Music Review: Whitesnake: Flesh And Blood

I’ve got a bit of a soft spot for Whitesnake, for three reasons:

  1. Their 1987 version of Here I Go Again was featured on Now! That’s What I Call Music #10, the greatest compilation of all time.
  2. Their ’80s videos are completely overblown and ridiculous, with the biggest hair and shoulder pads you have ever seen, and I absolutely love them.
  3. They’re from Middlesbrough, which I find endlessly hilarious. You won’t find anyone doing somersaults on the bonnets of Jaguars around there.

As such, I thought I’d give their latest collection of rock tunes a listen!

Whitesnake - Flesh And Blood

Good To See You Again

Great upbeat bit of hairmetal to start off with, with an awesome classic sound that reminds me why rock music doesn’t need to change. Ever. Love that guitar solo!

Gonna Be Alright

This one’s slower and has a little more of a ’90s sound about it. The backing vocals give it a really nice atmosphere.

Shut Up And Kiss Me

A good classic metal riff to kick this one off, and again I really like the effect of the backing vocals!

Hey You (You Make Me Rock)

Great rock guitar opening – this one’s very ’70s, a bit glam rock in many ways.

Always And Forever

A bit more slow and melodious – this one is unashamedly a love song. A bit cheesy for me lyrically, but I do like the ongoing ’70s-esque sound!

When I Think Of You (Colour Me Blue)

Another slower, slightly march-y track – a definite rock ballad, which is very classic Whitesnake!

Trouble Is Your Middle Name

Great blues-y, brooding atmosphere on this one, with a good shout-along chorus.

Flesh And Blood

The title track is one of the slower ones on this album, with a slight country rock tinge to it.

Well I Never

Another good stadium sing-along track, and I love the atmosphere on the verses.

Heart Of Stone

The guitar riff in this is beautiful and atmospheric! I think this one is my favourite track on the album.

Get Up

Back to the upbeat hairmetal for this one. Great chorus!

After All

A surprisingly acoustic-y interlude. Not usually my kind of thing, but it’s quite a pretty tune.

Sands Of Time

A nice atmospheric Eastern-tinged backing track and almost-goth vocals. I really like this one – great way to finish the album!

Overall this is a really nice and varied collection – very enjoyable.

Music Video Monday: recent chart catchup

It’s been a few weeks since we caught up with recently released videos for current chart hits.

Lewis Capaldi – Hold Me While You Wait

I’m not sure if we’re going to get a more official video at some point, but this Vevo one, with Lewis singing in a library, does the trick for now. It’s a live performance, apparently, but it sounds exactly the same as the record. Keep watching and eventually they zoom out far enough for a glimpse of the piano player.

James Arthur – Falling Like The Stars

The video for this one is a fairly solemn affair about a military wife who works in a diner. There’s a happy ending though!

Skepta and Nafe Smallz – Greaze Mode

This video is really nicely filmically done, like a ’60s/’70s gangster or bank heist movie. I love retro stuff so this one has my approval.

Lewis Capaldi – Bruises

Another live performance video from Lewis Capaldi that sounds exactly like the record, although this one was actually released two years ago. The cellar setting is a bit ominous, but there’s some nice piano porn towards the end.

More music video action next week.

Gig Review: Martin Kemp DJ Set at Wylam Brewery, 26th May 2019

Spandau Ballet are having a bit of a quiet period at the moment. Following Tony Hadley’s departure, they did do some gigs with Ross William Wild as frontman, but it’s just been announced that he’s leaving the band, so…not sure when we’ll next get a Spandau tour, or who’ll be singing (Shapers of the ’80s have a rather bleak take on things here). However, it does mean that the individual members currently have free time to pursue their own projects – and in Martin Kemp’s case, that means touring up and down the UK with a hits-laden ‘Back to the ’80s’ DJ set! I am all about this kind of thing, so I bought tickets to the Newcastle event as soon as they went on sale.

The set was bookended by warmup and afterparty sets from the resident Wylam Brewery DJ, Tommy, so there were already some good ’80s tunes going when Geth and I walked into the venue. The main set didn’t start until ninety minutes after doors, so I had plenty of time to settle in and drink lots of Fentimans Rose Lemonade.

Martin Kemp DJ set
Martin Kemp, getting the party started.

Once the set did get going, it was pretty much a non-stop singalong and a great night out! The music tended towards ‘cheesy ’80s’ rather than ‘synthy ’80s’, but I knew every word (unlike some of the people there who were clearly a bit older than me and should have been able to remember the music properly – sort it out and learn the second half of the When Will I Be Famous chorus!) and I had a hoarse voice and sore feet by the end of the night.

