Gig Review: Rod Stewart at Newcastle Arena, 9th July 2019

It’s been a while since I went to a gig by myself. Geth wasn’t interested in going to see Rod Stewart, so I just bought the one ticket. I still had a great time, though – concerts for me are about enjoying the music rather than socialising!

The venue had advised showing up promptly for doors at six o’clock, and I can understand why – when Geth and I went to the Culture Club gig we arrived a bit later and it took ages to get through the queues. This has been an understandable feature of big arena gigs in the UK since the Manchester Arena attack a couple of years ago, as everyone has to be scanned and bag-searched and metal-detected before they go into the venue. However, because I showed up bang on six o’clock, the queue was still small and so I was in my seat by ten past six, even with my brief stop at the merch stall to buy a set of badges! It was another hour and twenty minutes before the support act were due to come on, so I settled in with my 3DS to pass the time.

Johnny Mac & The Faithful

The support act for this tour were Johnny Mac & The Faithful, who had co-written a song on Rod’s latest album, Blood Red Roses. I hadn’t heard of them prior to the gig, but they were the epitome of what I would describe as a ‘BBC Scotland’ band – a Celtic rock act from Glasgow, whom I wouldn’t be surprised to see on the BBC’s Hogmanay coverage at some point. They started off with a couple of original songs before launching into a series of traditional Celtic standards such as Galway Girl and The Irish Rover – I hadn’t expected this type of music at a classic pop/rock gig, but it was very high-energy and enjoyable. They then moved onto a couple of Rod Stewart covers in order to get the audience pumped, before moving onto Howling At The Moon (which my Duranie brain misheard as Howling Like The Wolf) and finishing with a track called Johnny Rod, in which the aim was apparently to crowbar as many Rod Stewart titles into the lyrics as possible.

I’ve been to a lot of gigs but I have never seen such a good effort made by a support band at ‘being a support band’ – it was all about getting the audience excited for the main event! They were obviously very grateful for the support slot, and they put me in the mood to start listening to some more folky stuff again.

Johnny Mac & The Faithful setlist:

Little Wild Heart
Took A Train
Galway Girl
Pay Me My Money Down
The Irish Rover
Ooh La La
Handbags And Gladrags
Howling At The Moon
Johnny Rod

After they’d finished, we didn’t have long to wait for the main event. A series of impressive visuals on the big screen heralded the entrance of Rod and his band, who immediately launched into the music – it was a couple of tracks before Rod greeted the audience and introduced the band. Although the current tour is in support of the Blood Red Roses album, the show was really a greatest hits set, which is to be expected from artists who have been going for decades. I certainly wasn’t complaining!

Rod Stewart

The early part of the set included solo hits like Young Turks and Faces classics such as Stay With Me, as well as a rendition of Rod’s ’90s duet with Tina Turner, It Takes Two. Tina’s half of the duet was ably covered by the lead backing singer, one of six women in Rod’s current touring band, the ‘White Swans’. When the six of them had arrived on stage at the beginning, dancing in matching outfits, I’d assumed they would just be doing dance routines, but it turned out that three were backing singers and the other three were multi-instrumentalists, playing violins, mandolins, drums, and many other things. They were really good, as were the rest of the band, and I wish I could find out a bit more information about the performers online.

Because it was a long set, there were quite a few ‘transition songs’ that went on while Rod went offstage for a costume change. One of these was a cover of Mark Knopfler’s Local Hero, which, as I mentioned in my most recent Music Video Monday post, is a revered local anthem in Tyneside, and Rod (famously a football fanatic) introduced it by making reference to Newcastle United. I assumed that they must have chosen a locally important song for each stop on the tour, but apparently they also played Local Hero in Paris a few days previously, so it must just be part of the regular set for some reason. Another of these songs was a cover of Donna Summer’s She Works Hard For The Money, performed by the backing singers. I’ve had it my head for four days as a result!

After a series of slower songs, some of which were tracks from the latest album and some a lot older (a notable standout was a cover of Ewan MacColl’s Dirty Old Town, which Rod first recorded and released fifty years ago this year), the show finished with four mostly-more-upbeat tracks that are arguably Rod’s biggest hits – Baby Jane, Sailing, Da Ya Think I’m Sexy?, and Maggie May. The third of these was a lovely kitschy moment that involved pink neon leopardskin visuals onstage and hundreds of giant balloons falling from the ceiling. The final song, Maggie May, was technically an encore, but it was a bit confusing – the curtain only went down for a few brief seconds before rising again between the last two songs, and Rod never said anything along the lines of ‘thank you and goodnight’, and the lights didn’t go up for a good several minutes after the band went offstage for the last time…so there was a lot of clamouring from the audience for an encore that never came. I don’t think anyone could have complained about the set though.

