Being a Band Aid baby, or: one hell of a bucket list

If you’re lucky, there’s something special about the song that was number one when you were born.  Maybe it symbolises something about your life, or your interests, or the person that you ended up growing up to be.  Maybe it’s just a really awesome song.

If you’re unlucky, you end up like Geth and get Theme From M*A*S*H (Suicide Is Painless) (UK number one from 25th May 1980 to 14th June 1980, fact fans!) as your birthday number one.  It’s not bad as TV theme tunes go, but it’s not special to Geth – he didn’t grow up to be a soldier, or an expert on the Korean War, or even much of a M*A*S*H fan, really.

I was lucky, and my birthday number one is special to me.  I love it as a Christmas baby, as an ’80s throwback, as a chart geek, and as a lover of music in general.  It’s an extremely well-known Christmas song – one of those tracks you hear constantly from the middle of November until early January.  It held the record for the best-selling single in UK chart history for more than twelve years, only ever being overtaken by Elton John’s Candle In The Wind ’97 after the death of Diana, Princess of Wales in September 1997.

My birthday number one is Band Aid’s Do They Know It’s Christmas?, one of the most famous recordings in music history.

Do They Know It's Christmas?

I was born on 3rd January 1985, the twenty-sixth day of the thirty-five day period (9th December 1984 to 12th January 1985) that Band Aid’s Do They Know It’s Christmas? spent at number one in the UK.  From the 1984-1985 UK birthrates available online, I estimate that I share my birthday number one with approximately 71,000 other Band Aid babies, including Georgia Moffett, Lewis Hamilton, and Newton Faulkner.  (I would love to be able to work out the exact number, but the internet is not forthcoming at the moment!)

Due to the ubiquity of the song, I grew up with it, and it became my favourite Christmas song long before I realised that it was my birthday number one.  I pored over the upside-down answers to Smash Hits quizzes that challenged readers to name all the artists involved in the song, and memorised names that were unfamiliar to me in the context of the early ’90s pop music landscape.  I dutifully learnt to sing the song with my primary school class in preparation for our Christmas performance at the local old folks’ community centre.  I waited excitedly for it to come on as soon as my brother and I were allowed to play the family’s Christmas compilation CD (That’s Christmas) on the 1st of December every year.  It’s one of those songs that you hear hundreds of times every year, and so it never really goes out of your mind.  That’s not something you can say about Theme From M*A*S*H (Suicide Is Painless).

The finer points of Bob Geldof’s project to put together a charity supergroup and the song’s recording on 25th November 1984 are well known, detailed in a hundred different BBC4 documentaries and summarised fairly well on Wikipedia (though I highly recommend the Smash Hits coverage of the recording day included in the collection book The Best Of Smash Hits: The ’80s for a bit of period flavour – it has a great group photo of all the artists involved except for Boy George, who infamously didn’t show up till six o’clock in the evening due to oversleeping in New York and having to get on a Concorde back to London).

I’ve been to a lot of concerts in my life, including a lot of concerts by artists who were big in the ’80s due to it being my favourite music era and favourite era in general.  But the other day, it occurred to me that I had never gone to see a single one of the thirty-seven artists who performed on my birthday number one.  I had never even seen any of the additional seven artists who couldn’t make it to the recording and so sent recorded Christmas messages to be used on the B-side of the single.

This is the part of the post where I get to the point.

I will never get to see every single one of the artists involved in my birthday number one.  Sadly, two of the musicians who contributed to the song (George Michael and Rick Parfitt) and two who recorded B-side messages (Stuart Adamson and David Bowie) have since passed away.  But I have decided that I will make a concerted effort to see as many of the rest of them as possible.  After all, I have more opportunity than some.  My brother’s birthday number one is Ben E King’s Stand By Me (a re-entry at UK number one between 15th February 1987 and 7th March 1987), which means that since King’s death in 2015 he has no longer had the possibility of seeing his birthday number one artist.  People who were born between 14th December 1980 and 20th December 1980, when (Just Like) Starting Over was number one following John Lennon’s assassination, have never had the chance to see their birthday number one artist.

Enter the Band Aid bucket list!

For most of my bucket lists, I reckon that if I’m lucky enough, I’ve got another fifty or sixty years left to get them completed.  Time is not so much on my side for this particular list, given that all the artists on it are now in their fifties and sixties and won’t be performing or alive forever.  As such, rather similarly to the huge hoard of ’80s vintage clothing I’m collecting while it’s still cheap and plentiful, I aim to get the bulk of this project achieved while I’m still in my thirties, and so I’m targeting >50% list completion by my fortieth birthday on 3rd January 2025.  That gives me six years, one month and fourteen days as of this post to see as many of the following artists as possible.  I’d better get a wiggle on.

The artists who sang on the track:

The extra artists who recorded messages for the B-side:

Current progress: song artists 5/37 (13.5%); message artists 2/7 (28.6%); total artists 7/44 (15.9%).

I have arranged to find out about future performances by all of these artists using the extremely lazy 21st century method of following them all on Twitter!

I’ll keep updating this post as I see more artists.  I’m looking forward to this project!

Music Review: Now! That’s What I Call Music #24

Day 24, and we’ve arrived at 26th April 1993.

April 1993
This is the way the world looked in April 1993. Trees looked like trees, and I looked like a vision in pastels with an unfortunate bob. I did finally chuck out that headband when I had my clearout a couple of months ago.

While I didn’t have this particular Now! compilation, I did have rival compilation The Greatest Hits of 1993 (the first album I ever bought, on cassette, with my Christmas money), which had most of the same songs.  As such, I’m very familiar with a lot of these.  Let’s crack on!

Now! That's What I Call Music #24
Track 1: The Bluebells – Young at Heart

We’ve had this one already, on Now! #3!  I know it was back in the charts in 1993, but I’m still cross about the Now! compilers repeating songs.

Urgh.  I guess this is going to become an ongoing thing.  See the link above for my review.

Track 2: Take That – Could It Be Magic

Great upbeat pop cover of the Barry Manilow song.  Take That seem to have been doing a lot of covers at this point – I’m guessing it was before the mangement let Gary Barlow take over songwriting duties.  I do like this one, though, especially for Robbie Williams on lead vocals.

Track 3: Sub Sub and Melanie Williams – Ain’t No Love (Ain’t No Use)

A bit repetitive, but a good uptempo dance track.

Track 4: Snap – Exterminate!

Another great, atmospheric track from Snap.  I’ve always liked this one, even leaving aside the obvious Dalek connotations.

