Music Review: Now! That’s What I Call Music #67

Day 67 means Now! #67, which was released on 23rd July 2007.

July 2007
This is the way the world looked in July 2007. We were in a hotel bar in Lerwick, Shetland, celebrating Mum and Dad’s silver wedding anniversary. Hotel bars don’t seem to have changed that much to my eye, but then I’ve never been very observant when it comes to trends in decor.  Fashion is another matter – because it rained pretty much the entire week we were there, that was the exact point that I uneasily noticed Crocs were suddenly a huge thing.

Let’s get on with those summer hits.  Not that it felt very summery in Shetland!

Now! That's What I Call Music #67
Track 1: Rihanna and Jay-Z – Umbrella

Classic pop song that was everywhere in 2007.  I’ve always really liked this one.

Track 2: Gwen Stefani and Akon – The Sweet Escape

Great atmosphere, great vocal hook.  Quite like this track.

Track 3: Gym Class Heroes and Patrick Stump – Cupid’s Chokehold

I really like the hints of ’70s rock inspiration – there’s a lot of interesting stuff going on here.

Track 4: Kate Nash – Foundations

Interesting instrumentals, but the vocals annoy me.

Track 5: Avril Lavigne – Girlfriend

Highly irritating high-pitched pop-pop-punk.  Avril Lavigne’s stuff did get easier on the ear later on.

Track 6: Take That – Shine

Another great tune from ‘Fake That’ – generally when Mark Owen’s singing lead, you’re onto a winner.

Track 7: Enrique Iglesias – Do You Know? (The Ping Pong Song)

Great chorus and synth line, but the song’s not nearly as interesting as the title suggests.

Track 8: Mika – Love Today

Brilliant, danceable track, one of my favourites from this era.  Great tune.

Track 9: Mutya Buena – Real Girl

I like the sample of Lenny Kravitz’s It Ain’t Over ‘Til It’s Over – it gives the track a nice retro tinge – but the vocals are pretty bland.

Track 10: Beyoncé and Shakira – Beautiful Liar

Love the Eastern-tinged instrumentals – this one’s got a great atmosphere.

Track 11: Timbaland, Justin Timberlake and Nelly Furtado – Give It To Me

Nice eerie instrumentals, making for another awesomely atmospheric song.

Track 12: Amerie – Take Control

This one’s pretty uninspired – nothing interesting here.

Track 13: Christina Aguilera – Candyman

Great classic big band feel – really like this one.

Track 14: Kelly Clarkson – Never Again

I find the lines on this very jarring and the vocals too high-pitched and headache-inducing, which is a shame ’cause there’s a good atmospheric tune in there somewhere.

Track 15: McFly – Baby’s Coming Back

Boring tune, cheesy vocals.  Not keen on this.

Track 16: Natasha Bedingfield – I Wanna Have Your Babies

Terrible title, irritating vocals.  The tune’s okay though.

Track 17: Fergie and Ludacris – Glamorous

Love the tune on the backing track, and the sung vocals are quite interesting, but I could do without the rap bits.

Track 18: Justin Timberlake – LoveStoned/I Think She Knows

Repeated artist alert!  We’ve already had Justin Timberlake on track 11.

Some interesting instrumentals, but on the whole the tune’s not really doing it for me here.

Track 19: Ne-Yo – Because Of You

Saccharine and boring.  Not my thing.

Track 20: Akon and Snoop Dogg – I Wanna Love You

Repeated artist alert!  We’ve already had Akon on track 2.

Unfortunately I seem to have accidentally added the explicit version to my Spotify list, and everything about it is just offensive.  Sometimes hilariously so, but mostly just offensive.

Track 21: Robin Thicke – Lost Without U

There’s a slight lounge-y retro tinge that is quite nice, but in general I’m not really feeling this tune.

Track 22: Snow Patrol – Signal Fire

All the versions on Spotify are very proud of the fact this song was used in Spiderman 3 and so have ‘FROM THE MOTION PICTURE SPIDERMAN 3’ and things like that stamped all over them.  I don’t remember it for that – I remember it because it was used in a random Doctor Who fanvid, which gives you a good indication of where my head was at the time.  The track itself is pretty dull and depressing.

Track 23: Maroon 5 – Makes Me Wonder

Interesting ’80s-tinged instrumentals, which is always a good thing.  The tune’s pretty forgettable though.

Track 24: Mark Ronson and Daniel Merriweather – Stop Me

Cover of the Smiths track Stop Me If You Think You’ve Heard This One Before, with added bits from the Supremes’ You Keep Me Hangin’ On.  A double cover!  As it’s Mark Ronson, though, there’s nothing pointless about it – the track is quite innovative.

Track 25: Hellogoodbye – Here (In Your Arms)

Irritating vocals, twee lyrics.  The backing track’s nice and ’80s-tinged once it gets going, but unfortunately it’s mostly drowned out by the boring tune.

