

What was it I said yesterday?  Yeah.  Insert daily ‘I love Duran Duran’ statement here.  This one, as ever, is brilliant from start to finish – the backing vocals, the slightly mad lyrics, the chant-along bits on the chorus.  Love it.

Track 2: Nik Kershaw – I Won’t Let The Sun Go Down On Me

I find this one a bit repetitive.  Not Nik Kershaw’s most exciting song.

Track 3: Sister Sledge – Thinking Of You

Not hugely keen on the disco stuff that was still kicking about in the ’80s anyway, and this one’s not even danceable in my opinion.

Track 4: Orchestral Manoeuvres In The Dark – Locomotion

Love me some OMD.  This one’s a bit bouncier and dafter than their usual stuff, but that’s no bad thing.

Track 5: Ultravox – Dancing With Tears In My Eyes

Good song – that short guitar intro is great, as is the tune in general – but the nuclear-war-themed video is really depressing!

Track 6: Howard Jones – Pearl In The Shell

Nice upbeat intro, nice synth line, nice vocals, and I do love a sax solo!  Fairly standard Howard Jones.

Track 7: Blancmange – Don’t Tell Me

Great synthpop track – and I would expect no less from Blancmange.

Track 8: Phil Collins – Against All Odds (Take A Look At Me Now)

Boring ballad.  Westlife and Mariah Carey did an even worse version of this in 1999, a pointless ’90s cover* if ever there was one.

Track 9: Frankie Goes To Hollywood – Two Tribes

Great party song!  Another nuclear-war-themed video that I find tough to watch despite its cleverness, because the Reagan and Gorbachev impersonators are really ‘uncanny valley’.  I guess we know what was on everyone’s minds in 1984.  This is the reason I decided to illustrate these posts with family photos rather than current events of the time.

Track 10: Grandmaster Flash and Grandmaster Melle Mel – White Lines (Don’t Do It)

A good head-nodder, with a great vocal, but not really my kind of thing.  I do quite like the fact that ostensibly anti-drug songs were a big thing in the ’80s (especially in comparison to the endless, boring and crass drug references in modern-day chart music), though I’m not sure how tongue-in-cheek this song’s message was.

Track 11: The Specials – Nelson Mandela

Another one that was used to good effect in Britain’s Got The Pop Factor.  This one always makes me think of the time in 1989 when my parents took me to the ‘Free Nelson Mandela’ march on Glasgow Green (I still have the badge).

Track 12: Womack & Womack – Love Wars

I wasn’t familiar with this one, but I like the atmosphere of the verse, before the chorus gets a bit haphazard.

Track 13: The Style Council – You’re The Best Thing

I find this one pretty dull, and the chorus annoys me for some reason.

Track 14: Bob Marley & The Wailers – One Love/People Get Ready

Classic sway-in-your-chair track.  Love this one!

Track 15: Bronski Beat – Smalltown Boy

Wonderful synthpop – that stunning intro!  A favourite, and also a regular feature of Geth’s DJ setlists.

Track 16: Queen – I Want To Break Free

I’m not going to call this one a ‘guilty pleasure’, ’cause I don’t feel guilty about loving it at all.  Everything about it is awesome, from the epic intro to the Coronation Street homage in the video.

Track 17: Cyndi Lauper – Time After Time

Now this is a good ballad – nothing dreary about this one.  Beautiful tune, lovely instrumentals.

Track 18: Alison Moyet – Love Resurrection

This one reminds me of long car journeys as a kid with my dad’s Alison Moyet CD on the car stereo (I found out last Christmas that my brother vehemently hated that CD, but I really quite liked it).  I love Yazoo – as I mentioned yesterday, Only You is my all-time favourite song.  I’m not quite as keen on Moyet’s solo material, but it’s still good stuff.

Also, nowadays whenever I hear the lyric ‘show me one direction, I will not question again‘, I always think of One Direction.  Thanks, 21st century, for ruining things yet again.

Track 19: The Bluebells – Young At Heart

Another song (following Relax yesterday) that was re-released in 1993 and hence ended up on my Greatest Hits Of 1993 compilation!  Maybe it was 1993 that was the first true era of ’80s nostalgia.  I don’t blame people for wanting to get going with that as early as possible.

Track 20: Bananarama – Robert De Niro’s Waiting

I quite like this one, but then I’ve never come across a Bananarama track I didn’t like.  I remember knowing the title of this song for ages before I actually heard it, ’cause it’s mentioned in the blurb for Love In The First Degree on Now! #10 (we’ll get to that a week from today).

Track 21: Propaganda – Dr Mabuse

I wasn’t familiar with this one, but I like its dark, epic atmosphere and lyrics.

Track 22: Tina Turner – What’s Love Got To Do With It

Not my favourite Tina Turner song, but I do like the epic vocals on the chorus and the snatches of synth during the bridge.

Track 23: The Flying Pickets – When You’re Young And In Love

It’s no Only You, but still a nice a cappella cover.

Track 24: Wham! – Wake Me Up Before You Go-Go

A classic!  A perfect party tune, and then there’s the colourful video, which was one of those videos that really defined the ’80s, with the neon clothing and the Katharine Hamnett t-shirts (appropriately, I’m wearing her more recent Choose Love design today!)

Track 25: Thompson Twins – You Take Me Up

The harmonica instrumental annoys me, and I usually like harmonica.  I’m not a huge Thompson Twins fan anyway, but I’m really not keen on this one.

Track 26: The Weather Girls – It’s Raining Men

We’re at a wedding reception, and I’m on the dancefloor again!  You can’t go wrong with this fabulous party track.

There have been various pointless ’90s and ’00s covers of this one.  I’ll forgive them, as it’s always a banger no matter who covers it, but the original is far and away the best.

Track 27: Gary Glitter – Dance Me Up

Um, I’m quite surprised that I’m actually able to stream Gary Glitter on Spotify given what we know about him now, but I’m guessing he doesn’t actually get any of the streaming royalties.  Um, right?  I should probably look into that.

The song itself isn’t much to write home about, certainly not compared to his early ’70s glam rock stuff.

Track 28: The Art Company – Susanna

The Art Company, in contrast, haven’t put their stuff on Spotify, so I’ve done the uber-lazy ‘tribute version on the playlist’ for this review.

It’s a good song, actually.  Maybe I’d better give the actual Art Company version another listen sometime!

Track 29: Madness – One Better Day

Bit of a slow one for Madness!  Nice tune though.

Track 30: David Sylvian – Red Guitar

I was only previously familiar with David Sylvian’s stuff with Japan, not any of his solo tracks.  This one’s a bit dull, but the instrumentals are nice.

 

*In my terminology (and, I imagine, that of quite a few other people), a ‘pointless cover’ is one that doesn’t change enough things from the original track to make it worth recording a new version, and is hence just a shameless cash-in.  The ’90s were absolutely terrible for this, but it’s happened frequently in other decades as well.