Music Review: Now! That’s What I Call Music #21

Day 21, and Now! #21 was released on 13th April 1992.

April 1992
This is the way the world looked in April 1992. If you’re thinking it looks a bit ’80s, that’s because this shiny new-to-us holiday caravan was a few years old when we bought it, and so its original features are actually of a similar era to those of the gorgeous late ’80s house in which Geth and I now live. That TV was definitely not new either (I don’t think they were even still making black and white TVs in 1992).

Let’s have a listen to the stuff that soundtracked those ungodly-long-to-a-seven-year-old three-hour car journeys to the caravan!

Now! That's What I Call Music #21
Track 1: Queen – Bohemian Rhapsody

Absolute classic, the ultimate in epic atmospheres.  A welcome return to the charts made it the Christmas number one for 1991.  Beautiful piece of work.

Track 2: Wet Wet Wet – Goodnight Girl

Wet Wet Wet definitely into their slower, more introspective ’90s phase.  Some lovely vocals here.

Track 3: Shakespear’s Sister – Stay

Beautiful, classic song, with both vocalists used to brilliant effect.  Absolutely adore this one.

Track 4: The Temptations – My Girl

There seems to have been a bit of a trend in the early ’90s for ’60s classics coming back into the charts, though I think this example probably had something to do with the My Girl film.  Lovely track, anyway.

Track 5: Simply Red – Stars

Nice instrumentals, but the vocals and tune on this one annoy me.

Track 6: The KLF – Justified And Ancient

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Bit of a messy track, with too much going on.  Not keen on the tune to the vocals either.

Track 7: Madness – It Must Be Love

Re-release of Madness’ awesome 1981 cover of the Labi Siffre song.  Great to have this song and its fabulous sax solo back in the mix!

Track 8: Genesis – I Can’t Dance

Great rock-edged head-nodder from Genesis.  Love that singalong chorus, not to mention the classic shuffle in the video!

Track 9: Julia Fordham – (Love Moves In) Mysterious Ways

Nice piano instrumentals, but it’s too much of a slow, dull ballad otherwise.

Track 10: Crowded House – Weather With You

I’ve always liked the atmosphere of the verses on this – lovely guitar and vocals.

Track 11: Right Said Fred – Deeply Dippy

Typically daft track from Right Said Fred – nice tune on the bridge though.

Track 12: Mr Big – To Be With You

Argh, annoying vocals from the start, and that chant-along chorus only makes it worse!  Never been a fan of this one – too cheesy for me.

Track 13: Everything But The Girl – Love Is Strange

Everything But The Girl are a bit hit and miss for me.  This one’s too slow and too repetitive as far as I’m concerned.

Track 14: Roxette – Church Of Your Heart

Solid pop-rock as ever from Roxette – nice tune, good head-nodder.

Track 15: Brian May – Driven By You

Nice upbeat rock track, suitably epic lines going on.  Really like this one.

Track 16: The Wonder Stuff – Welcome To The Cheap Seats

I actually had this one in my head earlier today because the interview I was transcribing for work contained the phrase ‘we’re in the cheap seats’.

Anyway, the song is an absolute belter and one of my favourite Wonder Stuff tracks.  Stunning folk-rock instrumentals, singalong chorus, and bonus backing vocals from Kirsty MacColl.  Beautiful.

Track 17: The Jesus & Mary Chain – Far Gone And Out

Great upbeat rock track – Jesus & Mary Chain are another band that nailed that ’90s sound early on.

Track 18: James – Born Of Frustration

Love this tune and the way it builds – that trumpet hook is truly epic!

Track 19: The Cure – High

Lovely, sweet track from the Cure – gorgeous tune.

Track 20: Shanice – I Love Your Smile

The vocal hook on this one has always annoyed me, and that rap is awful and misplaced.  It gets one point for the sax solo, though.

Track 21: The Pasadenas – I’m Doing Fine Now

Pleasant, inoffensive cover of the ’70s classic.  A little dull for my tastes, though.

Track 22: Kylie Minogue – Give Me Just A Little More Time

Another generic cover of a ’70s track.  Not a fan of this trend.

Track 23: East Side Beat – Ride Like The Wind

Nice atmosphere, good upbeat dance track.

Track 24: 2 Unlimited – Twilight Zone

Typically epic dance from 2 Unlimited – great track.

Track 25: The KLF and The Children Of The Revolution – America: What Time Is Love?