Track 26: Alex Gaudino and Crystal Waters – Destination Calabria

Mash-up of the saxophone hook from Rune’s Calabria and Alex Gaudino’s earlier track Destination Unknown.  Of the two tracks, I think it’s Calabria I want to go listen to after this, ’cause I love a good bit of saxophone.

Track 27: Booty Luv – Shine

Fairly generic dance track, but it does have a good retro ’70s disco tinge to it.

Track 28: Calvin Harris – The Girls

Awkward theme to the lyrics, but the synth line’s good.  I think I’m going to have to hunt for an instrumental version.

Track 29: Reverend & The Makers – Heavyweight Champion Of The World

Good upbeat tune, quite like this one.

Track 30: Paolo Nutini – New Shoes

Daft but highly appreciated theme, good atmosphere, nice tune.  Good stuff.

Track 31: Paul McCartney – Dance Tonight

Good tune, interesting guitar.

Track 32: Amy Winehouse – Back To Black

Gorgeous tune with a beautiful melancholy atmosphere, probably the best track Amy Winehouse ever did.

Track 33: The Fray – Over My Head (Cable Car)

Cheesy and boring, not to my liking at all.

Track 34: The Twang – Either Way

Pleasant if repetitive tune, but the spoken word verses are very irritating.

Track 35: Editors – Smokers Outside The Hospital Doors

Great title!  Very topical at the time given the recently-introduced smoking ban.  The track itself is a bit slow, but it’s got a good anthemic feel.

Track 36: Manic Street Preachers and Nina Persson – Your Love Alone Is Not Enough

Oh, it’s this one!  Great tune, really like this track.

Track 37: Fall Out Boy – Thnks Fr Th Mmrs

That should be ‘Thanks For The Memories‘, if you’re struggling with the silly ‘wacky’ vowel-less title.

Great eerie atmosphere, excellent upbeat rock track.  Really like this one.

Track 38: Klaxons – It’s Not Over Yet

Great backing track, and the chorus is nice and epic.

Track 39: Super Mal and Luciana – Bigger Than Big

Upbeat but slightly messy dance track – there are some good lines but they get lost in the mishmash of stuff that’s going on.

Track 40: Groove Armada, Stush and Red Rat – Get Down

Tuneless and messy with bad rapping over the top – not a fan of this at all.

Track 41: Unklejam – What Am I Fighting For?

Great atmosphere, great synth, and a wonderful ’80s feel – loving this one!

Track 42: The Chemical Brothers – Do It Again

Great beat, really interesting vocals.  Very danceable.

Track 43: Jamie T – Sheila

Awful vocals, messy instrumentals, not enough melody.  Poor track to end the compilation on.

Music Review: Now! That’s What I Call Music #65

Day 65 equals Now! #65, which was released on 20th November 2006.

November 2006
This is what the world looked like in November 2006. This is embarrassing levels of hoarding, but I still have that pack of sparklers – I’ve just not finished the packet yet (mainly because I can rarely be bothered to drag Geth outside to light sparklers on Bonfire Night these days). Maybe now we have a proper garden, I’ll make an effort to finish them off this November. Apart from anything else, if the incense sticks I’ve been burning this week are anything to go by, the sparklers are probably well past their best-before-end date by now.

As it’s still the mid-’00s, let’s hope for more rock and less pop, as the former was definitely better at the time.

Now! That's What I Call Music #65
Track 1: Scissor Sisters – I Don’t Feel Like Dancin’

Despite the name, this is a highly danceable track.  Great tune.

Track 2: Shakira and Wyclef Jean – Hips Don’t Lie

A classic – love that trumpet intro.

Track 3: Girls Aloud – Something Kinda Ooooh

The tune’s a little generic, but it’s a good solid upbeat pop song.

Track 4: The Fratellis – Chelsea Dagger

Oh, it’s this one!  Classic chant-along hook, but it can get super irritating.

Track 5: Amy Winehouse – Rehab

I always found the theme of this one really annoying, but it is a good tune.

Track 6: James Morrison – Wonderful World

Nothing special about this tune – it’s very forgettable.

Track 7: Robbie Williams – Lovelight

Good beat, but I could do with a bit more melody on this one.

Track 8: Christina Aguilera – Ain’t No Other Man

Nice soul tinge, but I find the tune dull.

Track 9: Justin Timberlake – SexyBack

Great beat, great atmosphere.  Really like this one.

Track 10: Nelly Furtado and Timbaland – Promiscuous

Repetitive verse, not enough melody.  The chorus is nice and atmospheric though – they should have just had that bit.

Track 11: Beyoncé – Déjà Vu

Very generic-sounding – not keen on this one.

Track 12: Chamillionaire and Krayzie Bone – Ridin’

Great atmosphere, quite like this track..

Track 13: Bob Sinclar, Cutee B, Dollarman, Big Ali and Makedah – Rock This Party (Everybody Dance Now)

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Basically a cover of C&C Music Factory’s Gonna Make You Sweat with added rapping over the top.  It’s okay, actually.

