It’s my birthday today, but I didn’t go out tonight. I’m thirty-four years old now – I have far better things to do. Things I did do today:
Got up early and went to Slimming World, because it’s important to keep an eye on things over Christmas even when it is your birthday.
Opened presents and cards under Mum and Dad’s Christmas tree, just as I do every year. It’s the tenth day of Christmas and that Christmas tree is still important! Nobody’s ever got me any lords a-leaping for my birthday though.
Drank prosecco and blew out candles on my birthday cake – it was a New York style cheesecake as usual, made by the world’s best dad as usual!
Packed up and left Edinburgh to go back to Newcastle after ten lovely days spent at Mum and Dad’s for Christmas.
Got on a train. Geth was worried about travel stress spoiling my birthday, but it was actually a really relaxed journey.
Got home and put on the heating and both fires to warm up our ice block of a house!
Ordered takeaway pizza and drank more prosecco. It’s my last non-sober birthday, and it’s been a double-prosecco day. I am okay with this.
Spent a perfect birthday evening watching ’80s episodes of Top of the Pops recorded off BBC4. I’m very nearly at the point in the marathon where I’ll get to watch the episode from Thursday 3rd January 1985! So glad I was born on a Thursday. That one’s going to be staying on the digibox and constituting my birthday viewing for many years to come.
It’s been a good day.
Today’s earworm playlist:
Alison Moyet – This House Duran Duran – Hungry Like The Wolf
And a bonus track that Geth was humming earlier:
Kraftwerk – The Model
Plus my awesome birthday playlist that I made on Spotify earlier:
will.i.am and Cody Wise – It’s My Birthday 50 Cent – In Da Club Lesley Gore – It’s My Party Bowling For Soup – 1985 The Birthday Massacre – The Birthday Massacre The Crüxshadows – Winter Born (This Sacrifice) Altered Images – Happy Birthday Band Aid – Do They Know It’s Christmas?
If you’re lucky, there’s something special about the song that was number one when you were born. Maybe it symbolises something about your life, or your interests, or the person that you ended up growing up to be. Maybe it’s just a really awesome song.
If you’re unlucky, you end up like Geth and get Theme From M*A*S*H (Suicide Is Painless) (UK number one from 25th May 1980 to 14th June 1980, fact fans!) as your birthday number one. It’s not bad as TV theme tunes go, but it’s not special to Geth – he didn’t grow up to be a soldier, or an expert on the Korean War, or even much of a M*A*S*H fan, really.
I was lucky, and my birthday number one is special to me. I love it as a Christmas baby, as an ’80s throwback, as a chart geek, and as a lover of music in general. It’s an extremely well-known Christmas song – one of those tracks you hear constantly from the middle of November until early January. It held the record for the best-selling single in UK chart history for more than twelve years, only ever being overtaken by Elton John’s Candle In The Wind ’97 after the death of Diana, Princess of Wales in September 1997.
My birthday number one is Band Aid’s Do They Know It’s Christmas?, one of the most famous recordings in music history.
I was born on 3rd January 1985, the twenty-sixth day of the thirty-five day period (9th December 1984 to 12th January 1985) that Band Aid’s Do They Know It’s Christmas? spent at number one in the UK. From the 1984-1985 UK birthrates available online, I estimate that I share my birthday number one with approximately 71,000 other Band Aid babies, including Georgia Moffett, Lewis Hamilton, and Newton Faulkner. (I would love to be able to work out the exact number, but the internet is not forthcoming at the moment!)
Due to the ubiquity of the song, I grew up with it, and it became my favourite Christmas song long before I realised that it was my birthday number one. I pored over the upside-down answers to Smash Hits quizzes that challenged readers to name all the artists involved in the song, and memorised names that were unfamiliar to me in the context of the early ’90s pop music landscape. I dutifully learnt to sing the song with my primary school class in preparation for our Christmas performance at the local old folks’ community centre. I waited excitedly for it to come on as soon as my brother and I were allowed to play the family’s Christmas compilation CD (That’s Christmas) on the 1st of December every year. It’s one of those songs that you hear hundreds of times every year, and so it never really goes out of your mind. That’s not something you can say about Theme From M*A*S*H (Suicide Is Painless).
The finer points of Bob Geldof’s project to put together a charity supergroup and the song’s recording on 25th November 1984 are well known, detailed in a hundred different BBC4 documentaries and summarised fairly well on Wikipedia (though I highly recommend the Smash Hits coverage of the recording day included in the collection book The Best Of Smash Hits: The ’80s for a bit of period flavour – it has a great group photo of all the artists involved except for Boy George, who infamously didn’t show up till six o’clock in the evening due to oversleeping in New York and having to get on a Concorde back to London).