‘Not on Spotify’ Type 2: YouTube Pause (TM).

An annoying doubling-up-the-artist faux pas from the Now! compilers – we’ve not had one of those for a while!

Unfortunately, this track is just as messy as the earlier one in my book – some nice samples, but they get drowned out by the cacophony.

Track 26: Clivilles & Cole – A Deeper Love

This one’s a bit generic – the piano instrumentals and vocals sound like pretty much every song that was released around this time.

Track 27: Opus III – It’s A Fine Day

Really like the vocal melody on this one.

Track 28: Erasure – Breath Of Life

Another perfect piece of synthpop from Erasure – those synth lines are to die for.

Track 29: MC Hammer – Addams Groove

Daft novelty track to tie in with the Addams Family film.  Still better than most of the stuff MC Hammer did.

Track 30: Salt-N-Pepa – Expression

Not enough in the track to keep my interest here – pretty much Salt-N-Pepa-by-numbers.  I do quite like the line ‘excuse us while we rap’, though.

Track 31: CeCe Peniston – We Got A Love Thang

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Annoying vocals, generic tune.  Not a fan.

Track 32: Paula Abdul – Vibeology

Like the instrumentals, but the song structure is a bit messy.  Also, that I-can-only-imagine-it’s-a-pregnancy-reference ‘in the funky way’ hook is insanely annoying.

Track 33: Alison Limerick – Make It On My Own

Not enough melody for me here – this one’s pretty dull.

Track 34: Tina Turner – Way Of The World

As is typical with most Tina Turner songs of this era, this one’s a bit slow and dull for me.  Nice sax solo though.

Track 35: Curtis Stigers – I Wonder Why

Mega sax intro, but it can’t save this boring, saccharine ballad.  Not for me.

Track 36: Diana Ross – When You Tell Me That You Love Me

And we’re back to an overblown, slow ballad to close the compilation.  Nice tune, but it’s just too cheesy for me.

Music Review: Now! That’s What I Call Music #20

Day 20’s Now! compilation was released on 18th November 1991.

November 1991
This is the way the world looked in November 1991 (actually October, so we’re in the wrong month with the photos for the fourth day in a row. Maybe my parents were always too distracted by TV adverts for Now! compilation releases to take any photos during those months?) It’s more timeless rocks, just like yesterday, for which I apologise. My dress with the pompoms was super cute though…and I still have that scrunchie.

I doubt any of the following tracks will be as pleasing as my pompom dress, but let’s have a listen anyway.

Now! That's What I Call Music #20

Track 1: Vic Reeves and The Wonder Stuff – Dizzy

Big Wonder Stuff fan – have seen them fairly often – so I really like this cover of the Tommy Roe classic that they did with Vic Reeves.  There’s enough folky instrumentals here to make it quite different from the original – good stuff.

Track 2: Belinda Carlisle – Live Your Life Be Free

Vocals are a bit overblown here for my liking, but I do like the track, especially the rockier edge.

Track 3: U2 – The Fly

Urgh, the ’90s, when U2 got boring.  Dull tune, repetitive vocals, no fun anymore.

Track 4: Pet Shop Boys – Where The Streets Have No Name (I Can’t Take My Eyes Off You)

And speaking of U2…being a synthpop nut, I do actually prefer this cover to the original.  Sorry, Bono & Co.

Track 5: Erasure – Love To Hate You

Another solid synth track from Erasure – gotta love that I Will Survive sampling.  This is a good example of a sample from a classic tune being used in a track that actually suits it.

Track 6: Orchestral Manoeuvres In The Dark – Sailing On The Seven Seas

I’m a huge fan of OMD’s stuff, and this is a good solid track, even though it’s not quite as synthy as their earlier work.  Great chant-along vocals.

Track 7: Simply Red – Something Got Me Started

I know I said before that the ’80s are my favourite Simply Red era, but this is definitely my favourite individual song of theirs.  Great instrumentals, wonderful atmosphere on the vocals, nice upbeat tempo, and that sax-into-piano solo is mega.  Love it.

Track 8: Lisa Stansfield – Change

Dreary vocals, boring backing track.  Not a fan of this one.

Track 9: Zoë – Sunshine On A Rainy Day

Something about the vocal annoys me here.  I’m not keen on the tune either.

Track 10: Salt-N-Pepa – Let’s Talk About Sex

This was a favourite for kids in my class to sing loudly in my primary school playground in 1991, probably because it was risque and hence kind of rebellious in the thinking of a six-year-old.

