…before heading to Slimming World, where I lost another pound on the scales this week. I’m impatient to get back to target range, and so one pound feels a bit measly considering the effort I’m putting in at the moment, but I suppose five and a half pounds in three weigh-ins is not bad. Just have to keep plugging away.
Geth and I are heading out to a synthwave gig tonight, so I’ve made sure to get all my work done during the afternoon. It’ll be really nice to have a night out – it only happens once in a while these days!
Today’s earworm playlist:
The Beatles – ‘I Am The Walrus’ Del Amitri – ‘Nothing Ever Happens’ Robert Parker and Miss K – ”85 Again’
…I spent the afternoon at the Newcastle University Postgraduate Open Day in order to find out about doing a Masters in creative writing. It was odd sitting in lecture halls and listening to talks. Other than the odd occasion when I’ve sat in on Geth’s evening lectures, I haven’t been in lecture halls since I graduated in 2008!
It was a really interesting afternoon though. I spoke to a few students who are currently doing the course, went on a tour of the facilities, and attended a couple of general talks on studying at Newcastle and funding sources. I went away with a huge amount of bumpf to read and a lot of things to look into over the next few days!
I then headed to ukulele class, which was as fab as ever. Really enjoying the songs we’re doing this term.
It’ll be another busy day tomorrow, as I need to catch up with day job work in between going to weigh-in and the gig that Geth and I are attending in the evening.
Today’s earworm playlist:
Vangelis – ‘Chariots Of Fire’ Stinx – ‘Why Do You Keep On Running Boy’* Del Amitri – ‘Nothing Ever Happens’
*For the uninitiated (i.e. those who weren’t living in Scotland around the turn of the millennium), this was a parody of Britney Spears’ ‘…Baby One More Time’ that featured in a legendary HEBS (Health Education Board for Scotland) advert from 2000, aimed at discouraging teenagers from smoking. The advert was renowned as being absolutely genius (I did a day of work experience at the BBC during this period and they were all raving about it), and I sang the song in the school corridors every breaktime with my pals for about three months solid.
Didn’t discourage me from smoking, though.
Worth a watch if you’ve never seen it, if only for some prime nostalgia:
For some reason, for five years in a row now, I’ve always ended up in London at some point during November. From 2015-2017 it was because Geth and I were attending the Beat:Cancer event; last year it was a flying trip through on the tube on our way to Electric Dreams; and this year it’s the Andy Taylor gig. It’s become a bit strange now!
Anyway, here I am again, and I’m about to head out to the gig. I’ll update properly again tomorrow.
Today’s earworm playlist:
Duran Duran – ‘Do You Believe In Shame?’ Andy Taylor – ‘I Might Lie’
Plus a couple of videogame soundtrack pieces I can’t find the names of right now!
The second gig of my weekend double-header at Sage Gateshead, following Adam Ant on the Saturday, was Shakespear’s Sister on the Sunday. Geth came with me on this occasion, as he’s probably more of a fan than I am – I like their stuff but am not hugely familiar with it. The November tour was in support of recent reunion album Ride Again, the band’s first new material since the early ’90s.
The support act was an artist called Delena, whose saccharine pop was a bit forgettable. I don’t usually have high standards for support acts, as I think it’s great that artists who are just starting out get the chance to go on big tours, but having enjoyed the Glam Skanks so much the previous evening, I was fairly disappointed this time round!
Shakespear’s Sister did a very varied set – a mixture of their new material and their old classics. The new stuff has a slight country and western tinge, which I’m not usually a fan of, but I didn’t mind on this occasion (though Geth wasn’t particularly impressed). It was the more well-known songs in the second half that really got the audience on their feet, though. Both Siobhan Fahey and Marcella Detroit were apparently struggling with colds, and so they sang exceptionally under the circumstances!
On the whole it was a great show with lots of good tunes, onstage banter and interesting visuals. Can’t ask for more.
Another full day of working on my various coding projects today, but I’ll be putting them aside until Thursday afternoon now, as I’m off to London tomorrow for a gig. I’ll be seeing Andy Taylor (formerly of Duran Duran) at the 100 Club. Very excited! I’m not dragging Geth down to this one, but it sounds like there’ll be a good crowd of Duran fans attending the gig, so I won’t be on my own.
Now that we’re into the last few days of November, life looks like it will be fairly busy until January. I’m hoping I can still get a good chunk of work done on my creative projects during December though. Fingers crossed.
Today’s earworm playlist:
Bittersweet Machines – ‘Break Your Love Apart’ Cast of Oliver! – ‘Consider Yourself’ Tony Deans – ‘Do They Know It’s Christmas?’* Duran Duran – ‘Ball Of Confusion’ Shakespear’s Sister – ‘Stay’
*This is a cracking mellow piano version. Thoroughly recommended!
I was at the Sage Gateshead two nights running over the weekend of the 9th and 10th November. The Saturday gig was Adam Ant, who is of course an absolute ‘80s pop legend and thus a must-see in my book. The tour was celebrating the 1982 Friend Or Foe album, which was played in its entirety, followed by a set of favourites and crowd-pleasers.
The support act were the Glam Skanks, who are an all-female
glam rock band: basically, everything I was looking for in a band when I was a
teenager. The image and the music is
just right – being from California, their sound leans more towards the American
end of glam rock (New York Dolls etc.), but they obviously know their stuff
regarding the British history as well and it was a really fun, energetic set. I loved them and will be investigating their
The energy only ramped up further when Adam Ant and his band came on stage after the interval. It was most definitely a ‘standing from the outset’ gig (if you go to a lot of older bands’ gigs, where the audience tends to skew a bit older as well, you will know that this is usually not the case!).