I’ve been to a lot of concerts in my life, including a lot of concerts by artists who were big in the ’80s due to it being my favourite music era and favourite era in general. But the other day, it occurred to me that I had never gone to see a single one of the thirty-seven artists who performed on my birthday number one. I had never even seen any of the additional seven artists who couldn’t make it to the recording and so sent recorded Christmas messages to be used on the B-side of the single.
This is the part of the post where I get to the point.
I will never get to see every single one of the artists involved in my birthday number one. Sadly, two of the musicians who contributed to the song (George Michael and Rick Parfitt) and two who recorded B-side messages (Stuart Adamson and David Bowie) have since passed away. But I have decided that I will make a concerted effort to see as many of the rest of them as possible. After all, I have more opportunity than some. My brother’s birthday number one is Ben E King’s Stand By Me (a re-entry at UK number one between 15th February 1987 and 7th March 1987), which means that since King’s death in 2015 he has no longer had the possibility of seeing his birthday number one artist. People who were born between 14th December 1980 and 20th December 1980, when (Just Like) Starting Over was number one following John Lennon’s assassination, have never had the chance to see their birthday number one artist.
Enter the Band Aid bucket list!
For most of my bucket lists, I reckon that if I’m lucky enough, I’ve got another fifty or sixty years left to get them completed. Time is not so much on my side for this particular list, given that all the artists on it are now in their fifties and sixties and won’t be performing or alive forever. As such, rather similarly to the huge hoard of ’80s vintage clothing I’m collecting while it’s still cheap and plentiful, I aim to get the bulk of this project achieved while I’m still in my thirties, and so I’m targeting >50% list completion by my fortieth birthday on 3rd January 2025. That gives me six years, one month and fourteen days as of this post to see as many of the following artists as possible. I’d better get a wiggle on.
Day 4, and today’s Now! compilation was released on 26th November 1984 (just one day after the recording of the original Do They Know It’s Christmas? by Band Aid, fact fans).
I wonder what the Now! compilers have in store for me today?
Track 1: Paul McCartney – No More Lonely Nights [Special Dance Mix]
I couldn’t find the dance mix, so I’m reviewing the original. Nice tune, but a bit slow for my liking.
Track 2: Giorgio Moroder and Philip Oakey – Together In Electric Dreams
Another one of Geth’s DJing favourites. Great synthpop, love this one. That chorus!
Track 3: Bronski Beat – Why?
Great dance track, really like this one, especially the trumpet instrumentals.
Track 4: Limahl – Neverending Story
Hey, it’s Limahl’s one good solo song that I was talking about the other day! (Well, I say solo – it’s actually a duet with Beth Anderson, but she never gets credited.) Love the ethereal vocals, great tune.
Track 5: Nick Heyward – Warning Sign
I like the guitar instrumentals. Most of the song is a bit pedestrian, but it does step up towards the end. Also, is that a rap at about two-thirds of the way in? You almost never hear that in pop of this era. Interesting.
Track 6: John Waite – Missing You
A favourite. Nice intensity on the chorus, great guitar line.
Track 7: Michael Jackson – Farewell My Summer Love
Bit saccharine for my liking. I prefer Michael Jackson’s stuff when it has a bit of edge.
Track 8: Lionel Richie – Hello
I think most people know this one for the so-bad-it’s-hilarious video, which features Geth’s least favourite trope, that of the icky student-professor relationship. The song is extremely cheesy, but is also in the realm of so-bad-it’s-good for me, and I actually quite like it in a serious way when I’m in the right mood.
True fact: one time in Southampton, a couple of random guys serenaded me on the street with this song. I could not stop laughing, which I’m not sure was the desired effect.
Track 9: Culture Club – The War Song
Argh, it’s another example from the ‘annoying’ end of Culture Club’s back catalogue! I do like some of their stuff…I just can’t think of any examples at the moment.
I forgot to mention during the Karma Chameleon review the other day that that song gets bonus points for inspiring the Lothian Buses ‘Karma Chameleon’ no. 26 bus, which was one of my favourite stories of 2017. It goes to Edinburgh Zoo, is painted in red, gold and green, and says ‘we come and go’ on the back! I am in love. I never go to zoos ’cause I always think the animals look sad, but I gotta get myself on that bus sometime when I’m in Edinburgh.