I think it was also popularised by the ‘Let’s Talk About Juice’ version in the Fruit-Tella advert (was it Fruit-Tella?  Let me google that a minute.  Um, googling was inconclusive, but it did tell me that it was definitely Fruit-Tella that did the ‘I’m Too Juicy’ takeoff of Right Said Fred’s I’m Too Sexy, so I’m fairly sure they must have done this one too).

I will probably end up doing a whole post soon about how advertising doesn’t work in this respect.  I remember pretty much every TV advert shown during my ’90s childhood, but I can hardly ever remember what the exact product was that they were advertising.

Track 11: Color Me Badd – I Wanna Sex You Up

Bit of a repetitive one, but I’ve got a bit of a soft spot for it due to it being another one that was used in Britain’s Got The Pop Factor.

Track 12: Kenny Thomas – Best Of You

It’s a nice upbeat tempo, but I find the song a bit dull.

Track 13: Prince and The New Power Generation – Gett Off

Prince is another artist who really went downhill in the ’90s as far as I’m concerned.  Not enough melody or joy for me here.

Track 14: Rozalla – Faith (In The Power Of Love)

Nice upbeat dance track, and that sax solo is lovely.  Some really interesting instrumentals here.

Track 15: 2 Unlimited – Get Ready For This

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Absolute classic dance track from childhood – played at every birthday party in the early ’90s, often during pass-the-parcel in order to ramp the adrenaline up.

Track 16: Moby – Go

Nice epic atmosphere, though the track is a bit repetitive.

Track 17: The Justified Ancients Of Mu Mu – It’s Grim Up North [Part 1]

‘Not on Spotify’ Type 2: YouTube Pause (TM).

This is another alias of the KLF, incidentally.  Good brooding dance track, really like this one.  That Jerusalem sampling is inspired.

Track 18: PM Dawn – Set Adrift On Memory Bliss

Okay a cappella intro, but then we’re straight into the misplaced sampling of Spandau Ballet’s True with awful spoken word and cacophonic clashing vocals over the top.  Just terrible.

Track 19: Paul Young – Don’t Dream (It’s Over)

Utterly pointless cover of the Crowded House classic from a whole five years earlier.  Why did people even buy covers like this?  Surely the original was still available to buy on an album in the record shops!

Track 20: Enya – Caribbean Blue

Beautiful chillout track from Enya – lovely stuff.

Track 21: Julian Lennon – Saltwater

Really nice instrumentals, though the vocals are pretty dull.

Track 22: Paula Abdul – Rush Rush

Nice tune, but it’s a bit slow for me.  Interesting violin solo, though!

Track 23: Jason Donovan – Any Dream Will Do

This was too cheesy for me even as a six-year-old, though lots of my classmates loved it, which meant we had to sing it in music class a lot.  Blurgh.

Track 24: Cathy Dennis – Too Many Walls

Again, solid pop, but I’d prefer it if it were a bit more upbeat.

Track 25: Alison Moyet – This House

Obligatory ‘going to see this artist soon!’ squee.  Well, if you can count next February as ‘soon’…

Beautiful slow ballad with an epic, dramatic atmosphere and gorgeous lyrics.  Hope she plays this one when I go see her!

Track 26: Marc Cohn – Walking In Memphis

Classic, beautiful song – absolutely love this one.

(I even have a real soft spot for the later Cher cover, though that one really is pointless – it’s just this version with Cher’s vocals on top.  Anyway, I won’t get ahead of myself in case it features later.)

Track 27: Glass Tiger – My Town

Cheesy pop-rock, pretty generic.  Not a fan.

Track 28: Scorpions – Wind Of Change

Lovely epic atmosphere, great rock ballad.

Track 29: INXS – Shining Star

Nice interesting track from INXS – great vocals, good build to the song, nice sax towards the end.

Track 30: Roxette – Joyride

Another great upbeat bit of pop-rock from Roxette – great stuff.

Track 31: James – Sit Down

A classic bit of ’90s indie.  When I saw them at Beautiful Days in 2009 they actually finished with this one, which is apparently not at all usual, because being their biggest hit it’s the one they’re sick of.  I do like it, though.

Track 32: Voice Of The Beehive – I Think I Love You

Really like those guitar instrumentals, and the atmosphere is great.  This is probably the best version of the Partridge Family track as far as I’m concerned – it’s so different and so interesting.