As was predicted and welcome, Martin finished with Spandau Ballet’s Gold. Well, not quite, as we then got a bonus track: the Proclaimers’ I’m Gonna Be (500 Miles). I love the Proclaimers and consider I’m Gonna Be (500 Miles) to be the unofficial Scottish national anthem (it’s a far better choice than the problematic Flower Of Scotland and the dirge-like Scotland The Brave). However, I can’t stand it being sung by a roomful of drunk people because EVERYBODY gets it wrong – there is no ‘da da la da’ chant after the first chorus, it just goes straight into the second verse, but everybody starts singing the ‘da da la da’ bit anyway and it DRIVES ME UP THE WALL. When it was played on Sunday night, even Martin got it wrong! You’d think that if he finishes with that song every time he does a DJ set, he’d get it right!

Anyway, apart from people not having done their ’80s singalong homework, it was the best night out I’d had all year. I’d been worried that my singing-along-and-dancing days were over after I quit drinking (I actually covered this subject in one of the poems I performed last Wednesday, as it’s really been playing on my mind), as I was always so self-conscious about it without a drink in me. However, I really felt able to let go on Sunday, so I’m feeling a bit more positive about future nights out now. The power of ’80s pop!

Martin Kemp is playing Wylam Brewery again on the 31st of October, so I think that might be my Hallowe’en night out sorted for this year!

Updated Band Aid baby bucket list progress: song artists 5/37 (13.5%); message artists 2/7 (28.6%); total artists 7/44 (15.9%).

Music Video Monday: Spandau Ballet: Gold

As I mentioned yesterday, I went to see Martin Kemp’s DJ set at Wylam Brewery last night (show reviewed here). I then listened to his bank holiday show about the New Romantic scene on Radio 2 this afternoon. On both occasions, he finished with Gold, which was (a) absolutely expected and (b) a consequent earworm for the rest of the day.

The song was one of my early loves when I first got into ’80s nostalgia in the ’90s, but the video makes it even better, despite the fact that its attempt at a narrative is typically daft.

It’s about trying to solve a jigsaw puzzle made out of gold. I think? Anyway, at the start of the video, a woman’s hand is shown stealing one of the pieces, making the jigsaw frustratingly unfinishable for everyone else.

Spandau Ballet - Gold

The video then follows Tony Hadley, who has heroically taken it upon himself to track down the stolen puzzle piece, roaming around somewhere in north Africa in search of his objective. There are a lot of sharp suits and sunglasses in this video.

Spandau Ballet - Gold

He occasionally catches glimpses of a gold-painted woman, presumably the gold lover who stole the puzzle piece. The gold lady was played by Sadie Frost, who was later married to Spandau bandleader Gary Kemp.

Spandau Ballet - Gold

There is a really annoying jump cut around the 1:20 mark – it’s meant to be a seamless blending of shots of a guitar, giving the effect of the background changing behind the instrument, but it really doesn’t work – largely because the two guitars are lit so differently! Maybe this one should be classed as ‘the best they could do in 1983’.

Spandau Ballet - Gold
Guitar one…
Spandau Ballet - Gold
…and guitar two, which appears to be a much warmer colour!

The video ends in a way that is possibly meant to be an homage to Goldfinger (it’s not very clear), with Tony finding the gold-painted lady apparently dead from the paint (a murder method that has been debunked, incidentally). He morbidly places her gold pendant on her body and takes back the puzzle piece she stole.

Spandau Ballet - Gold

The video finishes with Tony completing the jigsaw puzzle. A happy ending!

Watch the full video:

Music Video Monday: The Midnight: Days Of Thunder

I was going to do a ‘recent chart catchup’ for Music Video Monday today, but there haven’t been any catchup videos released for current chart hits in the last few weeks, so I’m going to go with another synthwave video instead. Geth and I have been getting into synthwave in a big way and so we’re watching a lot of playlists on YouTube. There have been some really brilliant videos made specially for the songs (such as the Gunship video I featured a couple of weeks ago), but I’ve also got a soft spot for the early makeshift attempts that are more like fanvids, such as this offering for the Midnight’s 2014 track Days Of Thunder.

The video is a lovely dreamy collage of clips from American ’80s car ads. As I was dream car shopping for about a month until I bought my Skoda last week, I’ve been really enjoying this one lately! The adverts used are brilliant and are encouraging me to track down more of the same type online. It’s probably for the best that I don’t have that much free time at the moment.