Rod Stewart setlist:

Having A Party
Young Turks
Some Guys Have All The Luck
Tonight’s The Night (Gonna Be Alright)
Stay With Me
Forever Young
Rhythm Of My Heart
The Killing Of Georgie
It Takes Two
Tonight I’m Yours (Don’t Hurt Me)
I’d Rather Go Blind
Rollin’ And Tumblin’
Local Hero
Grace
Reason To Believe
Dirty Old Town
I Don’t Want To Talk About It
Have I Told You Lately
She Works Hard For The Money
Baby Jane
Sailing
Da Ya Think I’m Sexy?
Maggie May

A great hit-laden set and a great night out! I’m always really grateful that legendary artists like Rod are still out touring (rather than retiring like normal people!), as it means we can all continue to enjoy them.

Looking forward to a night out

In contrast to yesterday, I was awake super early this morning. This was for the best, as I had to trek into town to collect a gig ticket from the box office at the Newcastle Arena due to it not showing up in the post. Looking forward to going out to the gig tonight! I’m on my own as it’s Rod Stewart and Geth’s not a fan. I’ll do a review later in the week.

Just getting on with a few admin and writing tasks this afternoon before I head out.

OOTD 9th July 2019
OOTD: it’s too cold and wet for an outdoor photo today! Top LK Bennett (2018), jeans Levi (2018), shoes Vivienne Westwood Anglomania for Melissa (2018).

Today’s earworm playlist:

Martin Garrix, Macklemore and Patrick Stump – Summer Days
Duran Duran – Too Late Marlene
The Cure – The Walk
Heaven 17 – Let Me Go
Elton John – I’m Still Standing
The Carpenters – Top Of The World
Duran Duran – Come Undone
Rod Stewart – Da Ya Think I’m Sexy?
Ramz – Barking
Duran Duran – Pressure Off
Trevor Something – All Night

Music Review: Now! That’s What I Call Music #102

Now! #102 has been released today, 12th April 2019! EDIT: I only just realised that it’s been a whole year today since I started my marathon of the first 100 Now! compilations with Now! #1. Great timing!

April 2019
This is the way the world looks in April 2019, with me and my ‘absolute beginner ukuleles’ classmates doing our thing up on stage. Fun fact: one of the songs we performed appeared on Now! #54, while the other has never been on a Now! compilation.

Let’s have a look at the Now! compilers’ roundup of what’s been going on in the chart recently.

Now! That's What I Call Music #102

Track 1: Ariana Grande – 7 Rings

New Hits Friday review.

Still think this is a bit of a daft interpolation, but I don’t hate it as much as I used to.

Track 2: Ava Max – Sweet But Psycho

New Hits Friday review.

Pretty much loved this bit of synthy pop from the start, and I’m still a big fan. Should have been Christmas number one!

Track 3: Mark Ronson and Miley Cyrus – Nothing Breaks Like A Heart

New Hits Friday review.

Another great pop track. At first I wasn’t keen on the country edge, but I’ve really grown to love this one.

Track 4: Calvin Harris and Rag ‘N’ Bone Man – Giant

New Hits Friday review.

I’m still not a huge fan of this one – it just doesn’t hook me.

Track 5: Pink – Walk Me Home

New Hits Friday review.

Still too acoustic-y for me, but I have grown to like the epic feel on the chorus.

Track 6: Sam Smith and Normani – Dancing With A Stranger

New Hits Friday review.

I originally felt this one was a bit generic, but it’s become a fairly regular earworm for me, and I find I quite like it now.

Track 7: Tom Walker – Just You And I

New Hits Friday review.

It’s a little cheesy, but it’s a pleasant upbeat tune.

Track 8: Jonas Brothers – Sucker

New Hits Friday review.

A decade ago, I would not have believed you if you’d told me I would ever grow to like a Jonas Brothers song. They’ve grown up now, though, and they make much better music. This is a fairly decent pop song, and I always nod along when it’s on the radio.

Track 9: George Ezra – Pretty Shining People

New Hits Friday review.