Track 33: Slade – Radio Wall Of Sound

‘Not on Spotify’ Type 1: lazy tribute version substitute.

Slade’s earlier stuff is amazing to me, but this track is a bit rock-by-numbers, though I do like that singalong chorus.

Track 34: Monty Python – Always Look On The Bright Side Of Life

Not sure why this classic Life of Brian soundtrack song was back in the charts, but here it is.  Pleasant diversion, but it’s a bit ‘novelty’ for me.

Track 35: Don McLean – American Pie

Often back in the charts since its original 1971 release, this is a great classic to end on!  Beautiful lyrics, lovely tune, absolutely worth its eight-minute-plus running time.

Music Review: Now! That’s What I Call Music #17

Day 17 and we’ve arrived in the 1990s with our Now! compilation journey!  This one was released on 23rd April 1990.

April 1990
This was the way the world looked in April 1990 (actually March – we apparently didn’t take any photos in April – but I don’t imagine it changed much in the course of a couple of weeks). I was clearly much hardier as a child, because I spent a lot of time on British beaches in months when it’s traditionally too cold to do so (i.e. every month of the year), whereas nowadays I’ll stand and shiver for a couple of minutes before going back into the pub.

Let’s see what the 1990s have in store for us!

Now! That's What I Call Music #17
Track 1: Erasure – Blue Savannah

More solid synthpop from Erasure.  Great tune, great epic atmosphere.

Track 2: The Rebel MC – Better World

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Repetitive beats make for a dull intro, but it’s better once a bit of melody kicks in.

Track 3: Paula Abdul – Opposites Attract

Good beat, but the tune’s a bit dull for my liking.

Track 4: Beats International – Dub Be Good To Me

Classic dance track, really like this tune.  Great vocal melody.

Track 5: UB40 – Kingston Town

Bit of a slow one from UB40, with an irritating tune.  Not really a fan.

Track 6: Candy Flip – Strawberry Fields Forever

Weird synth cover of the Beatles classic.  Pretty much a pointless cover other than the synth, as the vocals definitely don’t do anything new.

Track 7: Tina Turner – I Don’t Wanna Lose You

Fairly standard Tina Turner ballad, a bit dull for me.

Track 8: Phil Collins – I Wish It Would Rain Down

Phil Collins turns his hand to a rock ballad.  To be fair, that guitar is just the right level of over-the-top for me, so I quite like this one.

Track 9: Happy Mondays – Step On

Love this one!  Classic track – I will always dance to this at weddings, in clubs, and in my chair right now.

Track 10: Primal Scream – Loaded

Another classic dance track – love those trumpet hooks.

Track 11: Depeche Mode – Enjoy The Silence

How were Depeche Mode not on a Now! compilation throughout the entirety of the ’80s? *blink*

Anyway, this classic synthpop track is not a bad way to start.  Epic tune, great vocals, has had me on the dancefloor of a thousand goth clubs.

Track 12: Jesus Jones – Real Real Real

Great upbeat rock-tinged track.  Happily nodding along here.

Track 13: Inspiral Carpets – This Is How It Feels

Lovely electro instrumentals, beautiful classic song.  Really like this one.  Another example where Carter USM did a great and not-at-all-pointless cover.

Track 14: The House Of Love – Shine On

Really like this one!  Great tune – love those guitar instrumentals.

Track 15: Faith No More – From Out Of Nowhere

Another great guitar riff.  Not so keen on the vocals, but it’s a good tune.

Track 16: The Quireboys – Hey You

I quite like the rock turn this Now! compilation has taken!  This one’s a great head-nodder.

Track 17: Technotronic and MC Eric – This Beat Is Technotronic

Great dance track, really like the melody on this one.  Geth just arrived home and talked all over it, so I wasn’t quite able to hear it properly!

Track 18: Lonnie Gordon – Happenin’ All Over Again

Like the tune, but the vocal line is a bit repetitive for my liking.

Track 19: 49ers – Don’t You Love Me

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Nice upbeat dance track, interesting vocal.  Bit dull otherwise.

Track 20: Jimmy Somerville – Read My Lips (Enough Is Enough)

Another solid pop track from Jimmy Somerville.  Great atmosphere on this one.

Track 21: Cliff Richard – Stronger Than That

More saccharine vocals from Cliff Richard.  His band are doing a good job at the pop-rock though.