Track 5: Sister Sledge – We Are Family [Sure Is Pure Remix]

This was huge in my primary school playground at the time – you couldn’t escape it.  Great remix of the ’70s classic.

Track 6: Snow – Informer

I’ve always loved this one, especially the gibberish chorus.  Great, interesting song.

Track 7: Shabba Ranks and Chevelle Franklin – Mr Loverman

Annoying chorus alert!  It’s a good tune, but I don’t like those vocals.

Track 8: Shaggy – Oh Carolina

Nice cover of the Folkes Brothers classic – great tune – but it’s another one where the chorus annoys me.

Track 9: East 17 – Deep [Breath Mix]

Great instrumentals, especially that bassline – wonderful atmosphere.  I’ve always liked this one.

Track 10: Stereo MCs – Step It Up

Great head-nodder, fun theme.  Good stuff.

Track 11: Arrested Development – Tennessee

Repetitive, not much melody.  Not hugely keen on this one.

Track 12: Robin S – Show Me Love [Stonebridge Club Mix]

Classic track, great beat.

Fun fact: Jason Derulo sampled this on Don’t Wanna Go Home, and when I first heard it I literally went ‘who the ****’s sampled this?’ only to be immediately answered with that ‘JASON DERULO’ lyric he always used to do at the start of his songs.  A handy, if annoying feature.

Track 13: Lulu – Independence [Brothers In Rhythm Mix]

Fairly generic tune, but it’s a nice solid bit of pop.  Good sax solo too!

Track 14: West End and Sybil – The Love I Lost

Another annoying chorus, but I quite like the track otherwise.

Track 15: 2 Unlimited – No Limit

This was the classic singalong track on every school trip during 1993.  Imagine, if you will, a bus full of sixty-six eight-year-olds, all squeaking ‘NO NO, NO NO NO NO, NO NO NO NO, NO NO THERE’S NO LIMIT’ over and over and over and over for a good couple of hours.  Sometimes I’m amazed we never had a bus driver start screaming madly and drive us all off a high cliff.

Track 16: Cappella – U Got 2 Know

I absolutely love this classic dance track – brilliant tune.

Track 17: Sunscreem – Pressure Us

Another good upbeat dance number – like this one.

Track 18: Monie Love – Born 2 BREED

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Not at all keen on the theme of this song, but it’s quite a good upbeat tune.

Track 19: Hue & Cry – Labour Of Love

We already had this one on Now! #10, which I’m extra-especially cross about ’cause it’s my favourite Now! compilation!

Sigh.  See the link for my thoughts.

Track 20: Duran Duran – Ordinary World

They’re back for the ’90s, and I still love Duran Duran!  This is a gorgeous introspective one – beautiful track.

Track 21: Annie Lennox – Love Song For A Vampire

Lovely tune, great atmosphere.

Track 22: World Party – Is It Like Today?

Nice tune, like the instrumentals.  Good stuff.

Track 23: KD Lang – Constant Craving

I’m not a fan of KD Lang’s vocals, but I do like the tune.

Track 24: Tasmin Archer – In Your Care

Good atmosphere on this one, though it’s a little slow for me.

Track 25: PM Dawn – Looking Through Patient Eyes

Not keen on the tune, the sung vocals or the rap.  Not a fan.

Track 26: The Beloved – Sweet Harmony

Nice electro head-nodder – really like this one.  Lovely sax solo too.

Track 27: Dina Carroll – This Time

Fairly typical Dina Carroll ballad – too slow and generic for my liking.

Track 28: Simply Red – Lady Godiva’s Room

An improvement on the last couple of Simply Red tracks we’ve had – great tune – but still a bit slow for me.

Track 29: Genesis – Invisible Touch [Live]

We already had the original studio version on Now! #7.  Not sure why the live version was suddenly a thing.

See above for my review – the live version doesn’t add anything!

Track 30: Lenny Kravitz – Are You Gonna Go My Way

Great classic rock track that I’m going to make today’s top ‘wedding disco’ track!  Brilliant stuff.

Track 31: Depeche Mode – I Feel You

Love this atmospheric track from Depeche Mode – great vocals, awesome tune.

Track 32: Peter Gabriel – Steam

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Good upbeat tune, happily nodding along here.

Track 33: Ugly Kid Joe – Cats In The Cradle

I always liked this cover of the Harry Chapin song and its whimsical lyrics, but I absolutely hate the fact that Ugly Kid Joe got rid of the apostrophe (the original title is Cat’s In the Cradle), as it makes the punctuation incorrect in the context of the song.

Track 34: Faith No More – Easy

Pointless ’90s cover of the Commodores classic.  Always a great song, but the cover doesn’t do anything new.

Track 35: Bryan Ferry – I Put A Spell On You

Nice chillout-ish cover of the Screamin’ Jay Hawkins classic.  Really like this one.

Track 36: Ultravox – Vienna

Not sure what this 1981 classic was doing back in the charts, but I’m not complaining!  Wonderful, epic track.

Track 37: Paul McCartney – Hope Of Deliverance

Bit of a retro-tinged track, but it’s got a nice beat and a lovely tune.  Good one to end on.

Music Review: Now! That’s What I Call Music #23

Day 23’s Now! compilation takes us to 16th November 1992.

November 1992
This was how the world looked in November 1992. I was bang on trend in my pink and purple pastels, and the wee bro was apparently into the Red Arrows (or, more likely, we knew someone who was and they had gifted him the sweatshirt). Our house was not bang on trend, still rocking its ’70s brown furnishings. Also, my fringe still does that when I can’t be bothered styling it, which is 99% of the time.

These tracks were also bang on trend, I guess.

Now! That's What I Call Music #23
Track 1: Tasmin Archer – Sleeping Satellite

Oh, it’s this one!  Very pretty tune, like it.

Track 2: Jon Secada – Just Another Day

Another lovely tune, really nice atmosphere.

Track 3: Charles & Eddie – Would I Lie To You?

It’s an okay song (with yet another nice tune) but I’m not loving this one.

Track 4: Was (Not Was) – Shake Your Head

Good beat, but the song’s not got enough melody for me.  Interesting chorus though.

Track 5: Bob Marley & The Wailers – Iron Lion Zion

A ’70s track back in the charts – great reggae classic.

Track 6: Go West – Faithful

Go West did this one when I saw them in November, and it seemed to go down well with the audience.  I prefer their ’80s stuff (as you might expect), but this is still a great solid pop song.

Track 7: George Michael – Too Funky

Good head-nodder, nice instrumentals.  Quite like this one.