I still can’t get over the blatant REM title ripoff. Urgh.

This one’s a little bland (can’t win ’em all, George), but it’s an okay tune.

Track 10: James Arthur – Empty Space

New Hits Friday review.

This one’s not been in the charts since last year, so I’m a bit surprised they’ve held it back for this Now! instalment. As is usually the case with James Arthur’s stuff, it’s too saccharine for me, but I’ll grant you it’s got a good atmosphere on the chorus.

Track 11: Lewis Capaldi – Grace

New Hits Friday review.

I first heard this one on the BBC over Christmas, and at first I thought it was a bit too wistful/singer-songwriter/acoustic-y etc. for me. But I’ve really come to like it – it’s a gorgeous tune.

Track 12: Jason Derulo, David Guetta, Nicki Minaj and Willy William – Goodbye

New Hits Friday review.

I could have told you that my feelings would not have changed about this ridiculous bastardisation of Andrea Bocelli’s Time To Say Goodbye. Awful interpolation that has me running screaming for the comfort of the original every single time.

Track 13: Little Mix and Ty Dolla Sign – Think About Us

New Hits Friday review.

Another frequent earworm. I quite like the staccato on the verse.

Track 14: Marshmello and Chvrches – Here With Me

New Hits Friday review.

I find this one a bit forgettable, though the tune is very pleasant when I do remember how it goes.

Track 15: Cardi B and Bruno Mars – Please Me

New Hits Friday review.

Still love the retro feel on this track. Straight out of 1988! Well, apart from the NSFW lyrical content.

Track 16: Khalid – Talk

New Hits Friday review.

I really like the soft bubbly synth effects on this one.

Track 17: Mabel – Don’t Call Me Up

New Hits Friday review.

I wasn’t keen at first, but it’s been a grower and I quite like this solid pop track now.

Track 18: Charli XCX and Troye Sivan – 1999

New Hits Friday review.

Liked it when it came out, love it now! Shamelessly retro, actually sounds like the year it’s celebrating. Great stuff.

Track 19: Sigrid – Don’t Feel Like Crying

New Hits Friday review.

Another good danceable pop track, probably my favourite of Sigrid’s output so far.

Track 20: CamelPhat, Cristoph and Jem Cooke – Breathe

New Hits Friday review.

It’s kind of nice to have a dance track on here now that dance tracks are becoming a bit rarer in the charts. Nice tune, too.

Track 21: Jax Jones and Years & Years – Play

New Hits Friday review.

Good tune – I always nod along to this one.

Track 22: Zedd and Katy Perry – 365

New Hits Friday review.

I do like the Spanish-tinged opening, and the atmosphere is great when it gets to the chorus.

Track 23: Zara Larsson – Ruin My Life

New Hits Friday review.

This one makes me really uncomfortable! I can’t get past the awful message in the lyrics, which is basically ‘go back to someone who’s really bad for you’.

Track 24: Dua Lipa – Swan Song

New Hits Friday review.

There’s some great stuff going on with the instrumentals, but I find the vocal line pretty bland.

Track 25: Ariana Grande – Thank You Next

New Hits Friday review.

Repeated artist alert! We’ve already had Ariana Grande on track 1.

The tinkly instrumentals are quite nice, but I’m not sure how I feel about the ex-dissing lyrical content.

Track 26: Lewis Capaldi – Someone You Loved

New Hits Friday review. (LOL I said it was too slow for me and now it’s my favourite song in the chart!)

Repeated artist alert! We’ve already had Lewis Capaldi on track 11.

Not complaining though, because this is an absolutely beautiful tune that has deservedly just scored a seventh week at number one. Song of the year, whatever happens in the next eight months.

Track 27: Lady Gaga and Bradley Cooper – Shallow

New Hits Friday review.

One of those tracks that I found a bit slow to begin with and have grown to appreciate. Lovely acoustic track from the A Star Is Born soundtrack (no interest in seeing the film, but the song is gorgeous).

Track 28: Keala Settle and The Greatest Showman Cast – This Is Me

Another one where the Now! compilers have been a bit tardy – this track first entered the charts well over a year ago – but it’s a great feelgood musical number, and probably the best song on the soundtrack.

Track 29: Jess Glynne – Thursday

New Hits Friday review.

I’m still not particularly keen on this one – I just find the theme a bit awkward.

Track 30: Freya Ridings – Lost Without You

New Hits Friday review.