Track 22: Jam Tronik – Another Day In Paradise

Interesting electro cover of the Phil Collins track.  Really like this one.

Track 23: JT & The Big Family – Moments In Soul

Interesting instrumentals, good atmosphere, but some of the samples are a little irritating.

Track 24: Mantronix and Wondress – Got To Have Your Love

Nice bass intro, nice instrumentals, good solid pop, though the vocals are a bit dull until the chorus kicks in.

Track 25: Bizz Nizz – Don’t Miss The Party Line

Great electro dance tune, though I could do without the live crowd on the track.

Track 26: E-Zee Possee and MC Kinky – Everything Starts With An ‘E’

Another live crowd spoiling the otherwise good guitar intro.  Then the weird vocal starts and it all goes south.  Also, I’m guessing that title is a drug reference (the ‘ec-ec-ec-ec-ecstasy‘ lyric is also a bit of a clue), which means the 1990s have properly arrived.

Track 27: D-Mob and Nuff Juice – Put Your Hands Together

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Is that a brief sample of the Halloween theme at the start?  If so, it makes the track 100% more awesome, even though the rest of it is a bit of a messy sample-fest.

Track 28: Adamski and Seal – Killer

Absolute classic – that chorus is great, and the instrumentals are wonderfully epic.

Track 29: Orbital – Chime

Upbeat dance track with some interesting instrumentals – good head-nodder, though it gets a bit repetitive after a while.

Track 30: Tongue ‘N’ Cheek – Tomorrow

Nice sweeping piano intro, then it goes a bit house, then a bit ’70s retro.  Once it gets going, it’s pretty much pop-by-numbers, with a random rap late in the track (yup, the ’90s are definitely here…sigh).

Track 31: Electribe 101 – Talking With Myself

Good instrumentals, dull vocal.  Bonus points for the James Bond theme randomly popping up in the middle of the song, though.

Track 32: Sydney Youngblood – I’d Rather Go Blind

Problematic title and theme, for starters.  Fairly tuneless intro, repetitive vocals, out-of-kilter instrumentals.  Not a fan of this one.

Music Review: Now! That’s What I Call Music #14

Two weeks into this review series, and Now! 14 takes us to 20th March 1989.

March 1989
This is how the world looked in March 1989. Nice garden stonework features, lots of plants, and head-to-toe red outfits.

Both me and the wee bro were clearly better dressed than this lot, but let’s listen to their songs anyway.

Now! That's What I Call Music #14
Track 1: Marc Almond and Gene Pitney – Something’s Gotten Hold Of My Heart

The Gene Pitney solo original from the ’60s is one of my all-time favourite songs.  This version with Marc Almond doesn’t quite match the original for me, but it’s still really good.

Track 2: Phil Collins – Two Hearts

Phil Collins back on form after that awful one from yesterday.  Great bouncy singalong chair-dancer.

Track 3: Erasure – Stop!

Love the spiky synth on this one.  More great pop from Erasure.

Track 4: Bananarama and LaNaNeeNeeNooNoo – Help!

An early example of a Comic Relief single, with Bananarama teaming up with their parody versions (actually French and Saunders) for a not-quite-pointless cover of the Beatles classic.  There’s not much added to the song other than the daft comedy spoken word sections, but the backing instrumentals are quite interesting.

Track 5: Hue & Cry – Looking For Linda

More upbeat than Ordinary Angel yesterday, but the chorus annoys me.  Sorry!

Track 6: Yazz – Fine Time

Yazz has ditched the Plastic Population, and judging by this song, I can’t decide whether it was the best move.  The tune is nice and soulful, but perhaps a little slow for me.  No annoying chorus, though, so that’s a huge improvement.

Track 7: Kim Wilde – Four Letter Word

Obligatory Kim Wilde gig mention.  Yes, she played this one too!

Bit of a slower, quieter one from Kim Wilde, but still a great pop track – really nice build to the atmosphere.

Track 8: Sam Brown – Stop

This is the second track on this compilation with this title.  Between this and the Transvision Vamp/Duran Duran mixed message from yesterday, I’m beginning to think bands in the late ’80s were running out of originality when it came to titles.

Absolutely love this track – beautiful tune, wonderful epic atmosphere.

Fun fact: Jamelia did the most pointless of pointless covers of this in 2003 for the Love Actually soundtrack – it sounds EXACTLY the same.

Track 9: Roy Orbison – You Got It

Was Roy Orbison really still going in 1989?  *googles*  Apparently so.