Track 8: Arrested Development – People Everyday

Really like the beat on this one, though it’s a bit repetitive otherwise.

Track 9: Simply Red – For Your Babies

Slow, dull ballad, and you know how I feel about those.

Track 10: Erma Franklin – (Take A Little) Piece Of My Heart

Another oldie back in the charts, from the ’60s this time!  This one’s a classic – great track.

Track 11: Brian May – Too Much Love Will Kill You

Beautiful track.  I probably marginally prefer the Queen version (Wikipedia has some interesting stuff about the differences) but it’s a stunner in both cases.  Lovely.

Track 12: Simple Minds – Alive And Kicking

Simple Minds’ 1985 classic back in the charts – this Now! compilation is certainly showing some love to the older tracks.

Wait a minute.

We already had this track on Now! #6!  I can’t tell you how annoyed I am that we’re only 23 albums in and the Now! compilers have started repeating tracks already.  Sort it out!

As such, I’ve already reviewed this one.

Track 13: John Lee Hooker – Boom Boom

Classic ’60s blues track, back in the charts for some reason.  Summer 1992 was clearly a highly nostalgic time.

Track 14: Billy Ray Cyrus – Achy Breaky Heart

Awful line dance ‘classic’.  Country music is not my thing at all, I’m afraid!

Track 15: Little Angels – Too Much Too Young

Nice rock instrumentals, but the vocals are a bit cheesy for me.

Track 16: Richard Marx – Take This Heart

Richard Marx can be a bit hit-and-miss for me, and this one’s a miss.  Too saccharine by far.

Track 17: Genesis – Jesus He Knows Me

It’s not quite clear from the title whether it’s meant to indicate startled realisation (‘Jesus!  He knows me.’) or religious sentiment (‘Jesus: he knows me.’).  Punctuation matters, people.

From the lyrics, it seems to be the latter.

It’s a great track otherwise – upbeat, epic atmosphere, awesome tune.  Really like this one.

Track 18: INXS – Baby Don’t Cry

Not hugely keen on the melody, and it’s a bit repetitive.

Track 19: Crowded House – It’s Only Natural

Nice tune, good head-nodder.

Track 20: Erasure – Who Needs Love Like That [Hamburg Mix]

Remix of the 1985 classic.  I couldn’t find the remix on Spotify, so it’s a good excuse to listen to the original!

Solid synthpop as ever from Erasure – great tune.

Track 21: The Shamen – Ebeneezer Goode

Classic early ’90s anthem complete with sledgehammer-subtle drug reference.  Great, danceable song.

Track 22: Rage – Run To You

Slightly odd dance cover of the Bryan Adams song.  I shouldn’t like it, but I kind of do.

Track 23: Bizarre Inc and Angie Brown – I’m Gonna Get You

Repetitive, irritating dance track.  Not a fan.

Track 24: Heaven 17 – Temptation [Brothers In Rhythm Remix]

We already had the original 1983 version of the song back on Now! 1, so I really don’t think this remix should have been included!

For what it’s worth though, it’s a super interesting remix with a great atmosphere.

Track 25: East 17 – House Of Love

Great danceable pop classic.  Really like this one!

Also, I never noticed until the Now! compilers’ inspired tracklisting here that both the ’80s and the ’90s had really famous pop bands with names that ended in ’17’.

Track 26: The Farm – Don’t You Want Me

Immediate side-eye at the notion of somebody covering the Human League classic, which in my view can’t be bettered.

Um…it’s fairly awful.  Messy track, bad cover.  Not a fan of this at all.

Track 27: Undercover – Never Let Her Slip Away

Nice tune, nice spiky synth line, nice sax solo.  Cheesy vocals, but you can’t have everything!

Track 28: Doctor Spin – Tetris

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Novelty Eurodance reworking of the classic Tetris music (I guess it would have been ‘new’ rather than ‘classic’ at this point) with bonus sampling of 2 Unlimited’s Get Ready For This.  Amusing, but a bit messy – though you can’t help but have an epic atmosphere with this tune.

Track 29: Ambassadors Of Funk and MC Mario – Supermarioland

More comedy stylings from the Now! compilers, with two Game Boy themed tracks one after the other.  Now I feel nostalgic for my Game Boy.  Of course, being a hoarder, I obviously still have it, though I’m more likely to play those classic games on my 3DS nowadays.

Anyway, the song.  It’s a rap about playing Super Mario Land, with the Super Mario Land music interspersed throughout.  Kind of all over the place, but I love that the Game Boy apparently inspired so much chart music at the time.

Track 30: Roxette – How Do You Do!

More solid pop-rock from Roxette – this one’s a bit retro-inspired.  Interesting vocals too.

Track 31: Abba – Dancing Queen

Classic ’70s anthem, back in the charts for 1992.  Can’t complain!

Track 32: Björn Again – A Little Respect

‘Not on Spotify’ Type 2: YouTube Pause (TM).

I’m not sure who’s trolling us harder here – Björn Again, who are covering Erasure as a response to Erasure covering Abba (my head hurts), or the Now! compilers, who have placed a track by an Abba tribute band directly after a track by actual Abba.  Also, I can’t remember what phrase people used instead of ‘trolling’ before the internet became ubiquitous.  ‘Taking the piss’, maybe.

As for the track, well, you can’t beat the Erasure original, but the quality of the music is not the point of this one, I don’t think.

Track 33: Vanessa Paradis – Be My Baby

Nice tune, very ’60s-retro-tinged.

Track 34: Betty Boo – Let Me Take You There

Lovely synth instrumentals, though as ever I’m not keen on Betty Boo’s rap style.

Track 35: Sophie B Hawkins – Damn I Wish I Was Your Lover

I’ve always liked this one, largely ’cause we had it on a Top Gear compilation when I was a kid.  Nice tune, great lyrics.

Track 36: Peter Gabriel – Digging In The Dirt

‘Not on Spotify’ Type 2: YouTube Pause (TM).

I tell a lie.  This one is on Spotify, but it’s a live version, and I hate live versions, so I’m going to be un-lazy and pause the playlist.

Verse is a bit dull, but it livens up for the bridge.  The tune is horribly repetitive though.

Track 37: Enya – Book Of Days

Wonderful heartlifting tune from Enya – absolutely beautiful atmosphere.

Track 38: Roy Orbison and KD Lang – Crying

I find the original Roy Orbison solo version pretty slow and saccharine as it is, and I’m not a fan of KD Lang anyway (I don’t like singer-songwriter slow acoustic-y type stuff), so I’m not keen on this.