Track 14: Fedde Le Grand – Put Your Hands Up For Detroit

I couldn’t find a radio edit of this, so I’m having to listen to the whole six minutes.  Repetitive hi-hat intro, annoying repetitive videogame-music hooks, very boring.  It’s probably very danceable if you’ve consumed the right substances.

Track 15: Fergie – London Bridge

Way too messy at the start, and there’s not enough melody for my liking.  Also, the theme is terrible.

Track 16: The Pussycat Dolls – I Don’t Need A Man

Nice tune on the vocals, but in general the track’s not really that interesting.

Track 17: Ne-Yo – Sexy Love

Boring, saccharine, with jarring lines.  Not keen on this at all.

Track 18: Cassie – Me & U

Great atmosphere on the intro, but it’s very generic once it launches into the vocals.

Track 19: Lemar – It’s Not That Easy

I like the mid-century retro tinge, but the tune’s a bit bland.

Track 20: Rihanna – Unfaithful

Love the piano at the beginning – this one’s got a great atmosphere.

Track 21: Westlife – The Rose

Cover of the Bette Midler song.  It’s very typically Westlife, i.e. far too slow and saccharine for me.

Track 22: High School Musical Cast – Breaking Free

It’s a boring tune, and the female vocals are horribly grating and high-pitched!  I’ve had a headache since about thirty seconds in.

Track 23: Razorlight – America

Lovely tune, great chorus – really like this one.

Track 24: Snow Patrol – Chasing Cars

Another great festival anthem from Snow Patrol, though it’s kind of slow so I have to be in the right mood for it.

Track 25: Paolo Nutini – Last Request

Boring tune, too slow, cheesy lyrics.  Not my thing.

Track 26: Keane – Nothing In My Way

I quite like the atmosphere, but again it’s too slow for me.

Track 27: The Feeling – Never Be Lonely

The tune’s okay, but it’s too cheesy – there’s not enough edge for me.

Track 28: Kasabian – Empire

Finally, something a bit more upbeat!  Great track, really like this one.

Track 29: The Killers – When You Were Young

Really like the riff and the atmosphere – good stuff.

Track 30: Pink – U + Ur Hand

It’s a bit repetitive, until it gets to the singalong chorus, which is great.

Track 31: Lily Allen – LDN

Great feelgood track – I’ve always really liked this one.

Track 32: All Saints – Rock Steady

All Saints making a comeback.  It feels like that came around fast.  This song’s actually better than most of their old stuff – I really like the beat and the atmosphere.

Track 33: Simon Webbe – Coming Around Again

Good beat, but the tune’s pretty bland.

Track 34: Jamelia – Something About You

Great atmosphere, but again the tune on the vocals is just not interesting enough for me.

Track 35: Bodyrox and Luciana – Yeah Yeah

Irritating backing track, irritating vocals, no melody.  Not to my liking at all.

Track 36: David Guetta and The Egg – Love Don’t Let Me Go (Walking Away)

Mash-up of The Egg’s Walking Away and David Guetta’s Love Don’t Let Me Go.  It’s pretty messy, and the original tracks aren’t exciting enough in my book to provide any interest.

Track 37: Cascada – Everytime We Touch

Another reminder from your friendly local proofreader that ‘every time’ should be two words – there’s no such word as ‘everytime’.

Cheesy vocals, generic trance backing track.  The chorus is a cover of the Maggie Reilly track of the same name (which was thus responsible for the grammatical error) from 1992, but thankfully I’m not familiar enough with the original to be as offended as I usually am by trance covers.

Track 38: Michael Gray and Shelly Poole – Borderline

The sample of ’70s hit Ready For Your Love gives this track a nice retro tinge, but it’s otherwise pretty bland.

Track 39: Beatfreakz – Superfreak

Pointless cover of the Rick James classic, Super Freak (not sure why Beatfreakz made it all one word).  This sounds more like a remix than a cover, but I can’t find enough information on it to be sure.

Track 40: El Chombo – Chacarrón

Daft novelty song made famous through internet memes and such.  Nothing redeeming here.

Track 41: Gnarls Barkley – Smiley Faces

Great atmosphere, but the tune’s a bit dull in my book.

Track 42: McFly – Star Girl

Extremely bland tune, very forgettable.

Track 43: Matt Willis – Hey Kid

I like the instrumentals, but it’s too slow and I find the vocals boring.

Track 44: David Hasselhoff – Jump In My Car

Daft cover of the ’70s rock classic from the Hoff.  I’m not familiar with the original, but I’m guessing this cover’s probably pointless.  I actually quite like it, so I should definitely make sure to check out the original.

Track 45: Meat Loaf – It’s All Coming Back To Me Now

Super dramatic cover of the song made famous by Céline Dion (for all the drama about how Meat Loaf always saw it as his song, see the Wikipedia page).  It’s the kind of epic, atmospheric power ballad that Meat Loaf does best, and this version is fantastic, although I do really like the Céline Dion one as well.