Um, back to The War Song. ‘War is stupid, and people are stupid‘, and in all honesty I find these lyrics irritatingly stupid too. Sorry.
Track 10: Elton John – Passengers
I quite like this bouncy song when I’m in the right mood, especially the chanting on the chorus.
Track 11: Julian Lennon – Too Late For Goodbyes
Nice upbeat track, though it’s more of a ‘background’ one for me.
Track 12: The Style Council – Shout To The Top!
I’m not usually that keen on the Style Council, but this one’s actually all right – I like the strings on the intro and the slightly urgent atmosphere.
Track 13: Thompson Twins – Doctor! Doctor!
I just remembered I really like this one (great synth line!), so maybe I was a bit hasty in writing off the Thompson Twins during yesterday’s review. Another one that was used well in The Doctor Who Years, which was kind of an obvious choice if you think about it.
Track 14: Heaven 17 – Sunset Now
Typically nice pop from Heaven 17, though I prefer their more synth-y stuff.
Track 15: Kane Gang – Respect Yourself
I’m a big fan of this one, largely because the video was filmed in central Newcastle, and as I only moved to Newcastle in 2015 (and had never been here in my life until Geth and I came to househunt a month before we were due to move), I find it fascinating to see what the Quayside looked like in the mid-’80s before it was de-industrialised and gentrified. Quite like the song too.
Track 16: Tina Turner – Private Dancer
I can’t put my finger on why, but I’ve never really liked this one, even though it does have a couple of nice sax solos.
Track 17: Queen – It’s A Hard Life
Not my favourite Queen song, but I can’t say they ever did a bad song – it’s still a good chair-swayer.
Track 18: Status Quo – The Wanderer
I quite like the jauntiness of this one. It might even make my list of ‘songs I’d dance to at a wedding reception’ – if I’d had a lot of cider.
Track 19: Big Country – East Of Eden
Probably one of the best Big Country songs in my opinion. Great tune and atmosphere.
Track 20: U2 – Pride (In The Name Of Love)
Most of the song is a bit dull, but I do quite like the chorus.
Track 21: Feargal Sharkey – Listen To Your Father
Not only is this song not on Spotify, but there’s no tribute version either, so I couldn’t be lazy this time – I had to pause the playlist and hit up YouTube. So inconvenient.
As for the song, I quite like this one – nice uptempo track and instrumentals, even if the lyrics are a little irritating.
Track 22: Orchestral Manoeuvres In The Dark – Tesla Girls
Awesome uptempo synthpop. OMD delivering the goods as usual.
Track 23: Kim Wilde – The Second Time
Great piece of pop! It’s everything I love about the ’80s – great bassline and instrumentals, epic atmosphere, strong lyrics. It’s begging to be played on vinyl on my dad’s old sound system, rather than digitally through my tinny laptop earphones.
Incidentally, I’m going to see Kim Wilde at the Sage Gateshead tomorrow! I’M SO EXCITED. Watch out for my review of the gig on Tuesday.
Track 24: Nik Kershaw – Human Racing
A bit slow and dull for me, and there’s something I’m not keen on in the tune. Nice lyrics though.
Track 25: Ray Parker Jr – Ghostbusters
How can you not love this one? The ultimate party song.
I also have many happy memories of playing it on Lego Rock Band. Now that I live in a detached house, I have got to break out those Rock Band drums again. It’s just a case of finding the time!
Track 26: UB40 – If It Happens Again
Another good chair-swayer, but again this one’s a bit more ‘background’ for me.
Track 27: Pointer Sisters – Jump (For My Love)
It’s an okay party song, but I’ve always been a bit ‘meh’ about this one.
Track 28: Level 42 – Hot Water
Good danceable song, great instrumentals.
Track 29: Eurythmics – Sex Crime (Nineteen Eighty-Four)
I really like Eurythmics, and this one’s a great dance song with chantable lyrics. It vastly improves what has been a relatively poor second disc so far.
Track 30: Rockwell – Somebody’s Watching Me
I LOVE this song. Great sing-along track, great for Hallowe’en playlists, great for parties. Awesome video too.
Track 31: Malcolm McLaren – Madam Butterfly
Quite a nice chillout track until the spoken word kicks in. Is there an instrumental version of this?
Track 32: Eugene Wilde – Gotta Get You Home Tonight
Fairly typical ’80s soul. Nice tune, if a bit slow.