Being a Band Aid baby, or: one hell of a bucket list

If you’re lucky, there’s something special about the song that was number one when you were born.  Maybe it symbolises something about your life, or your interests, or the person that you ended up growing up to be.  Maybe it’s just a really awesome song.

If you’re unlucky, you end up like Geth and get Theme From M*A*S*H (Suicide Is Painless) (UK number one from 25th May 1980 to 14th June 1980, fact fans!) as your birthday number one.  It’s not bad as TV theme tunes go, but it’s not special to Geth – he didn’t grow up to be a soldier, or an expert on the Korean War, or even much of a M*A*S*H fan, really.

I was lucky, and my birthday number one is special to me.  I love it as a Christmas baby, as an ’80s throwback, as a chart geek, and as a lover of music in general.  It’s an extremely well-known Christmas song – one of those tracks you hear constantly from the middle of November until early January.  It held the record for the best-selling single in UK chart history for more than twelve years, only ever being overtaken by Elton John’s Candle In The Wind ’97 after the death of Diana, Princess of Wales in September 1997.

My birthday number one is Band Aid’s Do They Know It’s Christmas?, one of the most famous recordings in music history.

Do They Know It's Christmas?

I was born on 3rd January 1985, the twenty-sixth day of the thirty-five day period (9th December 1984 to 12th January 1985) that Band Aid’s Do They Know It’s Christmas? spent at number one in the UK.  From the 1984-1985 UK birthrates available online, I estimate that I share my birthday number one with approximately 71,000 other Band Aid babies, including Georgia Moffett, Lewis Hamilton, and Newton Faulkner.  (I would love to be able to work out the exact number, but the internet is not forthcoming at the moment!)

Due to the ubiquity of the song, I grew up with it, and it became my favourite Christmas song long before I realised that it was my birthday number one.  I pored over the upside-down answers to Smash Hits quizzes that challenged readers to name all the artists involved in the song, and memorised names that were unfamiliar to me in the context of the early ’90s pop music landscape.  I dutifully learnt to sing the song with my primary school class in preparation for our Christmas performance at the local old folks’ community centre.  I waited excitedly for it to come on as soon as my brother and I were allowed to play the family’s Christmas compilation CD (That’s Christmas) on the 1st of December every year.  It’s one of those songs that you hear hundreds of times every year, and so it never really goes out of your mind.  That’s not something you can say about Theme From M*A*S*H (Suicide Is Painless).

The finer points of Bob Geldof’s project to put together a charity supergroup and the song’s recording on 25th November 1984 are well known, detailed in a hundred different BBC4 documentaries and summarised fairly well on Wikipedia (though I highly recommend the Smash Hits coverage of the recording day included in the collection book The Best Of Smash Hits: The ’80s for a bit of period flavour – it has a great group photo of all the artists involved except for Boy George, who infamously didn’t show up till six o’clock in the evening due to oversleeping in New York and having to get on a Concorde back to London).

I’ve been to a lot of concerts in my life, including a lot of concerts by artists who were big in the ’80s due to it being my favourite music era and favourite era in general.  But the other day, it occurred to me that I had never gone to see a single one of the thirty-seven artists who performed on my birthday number one.  I had never even seen any of the additional seven artists who couldn’t make it to the recording and so sent recorded Christmas messages to be used on the B-side of the single.

This is the part of the post where I get to the point.

I will never get to see every single one of the artists involved in my birthday number one.  Sadly, two of the musicians who contributed to the song (George Michael and Rick Parfitt) and two who recorded B-side messages (Stuart Adamson and David Bowie) have since passed away.  But I have decided that I will make a concerted effort to see as many of the rest of them as possible.  After all, I have more opportunity than some.  My brother’s birthday number one is Ben E King’s Stand By Me (a re-entry at UK number one between 15th February 1987 and 7th March 1987), which means that since King’s death in 2015 he has no longer had the possibility of seeing his birthday number one artist.  People who were born between 14th December 1980 and 20th December 1980, when (Just Like) Starting Over was number one following John Lennon’s assassination, have never had the chance to see their birthday number one artist.

Enter the Band Aid bucket list!