I do appreciate the simplicity of the song, but it’s just a bit too slow for me.

Track 31: James Arthur and Anne-Marie – Rewrite The Stars

New Hits Friday review.

Repeated artist alert! We’ve already had James Arthur on track 10.

One of the tracks from the Greatest Showman Reimagined album, where pop stars do karaoke versions of the songs from the musical. It’s okay, but not a patch on the original.

Track 32: Jack Savoretti – Candlelight

This wasn’t a hit – it only got to number 70. As I’ve been discussing since Now! #99, the Now! compilers have recently started to include songs that haven’t actually made the Top 40, but have been featured on hit albums – there’s less crossover than there used to be between the album and singles chart (mainly because the former is for older people like me who prefer classic pop and rock, and the latter is for the kids who like these strange new songs I’m always ranting about on here after listening to the chart on Fridays!). I wasn’t sure about this at first, but I think I’m okay about it now. After all, it’s probably an older demographic who actually still buys Now! albums. The Radio 2 demographic, if you like. This album got to number one, so I think it’s allowed.

Anyway, this track’s got a great atmosphere – lovely eerie instrumentals, lots of piano. Love this kind of epic tune!

Track 33: The 1975 – It’s Not Living (If It’s Not With You)

Again not a hit on the singles chart – it only got to number 46 – but this was also a number one album.

Wonderfully retro-sounding as ever from the 1975. Great tune, great beat.

Track 34: Westlife – Hello My Love

New Hits Friday review.

This one’s still a bit too cheesy for me.

Track 35: Take That – Everlasting

This track wasn’t even released as a single, but again the album got to number one.

As I understand it, this is one of the few new tracks on Take That’s recent remastered retrospective. It’s a bit dull until the second chorus kicks in. Also, the self-referential spoken word bit at the end is a bit odd.

Track 36: Hozier – Almost (Sweet Music)

The single only got to number 82, but the album went top ten, getting to number six.

Great bit of soft rock – really like this one.

Track 37: Bryan Adams – Shine A Light

No single release for this song, but the album got to number two.

Great beat, but it’s a little too acoustic-y for me. Nice to see Bryan Adams still rockin’ up Now! compilations though.

Track 38: Michael Bublé – Love You Anymore

Again no single release, but it was a number one album.

As usual for Bublé, it’s far too saccharine for me, but it is nice and feelgood.

Track 39: Rod Stewart – Look In Her Eyes

Yet another one that wasn’t released as a single, but the album went to number one.

Love this danceable, atmospheric song! So yeah, this is the point where I’m officially on board with the Now! compilers including songs-from-hit-albums that didn’t make the singles chart, because the notion of Rod Stewart still managing to get his new songs onto Now! compilations is the BESTEST THING.

Track 40: Hugh Jackman, Keala Settle, Zac Efron, Zendaya and The Greatest Showman Cast – The Greatest Show

Repeated artist alert! We’ve already had the Greatest Showman cast on track 28.

Great stompalong number though. Fab track.

Track 41: Frankie Goes To Hollywood – Relax

We’ve already had this track on Now! #2! How dare they be so lazy…wait. I can’t really start ranting in this case, because what’s going on here is that the Now! compilers have chosen to include six tracks from Now! #2 in order to advertise the fact that it’s had a re-release on CD today, the same release day as Now! #102. I’m hopeful that this pattern will continue, and will be scouting out the re-release for my collection this weekend!

Anyway, see the link for my review – it was track 16 on Now! #2.

Track 42: Nik Kershaw – Wouldn’t It Be Good

Still a classic from Nik Kershaw.

See my review on Now! #2 – track 2.

Track 43: Matthew Wilder – Break My Stride

I have this one on my running playlist these days!

See my review on Now! #2 – track 11.

Track 44: Cyndi Lauper – Girls Just Want To Have Fun

One of my earliest ’80s favourites.

See my review on Now! #2 – track 9.

Track 45: Culture Club – It’s A Miracle

Still love that daft boardgaming video!

See my review on Now! #2 – track 25.

Track 46: Thompson Twins – Hold Me Now

If you spend any time watching the Now! ’80s channel, which often replays the classic TV adverts for the classic ’80s Now! compilations, you will be familiar with this song as the centrepiece for the Now! #2 advert due to it’s ‘hold me now‘ (geddit?) refrain on the chorus. Still a great track, and it was a highlight when I saw Tom Bailey supporting Culture Club in November.