Track 39: Freddie Mercury and Montserrat Caballé – Barcelona

I’m extremely cross with the Now! compilers.  We already had this track on Now! #10, where it opened my favourite childhood album perfectly.  The fact that it was back in the charts to coincide with the Olympics is not an excuse to repeat tracks!

You already know what I think of this one – just follow the link above.

Music Review: Now! That’s What I Call Music #21

Day 21, and Now! #21 was released on 13th April 1992.

April 1992
This is the way the world looked in April 1992. If you’re thinking it looks a bit ’80s, that’s because this shiny new-to-us holiday caravan was a few years old when we bought it, and so its original features are actually of a similar era to those of the gorgeous late ’80s house in which Geth and I now live. That TV was definitely not new either (I don’t think they were even still making black and white TVs in 1992).

Let’s have a listen to the stuff that soundtracked those ungodly-long-to-a-seven-year-old three-hour car journeys to the caravan!

Now! That's What I Call Music #21
Track 1: Queen – Bohemian Rhapsody

Absolute classic, the ultimate in epic atmospheres.  A welcome return to the charts made it the Christmas number one for 1991.  Beautiful piece of work.

Track 2: Wet Wet Wet – Goodnight Girl

Wet Wet Wet definitely into their slower, more introspective ’90s phase.  Some lovely vocals here.

Track 3: Shakespear’s Sister – Stay

Beautiful, classic song, with both vocalists used to brilliant effect.  Absolutely adore this one.

Track 4: The Temptations – My Girl

There seems to have been a bit of a trend in the early ’90s for ’60s classics coming back into the charts, though I think this example probably had something to do with the My Girl film.  Lovely track, anyway.

Track 5: Simply Red – Stars

Nice instrumentals, but the vocals and tune on this one annoy me.

Track 6: The KLF – Justified And Ancient

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Bit of a messy track, with too much going on.  Not keen on the tune to the vocals either.

Track 7: Madness – It Must Be Love

Re-release of Madness’ awesome 1981 cover of the Labi Siffre song.  Great to have this song and its fabulous sax solo back in the mix!

Track 8: Genesis – I Can’t Dance

Great rock-edged head-nodder from Genesis.  Love that singalong chorus, not to mention the classic shuffle in the video!

Track 9: Julia Fordham – (Love Moves In) Mysterious Ways

Nice piano instrumentals, but it’s too much of a slow, dull ballad otherwise.

Track 10: Crowded House – Weather With You

I’ve always liked the atmosphere of the verses on this – lovely guitar and vocals.

Track 11: Right Said Fred – Deeply Dippy

Typically daft track from Right Said Fred – nice tune on the bridge though.

Track 12: Mr Big – To Be With You

Argh, annoying vocals from the start, and that chant-along chorus only makes it worse!  Never been a fan of this one – too cheesy for me.

Track 13: Everything But The Girl – Love Is Strange

Everything But The Girl are a bit hit and miss for me.  This one’s too slow and too repetitive as far as I’m concerned.

Track 14: Roxette – Church Of Your Heart

Solid pop-rock as ever from Roxette – nice tune, good head-nodder.

Track 15: Brian May – Driven By You

Nice upbeat rock track, suitably epic lines going on.  Really like this one.

Track 16: The Wonder Stuff – Welcome To The Cheap Seats

I actually had this one in my head earlier today because the interview I was transcribing for work contained the phrase ‘we’re in the cheap seats’.

Anyway, the song is an absolute belter and one of my favourite Wonder Stuff tracks.  Stunning folk-rock instrumentals, singalong chorus, and bonus backing vocals from Kirsty MacColl.  Beautiful.

Track 17: The Jesus & Mary Chain – Far Gone And Out

Great upbeat rock track – Jesus & Mary Chain are another band that nailed that ’90s sound early on.

Track 18: James – Born Of Frustration

Love this tune and the way it builds – that trumpet hook is truly epic!

Track 19: The Cure – High

Lovely, sweet track from the Cure – gorgeous tune.

Track 20: Shanice – I Love Your Smile

The vocal hook on this one has always annoyed me, and that rap is awful and misplaced.  It gets one point for the sax solo, though.

Track 21: The Pasadenas – I’m Doing Fine Now

Pleasant, inoffensive cover of the ’70s classic.  A little dull for my tastes, though.

Track 22: Kylie Minogue – Give Me Just A Little More Time

Another generic cover of a ’70s track.  Not a fan of this trend.

Track 23: East Side Beat – Ride Like The Wind

Nice atmosphere, good upbeat dance track.

Track 24: 2 Unlimited – Twilight Zone

Typically epic dance from 2 Unlimited – great track.

Track 25: The KLF and The Children Of The Revolution – America: What Time Is Love?

‘Not on Spotify’ Type 2: YouTube Pause (TM).

An annoying doubling-up-the-artist faux pas from the Now! compilers – we’ve not had one of those for a while!

Unfortunately, this track is just as messy as the earlier one in my book – some nice samples, but they get drowned out by the cacophony.

Track 26: Clivilles & Cole – A Deeper Love

This one’s a bit generic – the piano instrumentals and vocals sound like pretty much every song that was released around this time.

Track 27: Opus III – It’s A Fine Day

Really like the vocal melody on this one.

Track 28: Erasure – Breath Of Life

Another perfect piece of synthpop from Erasure – those synth lines are to die for.

Track 29: MC Hammer – Addams Groove

Daft novelty track to tie in with the Addams Family film.  Still better than most of the stuff MC Hammer did.

Track 30: Salt-N-Pepa – Expression

Not enough in the track to keep my interest here – pretty much Salt-N-Pepa-by-numbers.  I do quite like the line ‘excuse us while we rap’, though.

Track 31: CeCe Peniston – We Got A Love Thang

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Annoying vocals, generic tune.  Not a fan.

Track 32: Paula Abdul – Vibeology

Like the instrumentals, but the song structure is a bit messy.  Also, that I-can-only-imagine-it’s-a-pregnancy-reference ‘in the funky way’ hook is insanely annoying.

Track 33: Alison Limerick – Make It On My Own

Not enough melody for me here – this one’s pretty dull.

Track 34: Tina Turner – Way Of The World

As is typical with most Tina Turner songs of this era, this one’s a bit slow and dull for me.  Nice sax solo though.

Track 35: Curtis Stigers – I Wonder Why

Mega sax intro, but it can’t save this boring, saccharine ballad.  Not for me.

Track 36: Diana Ross – When You Tell Me That You Love Me

And we’re back to an overblown, slow ballad to close the compilation.  Nice tune, but it’s just too cheesy for me.