For most of my bucket lists, I reckon that if I’m lucky enough, I’ve got another fifty or sixty years left to get them completed.  Time is not so much on my side for this particular list, given that all the artists on it are now in their fifties and sixties and won’t be performing or alive forever.  As such, rather similarly to the huge hoard of ’80s vintage clothing I’m collecting while it’s still cheap and plentiful, I aim to get the bulk of this project achieved while I’m still in my thirties, and so I’m targeting >50% list completion by my fortieth birthday on 3rd January 2025.  That gives me six years, one month and fourteen days as of this post to see as many of the following artists as possible.  I’d better get a wiggle on.

The artists who sang on the track:

The extra artists who recorded messages for the B-side:

Current progress: song artists 12/37 (32.4%); message artists 2/7 (28.6%); total artists 14/44 (31.8%).

I have arranged to find out about future performances by all of these artists using the extremely lazy 21st century method of following them all on Twitter!

I’ll keep updating this post as I see more artists.  I’m looking forward to this project!

Music Review: Now! That’s What I Call Music #46

Day 46 means Now! #46, which takes us to 24th July 2000.

July 2000
This is how the world looked in July 2000, though I think that bit of Ireland has looked that way for some time! I wore that orange Miss Selfridge shirt to death – I had a lime green one as well.

Let’s see what the hits were that summer.

Now! That's What I Call Music #46
Track 1: Britney Spears – Oops! I Did It Again

I thought it was okay at the time, but find it insanely annoying now after hearing it intermittently for eighteen years.

Track 2: S Club 7 – Reach

Thought it was insufferably awful then, still think that now.  Cheesy and twee.

Track 3: Sonique – It Feels So Good

Nice tune – quite like this one.

Track 4: Mary Mary – Shackles (Praise You)

Great atmosphere, good tune.  Happily nodding along.

Track 5: Samantha Mumba – Gotta Tell You

Loved this at the time and bought the single.  I still quite like the tune.

Track 6: Gabrielle – When A Woman

Upbeat, head-noddable track, but the feelgood vocals are a bit irritating for me.

Track 7: Kylie Minogue – Spinning Around

Classic tune, classic video.  Always really liked this track – it’s very danceable.

Track 8: Tom Jones and Mousse T – Sex Bomb

Another great danceable track that was everywhere at the time.  Good stuff.

Track 9: Bloodhound Gang – The Bad Touch

Generally known as ‘the Discovery Channel song’, this one is an absolute classic – I’ve always loved that instrumental, and the theme is hilarious.

Track 10: Shania Twain – Don’t Be Stupid (You Know I Love You)

Quite like the folky instrumentals, but the vocals on this one annoy me.

Track 11: Billie Piper – Day And Night

Billie Piper going for a more grown-up sound on her second album meant that her stuff was no longer squeaky and irritating but was instead nice solid pop.  This one is a great tune with a good atmosphere.

Track 12: Louise – 2 Faced

Generic, dull tune – not keen on this one.

Track 13: Aaliyah – Try Again

Great atmosphere, interesting lines.  Really like this one.

Track 14: NSYNC – Bye Bye Bye

I don’t remember NSYNC being that huge generally in the UK, but this track was a fairly big hit.  It’s got a good atmosphere – solid piece of pop.

Track 15: Damage – Ghetto Romance

You know it’s the noughties when lyrics like ‘body like a racecar‘ start to show up in the charts.  Generic, irritating track.

Track 16: Steps – When I Said Goodbye

This was released as a double A-side with Summer Of Love, which is a much, much better song, so I can’t help wishing the Now! compilers had chosen that one instead for this summer release.  If previous patterns are anything to go by, though, it’ll probably show up on the November one.

This track is a slow, boring ballad, and I’m not keen on those.

Track 17: Stephen Gately – New Beginning

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Nice atmosphere on this one, nice epic chorus.  Quite like this track.

Track 18: Backstreet Boys – The One

Good beat, interesting instrumentals, but the vocals are pretty generic and dull.

Track 19: Moby – Porcelain

Oh, it’s this one!  Nice chillout track, like the tinkly piano.

Track 20: Coldplay – Yellow

Another indicator it’s now the noughties: Coldplay show up for the first time.  Yellow has quite a good intro, but it all goes downhill when Chris Martin opens his mouth, which may become a bit of a theme, as I’ve got a feeling this is not the last time they’ll feature on these Now! compilations.