See my review on Now! #2 – track 3.

Great choices for those bonus tracks. Could have done with a bit of love for Duran Duran’s New Moon On Monday (track 29) but I’m hopeful for The Reflex if they do this again when they re-release Now! #3!

Book Review: Rod: The Autobiography

As I’ve mentioned before, It’s only really been the last few weeks – mainly due to my holiday in Canada – that I’ve finally picked up the Kindle I was given for Christmas and loaded it up with ebooks.  Last autumn, I decided I needed to read a few rock star autobiographies, largely because one of the novel series I’m writing – the first of which I did for last year’s NaNoWriMo – involves the world of 20th century rock stars, and I needed to do some research into it.  Also, I thought they’d be pretty fun to read.

The first one I read, while on holiday in Canada, was Rod Stewart’s autobiography from 2012, and on the latter point it did not disappoint.

Rod: The Autobiography on Kindle
Modelled by my Kindle.

Stewart tells his story very engagingly and comes across as very likeable, even at the points when you want to shake him and scream ‘you’re married to yet another beautiful woman – WHY CAN’T YOU STOP WOMANISING, YOU MUPPET???’  I found his justification for why he has always felt Scottish from a football fan perspective really interesting, even if I still don’t really understand it.  The book also provided a really interesting look into all my favourite eras of British pop and rock music, as he’s been involved in the industry for a long time now.

Also, Mum’s read this one as well, because of course she has – she’s read everyone’s autobiography.  As such, we were able to have a good discussion of it while we were in Canada.  We’re distantly related to one of Stewart’s ex-wives, model Rachel Hunter, through the Shetland connection (she’s my fourth cousin!  See the Wikipedia entry if you’re not sure how cousins work.  Suffice to say it’s pretty distant).  Because of this, Mum was pretty pleased that she was the only ex-wife he never cheated on.  You gotta take those victories somewhere!

Overall, it’s a nice optimistic, fun read and I really enjoyed it.

Top fact that I gleaned from this non-fiction work: while everyone knows that it was John Peel who mimed the mandolin playing during the Top of the Pops performance of Maggie May in 1971, it was Ray Jackson from Lindisfarne who played the part on the actual recording!

Music Review: Now! That’s What I Call Music #38

Day 38 takes us to 17th November 1997 with our Now! compilation marathon.

November 1997
This was how the world looked in November 1997 (actually September – it was another autumn where we didn’t really take any photos). I still have that jumper – it’s had a few recent reprieves from wardrobe culls!

Let’s see what was tearing up the charts at the time.

Now! That's What I Call Music #38
Track 1: Chumbawamba – Tubthumping

The ultimate in singalong classics, and a feature of every school disco and a lot of post-school discos in subsequent years.  Brilliant track.  Also, this album version that I’ve found on Spotify has a Brassed Off sample at the start, which makes it even better.

Track 2: Spice Girls – Spice Up Your Life

One of my favourites from the Spice Girls – really like this upbeat, danceable song.

Track 3: Hanson – Where’s The Love

Considering that I played Hanson’s Middle Of Nowhere album non-stop for about a year, the fact that I couldn’t remember this song shows you how forgettable it is.  I sort of remember it now I’m listening to it again, but I doubt it’ll stick in my brain long.

Track 4: Boyzone – Picture Of You

I’ve never really liked this one – the tune has always annoyed me.

Track 5: Backstreet Boys – As Long As You Love Me

It should be too saccharine for me, but I’ve got a bit of a soft spot for it, largely because I always liked the video.

Track 6: Eternal – Angel Of Mine

Absolutely beautiful tune – love this one.

Fun fact: American singer Monica did a completely pointless cover of this that sounds pretty much identical, which was a huge hit in the US, so that’s the version that most people across the pond know.

Track 7: Lighthouse Family – Raincloud

Great, interesting instrumentals, but the tune on the vocals is a bit dull.

Track 8: Janet Jackson – Got ‘Til It’s Gone

Love that Big Yellow Taxi sample…but in all honesty, nowadays it just makes me want to listen to Big Yellow Taxi instead.  I remember my dad getting similarly frustrated whenever it came on the radio at the time, ’cause you can’t improve on the original Joni Mitchell track.

Track 9: The Brand New Heavies – You’ve Got A Friend

Dull cover of the Carole King song (which was pretty dull to begin with) with an irritating funk bit over the top.