Really like this tune, especially that bridge.  Nice head-nodder.

Track 10: Fine Young Cannibals – She Drives Me Crazy

Hands down my favourite Fine Young Cannibals song.  Absolutely classic track with a beautiful simplicity to the vocals and lyrics, and some stunning guitar instrumentals.  Adore this one.

Track 11: INXS – Need You Tonight

That hook!  Another one that used to be used to announce the ad breaks on VH1 Classic.  An all-time favourite, with wonderful vocals and a great atmosphere.

Track 12: Status Quo – Burning Bridges (On And Off And On Again)

Annoying riff to start that reminds me of a sing-song nursery rhyme.  This is echoed in the chorus.  The verses are okay though.  Then there’s that random instrumental of the tune that I only know from Manchester United’s Come On You Reds song in the ’90s.  Just a bit of a mess, really.

Track 13: Then Jerico – Big Area

Nice tinkly intro, which smashes into a bit of epic guitar-led atmosphere.  Boring vocals, but the instrumentals are great.

Track 14: Morrissey – The Last Of The Famous International Playboys

Fairly upbeat for Morrissey.  Bit of a dull tune though.

Track 15: Poison – Every Rose Has Its Thorn

Boring slow guitar track.  My least favourite kind of music!  Not a fan at all.

Track 16: Simple Minds – Belfast Child

Beautiful track from Simple Minds, based on traditional melody As She Moved Through The Fair.  A favourite since childhood.

Track 17: Neneh Cherry – Buffalo Stance

I’ve got a soft spot for this classic, which I find to be a great singalong head-nodder.

Track 18: Inner City – Good Life

A little repetitive, but better than Big Fun yesterday.

Track 19: S-Express – Hey Music Lover

Super irritating spoken sample at the start!  I like the synth lines though.

Track 20: Living In A Box – Blow The House Down

Nice upbeat pop track, good head-nodder.  Really like that chorus.

Track 21: The Style Council – Promised Land

I’m a little surprised the Style Council were still going in ’89 – I was sure Paul Weller had gone solo by then.  Oh well, gotta keep improving that music knowledge.

Nice track though – good bouncy song, great synth going on in there.

Track 22: Adeva – Respect

Vocals a bit erratic for my liking, but a good dance track.

Track 23: Tone Lōc – Wild Thing

I quite like that clappy intro.  Rap bit is kind of dull though.

Track 24: Natalie Cole – I Live For Your Love

The dullest type of dull ballad, only marginally saved by the tinkly instrumentals.  Not keen.

Track 25: Robin Beck – First Time

Really like the tune on this one – great rock ballad.

Track 26: Paula Abdul – Straight Up

Great chair-dancing track.  Love the chorus too, good singalong potential.

Track 27: Samantha Fox – I Only Wanna Be With You

Upbeat cover of the Dusty Springfield classic.  Different enough not to be pointless (there’s no mistaking that ’80s synth), but there’s something cheesy and annoying about it.

Track 28: Brother Beyond – Be My Twin

Vocals are too saccharine, but I quite like the tune.  Nice sax solo too.

Track 29: Climie Fisher – Love Like A River

‘Not on Spotify’ Type 2: YouTube Pause (TM).

We’re getting towards the end of the compilation!  Do I dare hope?  Could today finally be the day when every track from the original compilation is present and correct on Spotify…oh.  Oh well.  So close.

Typically cheesy vocals for Climie Fisher, although there’s a nice almost-edge to the instrumentals underneath.

Track 30: Duran Duran – All She Wants Is

Yup, I still love Duran Duran, and this one is predictably wonderful (that bassline! that synth! those vocals! that chanting!) as ever.  Just a cut above.

Track 31: Level 42 – Tracie

All right, all right, I’m clicking on that ticket link now!  I’m buying those tickets!  I’ve received the email confirmation!  I’m going to see Level 42 in October!

It was for the best that I did that tonight, too, ’cause there were only two floor seats left that were next to each other!

This one’s a great jaunty track with some nice synth hooks.  Hope they play it when I go see them!

Track 32: Michael Ball – Love Changes Everything

I’ve got a soft spot for Michael Ball, mainly ’cause he’s so ubiquitous on British TV these days.  This track from the musical Aspects Of Love is as saccharine as you would expect, but it makes a nice change from the slow pop ballads that have been ending the last few Now! compilations.