Music Review: Now! That’s What I Call Music #9

Day 9 equals Now! #9, which was released on 23rd March 1987.

March 1987
This is how the world looked in March 1987. Well, it did in our house; maybe other people had moved on from the endless brown furnishings. I’m not sure that every toddler was lucky enough to have such an excitingly squishy new toy to play with that month, either *poke poke poke*. Sadly, said toy is not displayed on my display shelves with my other stuff from the ’80s. It is now over six foot tall and resident in Canada, and I only get to see it occasionally 🙁

Here are some tracks that may have floated into my tiny brother’s tiny ears.

Now! That's What I Call Music #9

Track 1: Jackie Wilson – Reet Petite

I hear this one regularly every Christmas period due to its status as the 1986 UK Christmas number one.  As a result, it’s slightly Christmas-associated in my book, and also slightly annoying.

Track 2: Mental As Anything – Live It Up

I wasn’t familiar with this one.  Nice chorus, good upbeat track.

Track 3: Simply Red – The Right Thing

This one’s a bit repetitive for me, though I like the instrumentals.

Track 4: Erasure – Sometimes

This is Geth’s go-to Erasure DJing track, so I kind of associate it with 2.55pm in a goth club.  Great tune, though.

Track 5: Robbie Nevil – C’est La Vie

It’s a bit dull, but there’s something I quite like about it, maybe just ’cause it’s been featured on so many ’80s compilations I’ve heard.

Track 6: Hot Chocolate – You Sexy Thing

This was a hit again ’cause it had a new remix for its tenth anniversary, though I can’t work out whether it was the original or the remix that was featured on this compilation.  Classic tune either way.

Track 7: The Blow Monkeys – It Doesn’t Have To Be This Way

I’ve always liked this one – great chorus, great saxophone riffs.

Incidentally, the Blow Monkeys are going to be supporting Level 42 at that gig at the Sage Gateshead in October!  I should really stop going on about said gig on here and go buy tickets instead.

Track 8: The Housemartins – Caravan Of Love

One of my favourite Housemartins tracks – lovely a cappella cover of an Isley Brothers song from the previous year.

Track 9: Boy George – Everything I Own

Hmm, not for me, this one.  Boy George has basically brought the ‘annoying’ aspect of Culture Club songs into his solo career.

Track 10: UB40 – Rat In Mi Kitchen

Nice jaunty, daft tune.  Love the whimsy of this one.

I should, however, point out that as a professional editor, I absolutely hate that misspelling of ‘my’ in the title.  Just why?

Track 11: The Gap Band – Big Fun

Like the atmosphere of this one, though the samples and vocals are a bit dull.

Track 12: Five Star – Stay Out Of My Life

I’m not a huge Five Star fan, and I find this one pretty dull, though some of the instrumental hooks are quite interesting.

Track 13: Pepsi & Shirlie – Heartache

It’s a bit pop-by-numbers, but I really like that the girls from Wham! got to go and have some hits by themselves (great vocals too now that they’re not playing second fiddle to George Michael!) before fading into obscurity again.

Track 14: Bananarama – Trick Of The Night

Love that sax intro, love the atmosphere of this one.  Great track.

Track 15: Berlin – Take My Breath Away

Another one from my original ’80s playlist circa 2001.  A bit overplayed due to the Top Gun connection, but a stunning pop ballad.

Track 16: Freddie Mercury – The Great Pretender

Wonderfully cheesy over-the-top dramatic number.  I’d expect no less from Freddie Mercury.

Track 17: Ben E King – Stand By Me

Nice ’60s classic – back in the charts, I believe, due to the film of the same name.  Lovely singalong track.

Track 18: Curiosity Killed The Cat – Down To Earth

Nice slightly laid-back track.  It’s a bit ‘background’ for me, but I do like it.

Track 19: The Communards – So Cold The Night

A slightly more dramatic one from the Communards, with a great epic atmosphere.

Track 20: Steve ‘Silk’ Hurley – Jack Your Body

Like the tune, but the vocal sample is really irritating!

Track 21: Taffy – I Love My Radio (Midnight Radio)

Great synth line, great catchy vocals!  Will be adding this to the playlist.

Track 22: Nick Kamen – Loving You Is Sweeter Than Ever

Lyrics a bit cheesy for my liking, though the tune is quite nice, and that sax solo is great.

Track 23: A-ha – Manhattan Skyline

Interestingly slow verses before it kicks in with a great upbeat chorus.  Nice epic atmosphere, great track from A-ha.

Track 24: Westworld – Sonic Boom Boy

Quite a fun wee track, good chant-along head-nodder.

Track 25: Bon Jovi – Livin’ On A Prayer

Hair metal headbanging time!  Most definitely a guilty pleasure.  This was a Cav classic circa 2001-2002 (i.e. played regularly at the Cavendish, a godawful cheap nightclub in Edinburgh that sold VK Apple alcopops for £1 each, resulting in a thousand hangovers during that era.  Ah, teen years.  The club still exists but, several name changes later, is now called Atik).

Track 26: Genesis – Land Of Confusion

Probably my favourite Genesis song – I love this one!  Bonus points also for the Spitting Image video.

Track 27: Europe – The Final Countdown

More headbanging, another guilty pleasure, and also, incidentally, another Cav classic (see above).  I can almost taste the VK Apple, which is not a good thing.

Track 28: Gary Moore – Over The Hills And Far Away

Love this folk-tinged bit of classic rock!  I’ve spent my adulthood in goth clubs hearing the Nightwish cover, but I prefer this original version.

Track 29: Ward Brothers – Cross That Bridge

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Nice bit of upbeat pop, currently chair-dancing here.  Great synth in the instrumentals.

Track 30: Pretenders – Hymn To Her

Great lyrics, though the track is a bit slow for me.  Nice tune too.

Music Review: Now! That’s What I Call Music #8

Day 8’s Now! compilation was released on 24th November 1986.

November 1986
Um, I’m not sure I can really say that this is what the world looked like in November 1986, given that my face pretty much takes up this whole photo. It’s what I looked like in November 1986, though, and I bet you can’t get dungarees that cute nowadays.

Let’s move onto the music.

Now! That's What I Call Music #8
Track 1: Duran Duran – Notorious

Yup, I still love Duran Duran.  I also wish the Now! compilers would start putting their tracks later in the mix.  I appreciate the need to start with a great tune, but sometimes it’s nice to save the best for last!

The song is one of my favourites (and not just for that Sparkle Motion bit in Donnie Darko that everyone always brings up).  I love the ‘no-no-notorious’ hook, the way the verses build, the funk guitar – great track.