Track 10: All Saints – I Know Where It’s At

I quite like most of All Saints’ stuff, but this one’s got an annoying tune.  Not keen.

Track 11: Louise – Arms Around The World

Interesting Eastern-tinged instrumentals in the intro, and a nice synth riff running through the verses.  Shame the vocals are so generic.

Track 12: Gala – Freed From Desire

It’s not the kind of thing I normally like, but I’ve always quite enjoyed this one – I like the atmosphere.

Track 13: Sash! and La Trec – Stay

Great electro lines, but the vocals are a bit overblown.

Track 14: Dario G – Sunchyme

Love this electro track – lovely feelgood tune.  Only just realised right now that the sample is Life In A Northern Town – but it’s done really well, so I won’t moan.

Track 15: Tina Moore – Never Gonna Let You Go

Horrendous nails-down-a-blackboard vocal opening!  Then the rest of the track is repetitive and irritating.  Not keen at all.

Track 16: Hot Chocolate – You Sexy Thing

We’ve had this one already, on Now! #9.  I’m keeping an eye on you, Now! compilers!  I’m guessing this was back in the charts due to The Full Monty.

As ever, see the link for my review.

Track 17: N-Trance and Rod Stewart – Da Ya Think I’m Sexy

Slightly messy semi-cover of the 1978 classic.  There are far too many vocal lines going on, but somehow it works.

Track 18: LL Cool J – Phenomenon

Good head-nodder, quite like this one.

Track 19: 911 – Party People…Friday Night

I’ve always quite liked this one, if only for the jaunty days-of-the-week bit in the chorus (I have a similar soft spot for 7 Days by Craig David, but I’m sure we’ll get to that later).

Track 20: Ricky Martin – María

I started studying Spanish the year after this, so I was a huge fan of Ricky Martin and had all his albums.  This one is a great, danceable, Latin-flavoured track, an early indicator of the Latin pop craze that would characterise the turn of the millennium.

Speaking of which…

Track 21: Bellini – Samba De Janeiro

…here’s another.  Absolutely classic trumpet line, great dance track.

Track 22: DJ Quicksilver – Free

Oh, it’s this one!  Really like the electro lines on this – great tune.

Track 23: Wet Wet Wet – Yesterday

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Utterly pointless cover of the Beatles classic.  There is nothing different about this version at all except for an irritating country-tinged twangy guitar instrumental in the middle.

Track 24: George Michael – You Have Been Loved

Lovely tune, but it’s a bit slow for me.

Track 25: The Verve – The Drugs Don’t Work

Depressing in a bad way.  I’ve never been keen on this one.

Track 26: Oasis – Stand By Me

This track has a really irritating chord change sequence in the chorus that messes up the time signature in an infuriating way.  It’s been driving me nuts for over twenty years, and as such, I’m not a fan of this song.

Example of a song that messes up the time signature in a nice, pleasant way: Golden Brown by the Stranglers.  I think I’ll go listen to that once this compilation is done.

Track 27: Embrace – All You Good Good People

Nice tune, but I’m not keen on the vocals, as they sound kind of droning.

Track 28: Faithless – Don’t Leave

I really liked this one at the time ’cause I had it on the A Life Less Ordinary soundtrack.  It’s still a good tune.

Track 29: Radiohead – Karma Police

Great tune, but I’m not hugely keen on the theme.

Track 30: Moby – James Bond Theme

I have often said throughout this Now! marathon that I love a James Bond theme.  This is slightly different, as instead of being a new song released for a James Bond film, it’s an electro cover of the main theme.  It’s okay, but you shouldn’t really mess with a classic.

Track 31: PF Project and Ewan McGregor – Choose Life

Dance track with Ewan McGregor’s ‘choose life‘ monologue from Trainspotting over the top of it.  The track itself is pretty awful, so the monologue is the only bit that’s of interest.

Track 32: Robbie Williams – Lazy Days

Annoying dregs-of-Britpop tune.  Not keen on this one.

Track 33: Ash – A Life Less Ordinary

Another one that’s (obviously) off the A Life Less Ordinary soundtrack.  Great chorus, but the verses are pretty boring.

Track 34: Texas – Black Eyed Boy

Great beat, great tune.  One of my favourite Texas tracks.

Track 35: Meredith Brooks – Bitch

Loved it at the time, makes me cringe a bit now, mainly because my friends and I all loved to adapt the lyrics when literally bitching about other girls at school.  Growing up is a good thing.