I am presuming the title of the song is a reference to the 1990 film. However, Geth keeps singing it as ‘Days Of Wonder’ (Days Of Wonder is a boardgame company).

Despite all the awesome cars, though, the highlight of the video is this guy’s 1980 moustache:

The Midnight - Days Of Thunder

Once upon a time, this was the height of style.

More music video discussion next week!

Music Review: Howard Jones: Transform

This new offering from Howard Jones came out last week. I’m a little gutted that I won’t be able to catch him on tour this month (his Newcastle gig clashes with the UK Games Expo), but at least I’ve got the new album to explore.

Howard Jones - Transform

The One To Love You

We open with some chilled-out synth lines, and with that vocal I’m taken straight back to the classic hits of the ’80s! This is highly playlist-worthy and a great opener for the album. Lovely bit of piano at the end too.

Take Us Higher

A slightly more modern electro sound to this one, with the instrumentals a bit reminiscent of ’90s videogames. Very danceable.

Beating Mr Neg

This one is slightly more chilled out on the verses before launching into a nice big ’80s pop chorus, then goes all melancholy and pretty towards the end.

Transform

Lovely dreamy synthscapes on this one, and the beat is fantastic – I can’t stop chair-dancing!

Hero In Your Eyes

We’re back to the slightly videogame/8-bit feel, with a nice classic pop vocal over the top.

Tin Man Song

Some great jangly, slightly jazzy synth lines on this track, which has a lovely soulful feel to it.

At The Speed Of Love

We slow right down for a pretty synth ballad. Gorgeous tune!

Eagle Will Fly Again

Great atmosphere on this one – there’s a slightly ominous tension to the synth lines, and then another big pop chorus.

Mother

Another pretty ballad, this time with lots of piano and an epic, sweeping feel.

Stay With Me

The album closer is a funky, upbeat dance track with a bit of a ’90s feel. It feels a little jarring after the preceding super-slow ballad, but it’s a great tune.

Well, after listening to the album, I’m even more disappointed that I can’t go and see Howard Jones live this time around. I’ll just have to hope that he tours again soon!

Music Review: Bananarama: In Stereo

I’m about three weeks late with this review as I’ve just not had a chance to listen until now, but Bananarama’s new album has been worth the wait!

Bananarama - In Stereo

Love In Stereo

We open with a gorgeous synth line that just dropped out of the ’80s, coupled with an upbeat vocal. Very danceable!

Dance Music

The electro line in this one sounds very ‘videogame’, and the atmosphere is jazzy and cool. It reminds me a bit of the Moloko/Goldfrapp type stuff from the early ’00s.

I’m On Fire

Great epic atmosphere on this one, especially on the chorus, and it’s another one with a good beat for dancing.

Intoxicated

Nice funk sound on this track, and the vocals are super ’80s! One for my regular playlist.

Tonight

A slightly slower track, with the vocals being noticeably more chilled out, but it’s still got a great beat.

Looking For Someone

This one is interesting – it has slightly more of a ’90s indie sound, but the tune is still very classic pop.

Stuff Like That

I listened to this one a couple of months ago when I featured the video for Music Video Monday. Still loving the shameless ’80s vibes on the track!

It’s Gonna Be Alright

I really love the atmosphere on this one – the synth line is gorgeous.

Got To Get Away

This one is more guitar-driven – in a slightly acoustic-y way sometimes, so it’s not quite as much my thing, but it’s still a good tune.

On Your Own

Lovely epic atmosphere on this slower, chilled out track (and I love the hint of Spanish guitar!). Great tune to close with.

Overall this is a really solid, cracking album. There’s a bit more harmony in Sara and Keren’s vocals than there used to be, but it still sounds very classic Bananarama – most of the tracks sound straight out of their ’80s heyday, which is no bad thing as far as I’m concerned. Hoping to see a few more videos for these songs soon!

Music Video Monday: Gunship: Tech Noir

I was going to do my fortnightly ‘recent chart catchup’ today, but due to most of the artists responsible for recent hits being nice and timely with their videos, there are none to catch up with!

Instead, as Geth and I have been enjoying lots of synthwave YouTube playlists in the house recently, enjoy this fun claymation video by synthwave act Gunship. Spoiler: the bad guys are defeated by the power of VHS tapes!

Geth is not happy about my lack of knowledge when it comes to ’80s movies (my specialist subject is the music and fashion of the decade – I’m a bit behind on the films because it was only the slasher horror ones that I used to obsess over in my younger days!). As such, we are going to try and rectify this gap by watching lots and lots of ’80s films this year.