Track 2: Pet Shop Boys – Suburbia

Another great track from Pet Shop Boys – absolutely beautiful chorus and synth line.

Track 3: Aerosmith and Run DMC – Walk This Way

Bit overplayed these days, but still a classic, although I have to say I prefer the original version that Aerosmith did themselves.

Track 4: The Communards and Sarah Jane Morris – Don’t Leave Me This Way

A childhood favourite and one of the first pop songs I learnt to sing along to!  I guess when you’re a toddler it’s easier to hit those high notes.

I discovered while Richard Coles was competing on Strictly last year that he’s responsible for the longest piano solo of the ’80s, which occurs in the middle of this song.  Plus points!

Track 5: Swing Out Sister – Breakout

Nice and upbeat, but there’s something about the vocal that annoys me.

Track 6: Steve Winwood – Higher Love

Charming song, always liked this one.  Great instrumentals, and I love that singalong chorus.

Track 7: Orchestral Manoeuvres In The Dark – (Forever) Live And Die

A bit slower than usual for OMD, but still a lovely tune.

Track 8: Genesis – In Too Deep

Nice epic instrumentals building throughout the song – really like this one.

Track 9: Cameo – Word Up

Another classic.  There have been a lot of pointless ’90s, ’00s and ’10s covers in an attempt to replicate the greatness of this song, but nothing has come close to the original.

Track 10: Grace Jones – I’m Not Perfect (But I’m Perfect For You)

I do like Grace Jones, and I really like the atmosphere of this track, especially during the verses.

Track 11: Mel & Kim – Showing Out (Get Fresh At The Weekend)

I’ve got a huge soft spot for Mel & Kim, and I really like this one, even though every time it pops up on Vintage TV Geth complains that they never show Respectable, which he apparently remembers as being a much bigger hit.

Track 12: Jermaine Stewart – We Don’t Have To Take Our Clothes Off

I love this one!  I never actually heard it until 2011, when it re-entered the charts after being featured in a Dairy Milk TV advert.  Great pop track.

Track 13: Jaki Graham – Step Right Up

Probably the best out of the Jaki Graham tracks that the Now! compilers have chosen recently.  Nice upbeat track with a catchy chorus.

Track 14: Janet Jackson – What Have You Done For Me Lately?

Quite a fun tune, but the lyrics annoy me.

Track 15: The Human League – Human

I really like this lovely, introspective track – a bit of a departure from the Human League’s earlier stuff, but really nice.

Track 16: Boris Gardiner – I Want To Wake Up With You

Bit cheesy for my liking, though I like the reggae beat.

Track 17: Peter Gabriel and Kate Bush – Don’t Give Up

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Lovely duet, lovely tune.  Really like this one.

Track 18: The Housemartins – Think For A Minute

I don’t think the Housemartins did a bad tune, and this is gorgeous as usual.

Track 19: Madness – (Waiting For) The Ghost Train

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Madness turn their hand to ‘spooky’.  Another one for the Hallowe’en playlist!

Track 20: Status Quo – In The Army Now

I really like the atmosphere of this one, and I’m not the biggest Status Quo fan.  Great track.

Track 21: Huey Lewis & The News – Stuck With You

A bit daft and cheesy, but it’s a nice head-nodder.

Track 22: Big Country – One Great Thing

This is a better Big Country track than has been included on Now! compilations so far.  Nice chant-along chorus.

Track 23: Billy Bragg – Greetings To The New Brunette

I like Billy Bragg’s stuff, though I wouldn’t necessarily add it to a typical ’80s party playlist.  It’s more for post-party listening circa 4am.  This one’s got a nice tune and awesome lyrics.

Track 24: Cutting Crew – (I Just) Died In Your Arms

A favourite from back during my first flush of ’80s nostalgia in the early ’00s – I played it over and over.  I was lucky enough to see Cutting Crew play back in November, and the crowd naturally went absolutely nuts for this one.  I think that was the point that Geth and I decided we were no longer going to be stuck in the upper gallery at the Sage, where the party is decidedly not happening.  Apart from anything else, you can’t take drinks into the upper levels!  This decision turned out to be a good one on Monday night, when we went to the Kim Wilde gig and enjoyed a much more high-energy atmosphere down on the floor.

Speaking of Kim Wilde…

Track 25: Kim Wilde – You Keep Me Hangin’ On

Is it another excuse to post the slightly blurry video I took of Kim Wilde performing this song on Monday night?  I think it is!

I like most stuff that Kim Wilde has done, but this is my absolute favourite track of hers.  Stunning cover of the ’60s classic that brings it storming into 1986 – amazing epic atmosphere.

Track 26: It Bites – Calling All The Heroes

Good pop track, though the messed up beat at the start annoys me a bit.  Great singalong chorus.

Track 27: Doctor & The Medics and Roy Wood – Waterloo

Utterly daft cover.  Sadly, I’m going to have to class it as a ‘pointless ’80s cover’, as it’s just not different enough from the Abba version.

Track 28: Debbie Harry – French Kissin’ In The USA

Okay song, but this has never come close to her Blondie classics for me.

Track 29: Robert Palmer – I Didn’t Mean To Turn You On

I really like Robert Palmer’s stuff, and this one is great – awesome instrumentals throughout.

Incidentally, it’s interesting in today’s climate to hear a song of this theme from a male singer.

Track 30: Paul Hardcastle – The Wizard

More interesting sampling from Paul Hardcastle.  Some great bits of tune on this track.

Track 31: Gwen Guthrie – (They Long To Be) Close To You

Nice gentle cover of the Carpenters track.  Not at all a pointless cover – it’s very different.

Track 32: Nick Berry – Every Loser Wins

Really dislike this one, sorry.  Cheesy ballad that I believe was released as an Eastenders tie-in.  Not a fan.

Music Review: Now! That’s What I Call Music #7

We’ve been doing this for a whole week.  Doesn’t time fly?

Day 7 takes us to 11th August 1986.

August 1986
In August 1986, the world looked like this, complete with the freedom to put a toddler in whatever ungodly beige thing I’m wearing here. Not one of my finer looks!

Let’s see what might have been blaring on the radio while I was toddling around that balcony.

Now! That's What I Call Music #7
Track 1: Peter Gabriel – Sledgehammer

Great start!  Awesome upbeat song, a real classic (doing the chair dance right now).  The video won lots of awards but I’ve never been a fan of it, though I’m sure it was groundbreaking at the time.