Track 36: Jon Bon Jovi – Janie, Don’t Take Your Love To Town

Irritating tune, not a fan of this one.

Track 37: Ocean Colour Scene – Better Day

Lovely tune, great atmosphere – a longtime favourite.

Track 38: Cast – I’m So Lonely

Dreary, depressing tune.  Not keen.

Track 39: Conner Reeves – Earthbound

‘Not on Spotify’ Type 2: YouTube Pause (TM).

The vocals are far too saccharine for me, but the tune’s quite nice.

Track 40: Peter Andre – Lonely

Another slow, cheesy tune.  Blurgh.

Also, while Cast (see above) are so lonely, Peter Andre is just lonely full stop.  I’m pretty sure this was deliberate on the part of the Now! compilers…

Track 41: Boyz II Men – Four Seasons Of Loneliness

…especially now that Boyz II Men have both of them beat by being lonely all year round.  It shouldn’t be a competition, guys!

The piano instrumental on this one’s quite nice, but in general it’s yet another ballad that’s too slow and too saccharine for my liking.

Music Review: Now! That’s What I Call Music #1

You might be aware that the Now! That’s What I Call Music compilation album series will be releasing its 100th edition on 20th July this year.  I’ve got a huge soft spot for the series, largely because my parents bought the vinyl release of Now! That’s What I Call Music #10 in 1987 and it basically shaped my music taste, but also because it was such a big thing when I was growing up in the ’90s – at school and at parties, someone always had a Now! album kicking about.  I’m surprised in some ways that the series is still going strong in the age of streaming, but it is, which is nice and nostalgic for me.

To celebrate the upcoming 100th edition, I’m going to review every single Now! compilation – one per day between today and 20th July – starting, obviously, with #1, which came out on 28th November 1983.

(When I say ‘review’, I of course mean ‘burble about anything that comes to mind about these particular tracks’.  Just clarifying that in case you thought this was going to be in any way musically technical!)

Let’s get started, shall we?

Now That's What I Call Music #1

Track 1: Phil Collins – You Can’t Hurry Love

’80s-era solo Phil Collins, especially poppy, bouncy nonsense like this, is very much what I consider a ‘guilty pleasure’.  A few ciders and I will always be up dancing to this one at weddings.

Track 2: Duran Duran – Is There Something I Should Know?

I love Duran Duran, and this one’s a cracker, especially the constant backing vocals.  The lyrics are great too:

And fiery demons all dance when you walk through that door
Don’t say you’re easy on me, you’re about as easy as a nuclear war

People just don’t write songs like this nowadays (waves stick in air).

Track 3: UB40 – Red Red Wine

Another ‘I’d dance to this one at a wedding’ track.  There may be a theme emerging.  Cheesy, but in a pleasant, head-nodding way.

Track 4: Limahl – Only For Love

I wasn’t familiar with this one, which is unusual for me with ’80s pop songs.  I do like the epic nature of the bridge, and the song gets better as it goes on, but I probably wouldn’t add it to my Spotify playlist.

Track 5: Heaven 17 – Temptation

A favourite!  I defy anyone not to chant along with the ‘temp-tation‘ bits.  Incidentally, if you ask Geth to DJ your wedding, you’ll inevitably hear this one.

Track 6: KC & The Sunshine Band – Give It Up

Bit cheesy even for me, this one, but I do like the instrumental bits.

Track 7: Malcolm McLaren – Double Dutch

Another one I didn’t know.  I’m not keen on the sampling mishmash at the start, but I quite like the idea of an ode to skipping ropes.  It’s the kind of whimsy that’s mostly missing from music today.

Track 8: Bonnie Tyler – Total Eclipse Of The Heart

One for singing along to at the top of your voice when you’re absolutely certain nobody else can hear you (this is a pleasure that was denied to me for quite a few years until I moved into a detached house last month).

Track 9: Culture Club – Karma Chameleon

Not my favourite Culture Club song, but I have fond memories of my friend Laura and I writing notes to each other in our homework diaries in high school, arguing about the correct lyrics to this song (she thought it was ‘if you were the colour of my dreams‘, rather than ‘if your colours were like my dreams‘).  These things were extremely important.

Track 10: Men Without Hats – The Safety Dance

I make no apologies for adoring this one.  I also point you to this wonderful meme, which Geth likes to use for complaining purposes whenever we hear it in a goth club.