However, when it comes to the films and TV on the seven VHS tapes featured in this video, I’ve seen four out of seven, which is not bad going!

VHS tapes
Our VHS tapes. Most of these are music releases that you can’t get on DVD.

(Our own VHS collection is not what it used to be – I chucked most of it when we moved from Southampton, although we still have a good few that can’t be replaced on DVD at the moment. We also have a working VHS player, although it’s not attached to any of our TVs at the moment. It’s there if we need it!)

Anyway, I digress. I really appreciate this video because not only does it remind me of the claymation in classic ’80s videos like Jackie Wilson’s Reet Petite and Peter Gabriel’s Sledgehammer, but there has also been much more work put into it than for most synthwave videos, which are usually just clips of ’80s films and TV shows. Not that I don’t love them, but it’s nice to see something totally original!

More music videos next week.

Music Video Monday: Vangelis: Chariots Of Fire

I’m still a bit too knackered from yesterday’s marathon to do a proper music video post today, but here’s that inspiring theme from Chariots Of Fire to enjoy:

I am a slow runner and there is no hope of me ever winning a race, but as I’ve mentioned before, I did once come last out of 4,000+ people. It was in the Great North 10k 2016, and when I finally limped onto the finishing straight at Gateshead Stadium, they broke out the Chariots Of Fire theme tune, inspiring me to an epic sprint finish along the track. It was the greatest moment of my running career.

The video is mainly clips from the film, but there are also some pleasing shots of Vangelis chain-smoking while fiddling with his synths. So ’80s.

More music videos next week.

Music Video Monday: Top Ten ’80s Videos At The Beach

To my great surprise I found myself sunbathing at the beach this weekend (in the north-east of England! in April!), hence this week’s music videos are all beach-themed as I dream of the summer ahead and the summers from thirty-odd years ago.

10. Belinda Carlisle – Circle In The Sand

A nice near-literal video for this pretty 1988 track – there’s a lot of sand but not a lot of circles.

Belinda Carlisle - Circle In The Sand
https://www.youtube.com/watch?v=IS2Fs2nGOl0

9. Don Henley – The Boys Of Summer

It was perhaps inevitable that the ultimate ’80s summer anthem would have a beach scene in the video. The black and white film makes it a bit gloomy, but that’s consistent with the pessimistic feel of the song.

Don Henley - The Boys Of Summer
https://www.youtube.com/watch?v=QWT90HzLF3U

8. Boy Meets Girl – Waiting For A Star To Fall

The video for this late ’80s cheesefest starts off with a suitably cheesy beach running scene. Love that epic sax solo!

Boy Meets Girl - Waiting For A Star To Fall

7. Fleetwood Mac – Big Love

This is a more familiar sight for a British beach! Fleetwood Mac huddle in coats and scarves on a night-time beach in one of the many sequences of this brilliant video.

Fleetwood Mac - Big Love

6. Blondie – Call Me

Bit of a seasonally-confused video here, as the beach shots of Debbie Harry are interspersed with her in a coat looking cold in New York City. Maybe she goes on holiday somewhere for the beach scenes.

Blondie - Call Me

5. Erasure – Ship Of Fools

The beach in this video is all made up of rocks and shells and therefore not at all suitable for sunbathing, although Andy Bell gives it a good go.

Erasure - Ship Of Fools

4. Wham! – Club Tropicana

Most of this ultimate summer holiday video is poolside, but George Michael does take a brief trip to the beach halfway through. It looks a bit overcast, though, so I don’t blame him for heading back to the pool.

Wham! - Club Tropicana

3. The Bangles – Eternal Flame

A nice sunset beach scene here among the floaty images of Susanna Hoffs and co singing along to the song.

The Bangles - Eternal Flame

2. Duran Duran – Rio

Duran Duran made pretty much all of their videos on beaches during the jetsetting Rio era, but this one for the album’s title track is the most colourful and fun. The yacht scenes are the most iconic, but the beach scenes are blue-skied and beautiful and make me want to book a holiday.

Duran Duran - Rio

1. Elton John – I’m Still Standing

I love everything about this ridiculous Cannes romp, from the ostentatious outdoor piano to Elton’s comedy glasses to the pre-Strictly Bruno Tonioli dancing his way through Cannes in a succession of ’80s leotards. The best bit, though, is when Elton lines up the dancers on the beach and pushes them over in a chain of human dominoes.

Elton John - I'm Still Standing

It’s starting to grey over here in Newcastle, so I suspect I won’t be taking any more trips to the beach for a couple of months now. I’ll have to make do with ’80s videos in the meantime!

More video action next Monday.