The Friend Or Foe section was a good romp through the album tracks (including a rousing ‘Goody Two Shoes’, probably my highlight of the gig), and then things really kicked off for the rest of the set. I was so happy to hear ‘Xerox’, my favourite track from the Ants’ earlier and slightly gothier days, and of course the crowd went mad for the big hits. Here’s a video I took of ‘Antmusic’:
It’s getting really hard to choose my favourite gigs from among the many I’ve been to this year, but this one is definitely up there! I’ll do a 2019 gig roundup next month. But I’m not quite done yet…
Both Geth and I have been getting into synthwave in a big way this year. It’s the perfect modern ’80s-aping genre for me, while Geth was starting to get fed up with what was happening in industrial and needed a new type of electronic music to listen to. As such, we’ve been listening to it lots and have a few new favourite bands!
The Midnight are my favourite synthwave band, so when we heard that they were playing a few dates in the UK, it was an absolute no-brainer that we were going to go see them. A few friends from Newcastle had the same idea, so it was a good crowd in Manchester last Thursday for the gig.
The support act, Violet Days, were already playing when we arrived at the venue and found seats (a really good space on the balcony right above the stage!). I wouldn’t say their music was particularly standout to me, but it provided a nice bit of background while Geth got the drinks in and bought a couple of t-shirts at the merch stand.
While I love going to see classic artists who have been going for forty years or so, the sheer depth of their back catalogues means that there’s always a good few songs I don’t know (even Duran Duran, who are my favourite band and whom I listen to every day, have a few deep cuts and side projects with which I’m less familiar). For newer bands like the Midnight with only one or two albums, this is not a problem! I’ve been listening to their stuff so much this year that I knew every single song played, and was able to sing along to most of it (I don’t usually hear lyrics when I’m listening to music due to being hard of hearing, so this was a big deal). I don’t think I’ve come across one of their songs that I don’t absolutely love, so it was a brilliant, energetic show. In fact, the band have done so many great songs that there were a couple of my favourites (‘Crystalline’ and ‘Kick Drums And Red Wine’) that didn’t get played – but I didn’t mind, because everything they did play was brilliant too!
I just want to give a quick shout out to the Manchester Albert Hall, which is a brilliant venue. Hoping to attend a few more gigs there in the future! I will also be looking out for more synthwave gigs next year.
There was no support act, as A-ha were scheduled to be playing for a good two and a half hours – but this did mean that the doors opened a whole two hours before the band were due on stage, and so even though we hadn’t rushed to the venue, we were still stuck in our seats for an hour before the band came on! It would have been nice if the times had been made clearer beforehand.
When the band did come on, they were accompanied by some brilliant visuals in the style of the ‘Take On Me’ video.
The tour was aimed to celebrate the 35th anniversary of the Hunting High And Low album (or the nearly-an-anniversary at any rate – the album came out a few months after I was born and I’m not quite thirty-five yet!) As such, one of the t-shirts they were selling made no reference to the band whatsoever – it was just a black and white striped t-shirt with ‘1985’ emblazoned across it in red. Did I get it? You bet I did. Birth year represent!
The bulk of the show was constituted by the Hunting High And Low album being played in its entirety, so for the most part the audience knew what to expect next. Having seen the band perform on a BBC ’80s nostalgia show a couple of years ago, I’d assumed Morten Harket was finding it difficult to hit the high notes on ‘Take On Me’ these days, as he’d taken it down an octave for the BBC show. At the gig, however, he managed the original arrangement admirably, which was much appreciated!
After they’d done the album tracks, there was an interval, and the band then launched into a few bonus favourites. I was a little disappointed by the lack of ‘Touchy!’, as it’s a beautifully silly song and thus appeals to me hugely – but to be honest I wasn’t really expecting them to play it, nice as it would have been! They did finish with a wonderfully crowd-pleasing ‘The Living Daylights’, which I think may be the first Bond theme I’ve ever seen performed live by the original artists (note to self: must not start new bucket list).
It was so cold this morning that it was a real struggle to get out of bed and go to parkrun! I’ve got one eye on that 100th parkrun celebration in a few weeks’ time, though, so I shivered my way to the Jesmond Dene start line. It was slightly busier than usual because both Leazes and Newcastle were cancelled due to the ice, but the tree cover meant that most of the course was unaffected by the cold, so it was a nice relaxed run. I didn’t take my hoodie off though.
I spent the afternoon catching up with various things, including my NaNoWriMo project and my text adventure game updates, and then headed out for the third of the many gigs I’ve got booked during November! It was Adam Ant tonight, and it was a great show. I’ll post a review later this week once I’ve caught up with my backlog!
More weekend catching up tomorrow.
Today’s earworm playlist:
The Midnight – Los Angeles Ed Sheeran and Justin Bieber – I Don’t Care Adam Ant – Puss In Boots Colonel Abrams – Trapped
It’s been a hectic few weeks and so it’s taken me until now to review the Squeeze gig that Geth and I went to three weeks ago! Still, my motto at the moment is ‘better late than never’, so here it is…
The support band were Heaven 17. I really loved seeing them at Electric Dreams last year and they were even better this time round! One of the highlights was a cover of ‘You’ve Lost That Lovin’ Feeling’, duetted by Glenn Gregory and Martyn Ware. Martyn had the best glittery jacket on, and the two of them were on really good form. The backing singers were fab, too, especially on ‘Temptation’.
The main event was of course Squeeze, taking us on a journey through their extensive back catalogue. Pretty much every hit single and notable song was played – my highlights were ‘Hourglass’, ‘Cool For Cats’ and ‘Up The Junction’, all of which were favourites when I was a kid, but it’s been ‘Tempted’ that’s been in my head for the last few weeks because it was such a good rendition!
Nice to see a ukulele on stage too. I’ll be looking out for them more often from now on!