Track 11: Kajagoogoo – Too Shy

Daft song, but it’s still better than all of Limahl’s solo stuff except for Neverending Story.

Track 12: Mike Oldfield – Moonlight Shadow

I love this one – it’s epic and beautiful.  It was also used to really good effect in the ’80s edition of The Doctor Who Years, which is sadly no longer available to watch.

Track 13: Men At Work – Down Under

Wonderfully silly party song that always reminds me of an Australian guy called Ben that I used to work with circa 2002.  In the pub post-shift, this was his song.

Track 14: Rock Steady Crew – (Hey You) The Rock Steady Crew

I can’t listen to this one without being reminded of its use in Peter Kay’s brilliant Britain’s Got The Pop Factor parody in 2008 (and I can’t believe that show is nearly a decade old already).  The song itself is pretty nonsensical, but I quite like the synth line.

Track 15: Rod Stewart – Baby Jane

Actually my favourite Rod Stewart song, just edging out Maggie May.  I love the instrumentals (especially that sax solo!), the lyrics, the epic nature, everything.

Track 16: Paul Young – Wherever I Lay My Hat (That’s My Home)

To be honest, though I usually like Paul Young, I find this one a bit dull, so I think it was a poor choice for ending disc one of the album.

Track 17: New Edition – Candy Girl

Never been a fan of New Edition or this song, largely because I have an aversion to squeaky kid voices, especially squeaky kid voices singing love songs.  Let’s move on.

Track 18: Kajagoogoo – Big Apple

Please take a moment to envisage my raised eyebrow here, as I was always taught when learning to DJ that repeating an artist in a setlist (or compilation album, in this case) is lazy, unimaginative and generally Not Done.  Give another artist a chance to be heard!

As for the song itself…it’s nice bouncy ’80s pop with cute little bursts of saxophone, but nothing hugely special.

Track 19: Tina Turner – Let’s Stay Together

Boring slow intro and verses, but good ‘chair-dancer’ once the chorus gets going.

Track 20: The Human League – (Keep Feeling) Fascination

Typical upbeat Human League stuff for this era.  Not my all-time favourite of theirs, but perfectly catchy and pleasant.

Track 21: Howard Jones –  New Song

I didn’t really get into Howard Jones until about a year ago, when Vintage TV started playing his stuff a lot.  This one’s a nice bouncy, catchy number with a great synth instrumental bit.  Big fan of this.

Track 22: UB40 – Please Don’t Make Me Cry

More repetition of artists (sigh).  If they were determined to do that, they should have saved Red Red Wine for side two, as it’s a much better song than this one.  Slow, downbeat, nice sax solo but generally a bit dull.

Track 23: Peabo Bryson and Roberta Flack – Tonight, I Celebrate My Love

The kind of appallingly saccharine ballad that I would have hated if I’d been an adult listening to it in 1983, but from my lofty perch of hindsight in 2018 I can just put it into a box marked ‘charmingly of its time’.

Track 24: Tracey Ullman – They Don’t Know

I do like ’80s-era Tracey Ullman and her comedy-tinged music videos.  There’s something a bit mid-century retro about this one, which I quite like.  It was originally a Kirsty MacColl track, which explains the quality.

Track 25: Will Powers – Kissing With Confidence

Is that his real name?  Apparently not (and apparently it’s not actually a he).  The song is expectedly daft and not much to write home about musically.

Track 26: Genesis – That’s All

For some reason I always think of Genesis as more musically respectable than solo Phil Collins.  I’m not sure why.  This one’s another head-nodder, but not playlist-worthy for me.

Track 27: The Cure – The Love Cats

Being a shameless goth, the Cure are my favourite band.  This is a great upbeat party song, but if you want something more epic, beautiful and melancholy, I thoroughly recommend all the other tracks on the Japanese Whispers EP.  I remember spending all of 2004, which was a tough year for me, just listening to it over and over.  Gorgeous stuff.

Track 28: Simple Minds – Waterfront

Lovely guitar intro on this one.  Fairly paint-by-numbers Simple Minds, without much in the way of hooks.

Track 29: Madness – The Sun And The Rain

Madness can’t do much wrong as far as I’m concerned.  Great bouncy track.

Track 30: Culture Club – Victims

Eyebrow goes up again at another repeated artist!  I’ll forgive the Now! compilers this time, though, because I do love this one and its epic and sweeping chorus.