Track 21: Richard Ashcroft – A Song For The Lovers

The Verve frontman goes solo.  Unfortunately this track’s just as depressing as the stuff he was doing with the Verve, although I do quite like the sax on the intro.

Track 22: Black Legend – You See The Trouble With Me

Irritating house cover of the Barry White classic that gets rid of most of the melody.  Not keen at all.

Track 23: Spiller and Sophie Ellis-Bextor – Groovejet (If This Ain’t Love)

Great tune, great atmosphere, great danceable beat – love this track.

Track 24: Darude – Sandstorm

Oh, it’s this one!  Classic dance track, great hook.

Track 25: York – On The Beach

Another dance track with a memorable hook that I’m guessing most people would recognise but couldn’t name.  Quite like this one.

Track 26: Marc et Claude – I Need Your Lovin’ (Like The Sunshine)

Good atmosphere on the intro, segueing into a great dance track.  Really like this.

Track 27: Frankie Goes To Hollywood – The Power Of Love [Rob Searle Club Mix]

Remix of the 1984 classic, which is very definitely considered a Christmas song nowadays and hence feels out of place both in May 2018 as I write this and in July 2000 when this compilation was released.  It is nice to see some love for old ’80s tracks, although this remix only really uses one instrumental line from the track to begin with, and as such the first four minutes are fairly unrecognisable before it launches into the well-known first verse.  After that, it gets a bit messy and super trance-y.

Track 28: Different Gear and The Police – When The World Is Running Down (You Can’t Go Wrong)

‘Not on Spotify’ Type 2: YouTube Pause (TM)

Irritating sample on the intro, before it launches into the remix of the 1980 Police track.  It’s pretty dull and repetitive.

Track 29: Southside Spinners – Luvstruck

Boring, generic dance track with irritating orgasm noises over the top.

Track 30: Alice Deejay – Will I Ever

Annoying tune, not keen.  I’m starting to fear that the imaginary ’00s nightclub (the setting for these Now! disc 2s full of dance tracks that started to become the pattern in the mid-’90s) will be even worse than the ’90s one.

Track 31: Angelic – It’s My Turn

Quite like the instrumentals and the atmosphere, but the vocals annoy me.

Track 32: Rank 1 – Airwave

Generic dance tune, very dull.  Not a fan.

Track 33: B-15 Project, Crissy D and Lady G – Girls Like Us

Quite like the chorus, but otherwise it’s a bit messy for my liking.

Track 34: Lonyo – Summer Of Love

Quite like the Latin-tinged backing vocals, but the main tune is a bit cheesy.

Track 35: MJ Cole – Crazy Love

Really like the tune on the intro…then it launches into the world’s most annoying vocals.  Urgh.

Track 36: DJ Luck & MC Neat and JJ – Masterblaster 2000

Cover of the 1980 Stevie Wonder track, with ‘bonus’ No Diggity sample.  It’s upbeat and danceable, but I’m not sure about the tune.

Track 37: Tru Faith and Dub Conspiracy – Freak Like Me

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Great atmosphere on this cover of the Adina Howard track, later made more famous by the Sugababes.  Love those instrumentals.

Track 38: Jamelia – Call Me

Nice tune, but it’s a bit slow for me.

Track 39: Vengaboys – Uncle John From Jamaica

More lively Eurodance from the Vengaboys.  The tune on this one’s a little irritating.

Track 40: Fe-M@il – Flee Fly Flo

‘Not on Spotify’ Type 2: YouTube Pause (TM).

I’d forgotten about this daft call-and-response track.  It’s at least different, but it’s pretty cheesy and annoying.

Track 41: Scooch – For Sure

Twee and irritating tune – not keen on this one.

Track 42: Atomic Kitten – I Want Your Love

I quite liked this retro-tinged atmospheric track at the time, but I find it a bit headache-inducing nowadays.

Track 43: Steps – Deeper Shade Of Blue

Repeated artist alert!  Now I’m even more annoyed that they didn’t include Summer Of Love.

This dance-infused track’s got a good beat and atmosphere, but the tune on the vocals irritates me a bit nowadays.