Track 2: UB40 – Sing Our Own Song

I do like the almost MIDI-videogame-music-esque instrumentals that run through this song.  Nice tune too.

Track 3: Sly Fox – Let’s Go All The Way

Nice beat, but the tune’s a bit dull for me.

Track 4: Level 42 – Lessons In Love

And with the awesome guitar intro to this song, Level 42 are reminding me that I really should buy tickets to that show I was talking about yesterday.  I love this track.

Track 5: Pet Shop Boys – Opportunities (Let’s Make Lots Of Money)

I’m so glad Pet Shop Boys have caught the eye of the Now! compilers!  I love pretty much everything they’ve ever done, and this brilliant track is no exception.  Love that slow synth intro that bangs into the chorus – awesome.

Track 6: Pete Wylie – Sinful!

Repetitive beats, lack of melody, boring samples, not really my thing.  It does get slightly more interesting as it builds.

Geth arrived home while this was playing and thought it was by James.  I’ve not asked how many drinks he had at his work’s wine reception, but it looks like a few.*

Track 7: Stan Ridgway – Camouflage

I do like this jaunty tune, though the vocals annoy me.  If I can find an instrumental version, I think I’ll be adding it to my regular playlist.

Track 8: The Art Of Noise and Max Headroom – Paranoimia

Like the synth at the start of this, like the sampling, love Max Headroom.  Fun track.

Track 9: Chris De Burgh – Lady In Red

Blurgh, far too much cheese here.  I don’t dislike everything he’s done, but this one is a real eye-roller.

Track 10: David Bowie – Absolute Beginners

Lovely song, up to the usual Bowie standard.  Nice video too, featuring a red phone box (though it’s filmed in black and white).

Track 11: Genesis – Invisible Touch

I really like the Genesis singles of this era.  Great catchy chorus, great instrumentals.

Track 12: Simple Minds – All The Things She Said

It’s bad that when I see that title my mind automatically goes to the 2002 Tatu hit, right?  I think that’s pretty bad.

This song, meanwhile, is a great upbeat track from Simple Minds, no male-gaze lesbianism in sight.

Track 13: The Housemartins – Happy Hour

Happy hour, happy song, happy Dee, quite literally.  This one always cheers me up.

Track 14: Big Country – Look Away

One of the Big Country songs that irritates me for some reason.  I think it’s the tune.

Track 15: Furniture – Brilliant Mind

I’ve always really liked the atmosphere of this one.  It builds beautifully.

Track 16: Midge Ure – Call Of The Wild

Nice pop tune, but it’s a bit forgettable.

Track 17: Wham! – The Edge Of Heaven

Were Wham! still going at this point?  I lose track.  Great catchy song though.

Track 18: Owen Paul – My Favourite Waste Of Time

I’m going to call this a guilty pleasure.  Should I feel guilty about it?  I’m not sure.

Track 19: Amazulu – Too Good To Be Forgotten

Unfortunately this song does not do what it says on the tin.  It may be unforgettable, but that’s due to the irritating tune that threatens to become an unwanted earworm if you hear it too often.

Track 20: Doctor & The Medics – Spirit In The Sky

Never been sure about this cover.  It’s very nearly a pointless ’80s cover in my book, as there’s little to differentiate it from the Norman Greenbaum original other than the harder guitar and interesting synth hooks, but I can’t help but love the video.

Track 21: Bananarama – Venus

My favourite Bananarama song!  Perfect piece of pop.

Track 22: Bucks Fizz – New Beginning (Mamba Seyra)

I do quite like a lot of Bucks Fizz’s stuff, but I’m not hugely keen on this one.  It’s a bit dull.

Track 23: A-ha – Hunting High And Low [Remix]

I quite like this one, even though it’s one of A-ha’s slower tracks.  There’s something quite epic about it.

Track 24: Simply Red – Holding Back The Years

Nice ballad, though I’d have to be in a pretty sleepy mood to put it on.

Track 25: Billy Ocean – When The Going Gets Tough, The Tough Get Going

Love this classic soundtrack song!  Though I’ve never seen The Jewel In The Nile (or Romancing The Stone, come to think of it), which I should sort out at some point.

Fun fact: Boyzone did a pointless ’90s cover of this in 1999 (well, I shouldn’t really call it pointless, seeing as it raised a lot of money for Comic Relief, but you know what I mean).

Track 26: Jaki Graham – Set Me Free

Nice upbeat pop song, though I’m not hugely keen on the vocals.

Track 27: Nu Shooz – I Can’t Wait

With a band name like this, what can go wrong?

I do like that jingly bit at the start.  I also just realised that Mann sampled this for Buzzin’ in 2010 and now I’m annoyed on Nu Shooz’ behalf.

Track 28: The Real Roxanne and Hitman Howie Tee – Bang Zoom (Let’s Go-Go)

The rap bit’s all right, but the sampled tune irritates me.  Not a fan.

Track 29: Lovebug Starski – Amityville (The House On The Hill)

‘Not on Spotify’ Type 1: lazy tribute version substitute.

Nice cheesy horror-themed track, very ’80s.  One for the Hallowe’en party playlist.

Track 30: Midnight Star – Headlines

Argh, that irritating vocal!  Not a fan of this one.

Track 31: Aurra – You And Me Tonight

Lot of spoken samples in the intro, repetitive backing track, dull vocals.  Not my thing.

Track 32: Patti LaBelle and Michael McDonald – On My Own

Pretty dull ballad, though the tune on the chorus is nice.

*He’s just informed me it was three.

Music Review: Now! That’s What I Call Music #1

You might be aware that the Now! That’s What I Call Music compilation album series will be releasing its 100th edition on 20th July this year.  I’ve got a huge soft spot for the series, largely because my parents bought the vinyl release of Now! That’s What I Call Music #10 in 1987 and it basically shaped my music taste, but also because it was such a big thing when I was growing up in the ’90s – at school and at parties, someone always had a Now! album kicking about.  I’m surprised in some ways that the series is still going strong in the age of streaming, but it is, which is nice and nostalgic for me.

To celebrate the upcoming 100th edition, I’m going to review every single Now! compilation – one per day between today and 20th July – starting, obviously, with #1, which came out on 28th November 1983.

(When I say ‘review’, I of course mean ‘burble about anything that comes to mind about these particular tracks’.  Just clarifying that in case you thought this was going to be in any way musically technical!)

Let’s get started, shall we?

Now That's What I Call Music #1

Track 1: Phil Collins – You Can’t Hurry Love

’80s-era solo Phil Collins, especially poppy, bouncy nonsense like this, is very much what I consider a ‘guilty pleasure’.  A few ciders and I will always be up dancing to this one at weddings.

Track 2: Duran Duran – Is There Something I Should Know?

I love Duran Duran, and this one’s a cracker, especially the constant backing vocals.  The lyrics are great too:

And fiery demons all dance when you walk through that door
Don’t say you’re easy on me, you’re about as easy as a nuclear war

People just don’t write songs like this nowadays (waves stick in air).

Track 3: UB40 – Red Red Wine

Another ‘I’d dance to this one at a wedding’ track.  There may be a theme emerging.  Cheesy, but in a pleasant, head-nodding way.

Track 4: Limahl – Only For Love

I wasn’t familiar with this one, which is unusual for me with ’80s pop songs.  I do like the epic nature of the bridge, and the song gets better as it goes on, but I probably wouldn’t add it to my Spotify playlist.

Track 5: Heaven 17 – Temptation

A favourite!  I defy anyone not to chant along with the ‘temp-tation‘ bits.  Incidentally, if you ask Geth to DJ your wedding, you’ll inevitably hear this one.

Track 6: KC & The Sunshine Band – Give It Up

Bit cheesy even for me, this one, but I do like the instrumental bits.

Track 7: Malcolm McLaren – Double Dutch

Another one I didn’t know.  I’m not keen on the sampling mishmash at the start, but I quite like the idea of an ode to skipping ropes.  It’s the kind of whimsy that’s mostly missing from music today.

Track 8: Bonnie Tyler – Total Eclipse Of The Heart

One for singing along to at the top of your voice when you’re absolutely certain nobody else can hear you (this is a pleasure that was denied to me for quite a few years until I moved into a detached house last month).

Track 9: Culture Club – Karma Chameleon

Not my favourite Culture Club song, but I have fond memories of my friend Laura and I writing notes to each other in our homework diaries in high school, arguing about the correct lyrics to this song (she thought it was ‘if you were the colour of my dreams‘, rather than ‘if your colours were like my dreams‘).  These things were extremely important.

Track 10: Men Without Hats – The Safety Dance

I make no apologies for adoring this one.  I also point you to this wonderful meme, which Geth likes to use for complaining purposes whenever we hear it in a goth club.

Track 11: Kajagoogoo – Too Shy

Daft song, but it’s still better than all of Limahl’s solo stuff except for Neverending Story.

Track 12: Mike Oldfield – Moonlight Shadow

I love this one – it’s epic and beautiful.  It was also used to really good effect in the ’80s edition of The Doctor Who Years, which is sadly no longer available to watch.

Track 13: Men At Work – Down Under

Wonderfully silly party song that always reminds me of an Australian guy called Ben that I used to work with circa 2002.  In the pub post-shift, this was his song.

Track 14: Rock Steady Crew – (Hey You) The Rock Steady Crew

I can’t listen to this one without being reminded of its use in Peter Kay’s brilliant Britain’s Got The Pop Factor parody in 2008 (and I can’t believe that show is nearly a decade old already).  The song itself is pretty nonsensical, but I quite like the synth line.

Track 15: Rod Stewart – Baby Jane

Actually my favourite Rod Stewart song, just edging out Maggie May.  I love the instrumentals (especially that sax solo!), the lyrics, the epic nature, everything.

Track 16: Paul Young – Wherever I Lay My Hat (That’s My Home)

To be honest, though I usually like Paul Young, I find this one a bit dull, so I think it was a poor choice for ending disc one of the album.

Track 17: New Edition – Candy Girl

Never been a fan of New Edition or this song, largely because I have an aversion to squeaky kid voices, especially squeaky kid voices singing love songs.  Let’s move on.

Track 18: Kajagoogoo – Big Apple

Please take a moment to envisage my raised eyebrow here, as I was always taught when learning to DJ that repeating an artist in a setlist (or compilation album, in this case) is lazy, unimaginative and generally Not Done.  Give another artist a chance to be heard!

As for the song itself…it’s nice bouncy ’80s pop with cute little bursts of saxophone, but nothing hugely special.

Track 19: Tina Turner – Let’s Stay Together

Boring slow intro and verses, but good ‘chair-dancer’ once the chorus gets going.

Track 20: The Human League – (Keep Feeling) Fascination

Typical upbeat Human League stuff for this era.  Not my all-time favourite of theirs, but perfectly catchy and pleasant.

Track 21: Howard Jones –  New Song

I didn’t really get into Howard Jones until about a year ago, when Vintage TV started playing his stuff a lot.  This one’s a nice bouncy, catchy number with a great synth instrumental bit.  Big fan of this.

Track 22: UB40 – Please Don’t Make Me Cry

More repetition of artists (sigh).  If they were determined to do that, they should have saved Red Red Wine for side two, as it’s a much better song than this one.  Slow, downbeat, nice sax solo but generally a bit dull.

Track 23: Peabo Bryson and Roberta Flack – Tonight, I Celebrate My Love

The kind of appallingly saccharine ballad that I would have hated if I’d been an adult listening to it in 1983, but from my lofty perch of hindsight in 2018 I can just put it into a box marked ‘charmingly of its time’.

Track 24: Tracey Ullman – They Don’t Know

I do like ’80s-era Tracey Ullman and her comedy-tinged music videos.  There’s something a bit mid-century retro about this one, which I quite like.  It was originally a Kirsty MacColl track, which explains the quality.

Track 25: Will Powers – Kissing With Confidence

Is that his real name?  Apparently not (and apparently it’s not actually a he).  The song is expectedly daft and not much to write home about musically.

Track 26: Genesis – That’s All

For some reason I always think of Genesis as more musically respectable than solo Phil Collins.  I’m not sure why.  This one’s another head-nodder, but not playlist-worthy for me.

Track 27: The Cure – The Love Cats

Being a shameless goth, the Cure are my favourite band.  This is a great upbeat party song, but if you want something more epic, beautiful and melancholy, I thoroughly recommend all the other tracks on the Japanese Whispers EP.  I remember spending all of 2004, which was a tough year for me, just listening to it over and over.  Gorgeous stuff.

Track 28: Simple Minds – Waterfront

Lovely guitar intro on this one.  Fairly paint-by-numbers Simple Minds, without much in the way of hooks.

Track 29: Madness – The Sun And The Rain

Madness can’t do much wrong as far as I’m concerned.  Great bouncy track.

Track 30: Culture Club – Victims

Eyebrow goes up again at another repeated artist!  I’ll forgive the Now! compilers this time, though, because I do love this one and its epic and sweeping chorus.