Music Review: Now! That’s What I Call Music #102

Now! #102 has been released today, 12th April 2019! EDIT: I only just realised that it’s been a whole year today since I started my marathon of the first 100 Now! compilations with Now! #1. Great timing!

April 2019
This is the way the world looks in April 2019, with me and my ‘absolute beginner ukuleles’ classmates doing our thing up on stage. Fun fact: one of the songs we performed appeared on Now! #54, while the other has never been on a Now! compilation.

Let’s have a look at the Now! compilers’ roundup of what’s been going on in the chart recently.

Now! That's What I Call Music #102

Track 1: Ariana Grande – 7 Rings

New Hits Friday review.

Still think this is a bit of a daft interpolation, but I don’t hate it as much as I used to.

Track 2: Ava Max – Sweet But Psycho

New Hits Friday review.

Pretty much loved this bit of synthy pop from the start, and I’m still a big fan. Should have been Christmas number one!

Track 3: Mark Ronson and Miley Cyrus – Nothing Breaks Like A Heart

New Hits Friday review.

Another great pop track. At first I wasn’t keen on the country edge, but I’ve really grown to love this one.

Track 4: Calvin Harris and Rag ‘N’ Bone Man – Giant

New Hits Friday review.

I’m still not a huge fan of this one – it just doesn’t hook me.

Track 5: Pink – Walk Me Home

New Hits Friday review.

Still too acoustic-y for me, but I have grown to like the epic feel on the chorus.

Track 6: Sam Smith and Normani – Dancing With A Stranger

New Hits Friday review.

I originally felt this one was a bit generic, but it’s become a fairly regular earworm for me, and I find I quite like it now.

Track 7: Tom Walker – Just You And I

New Hits Friday review.

It’s a little cheesy, but it’s a pleasant upbeat tune.

Track 8: Jonas Brothers – Sucker

New Hits Friday review.

A decade ago, I would not have believed you if you’d told me I would ever grow to like a Jonas Brothers song. They’ve grown up now, though, and they make much better music. This is a fairly decent pop song, and I always nod along when it’s on the radio.

Track 9: George Ezra – Pretty Shining People

New Hits Friday review.

I still can’t get over the blatant REM title ripoff. Urgh.

This one’s a little bland (can’t win ’em all, George), but it’s an okay tune.

Track 10: James Arthur – Empty Space

New Hits Friday review.

This one’s not been in the charts since last year, so I’m a bit surprised they’ve held it back for this Now! instalment. As is usually the case with James Arthur’s stuff, it’s too saccharine for me, but I’ll grant you it’s got a good atmosphere on the chorus.

Track 11: Lewis Capaldi – Grace

New Hits Friday review.

I first heard this one on the BBC over Christmas, and at first I thought it was a bit too wistful/singer-songwriter/acoustic-y etc. for me. But I’ve really come to like it – it’s a gorgeous tune.

Track 12: Jason Derulo, David Guetta, Nicki Minaj and Willy William – Goodbye

New Hits Friday review.

I could have told you that my feelings would not have changed about this ridiculous bastardisation of Andrea Bocelli’s Time To Say Goodbye. Awful interpolation that has me running screaming for the comfort of the original every single time.

Track 13: Little Mix and Ty Dolla Sign – Think About Us

New Hits Friday review.

Another frequent earworm. I quite like the staccato on the verse.

Track 14: Marshmello and Chvrches – Here With Me

New Hits Friday review.

I find this one a bit forgettable, though the tune is very pleasant when I do remember how it goes.

Track 15: Cardi B and Bruno Mars – Please Me

New Hits Friday review.

Still love the retro feel on this track. Straight out of 1988! Well, apart from the NSFW lyrical content.

Track 16: Khalid – Talk

New Hits Friday review.

I really like the soft bubbly synth effects on this one.

Track 17: Mabel – Don’t Call Me Up

New Hits Friday review.

I wasn’t keen at first, but it’s been a grower and I quite like this solid pop track now.

Track 18: Charli XCX and Troye Sivan – 1999

New Hits Friday review.

Liked it when it came out, love it now! Shamelessly retro, actually sounds like the year it’s celebrating. Great stuff.

Track 19: Sigrid – Don’t Feel Like Crying

New Hits Friday review.

Another good danceable pop track, probably my favourite of Sigrid’s output so far.

Track 20: CamelPhat, Cristoph and Jem Cooke – Breathe

New Hits Friday review.

It’s kind of nice to have a dance track on here now that dance tracks are becoming a bit rarer in the charts. Nice tune, too.

Track 21: Jax Jones and Years & Years – Play

New Hits Friday review.

Good tune – I always nod along to this one.

Track 22: Zedd and Katy Perry – 365

New Hits Friday review.

I do like the Spanish-tinged opening, and the atmosphere is great when it gets to the chorus.

Track 23: Zara Larsson – Ruin My Life

New Hits Friday review.

This one makes me really uncomfortable! I can’t get past the awful message in the lyrics, which is basically ‘go back to someone who’s really bad for you’.

Track 24: Dua Lipa – Swan Song

New Hits Friday review.

There’s some great stuff going on with the instrumentals, but I find the vocal line pretty bland.

Track 25: Ariana Grande – Thank You Next

New Hits Friday review.

Repeated artist alert! We’ve already had Ariana Grande on track 1.

The tinkly instrumentals are quite nice, but I’m not sure how I feel about the ex-dissing lyrical content.

Track 26: Lewis Capaldi – Someone You Loved

New Hits Friday review. (LOL I said it was too slow for me and now it’s my favourite song in the chart!)

Repeated artist alert! We’ve already had Lewis Capaldi on track 11.

Not complaining though, because this is an absolutely beautiful tune that has deservedly just scored a seventh week at number one. Song of the year, whatever happens in the next eight months.

Track 27: Lady Gaga and Bradley Cooper – Shallow

New Hits Friday review.

One of those tracks that I found a bit slow to begin with and have grown to appreciate. Lovely acoustic track from the A Star Is Born soundtrack (no interest in seeing the film, but the song is gorgeous).

Track 28: Keala Settle and The Greatest Showman Cast – This Is Me

Another one where the Now! compilers have been a bit tardy – this track first entered the charts well over a year ago – but it’s a great feelgood musical number, and probably the best song on the soundtrack.

Track 29: Jess Glynne – Thursday

New Hits Friday review.

I’m still not particularly keen on this one – I just find the theme a bit awkward.

Track 30: Freya Ridings – Lost Without You

New Hits Friday review.

I do appreciate the simplicity of the song, but it’s just a bit too slow for me.

Track 31: James Arthur and Anne-Marie – Rewrite The Stars

New Hits Friday review.

Repeated artist alert! We’ve already had James Arthur on track 10.

One of the tracks from the Greatest Showman Reimagined album, where pop stars do karaoke versions of the songs from the musical. It’s okay, but not a patch on the original.

Track 32: Jack Savoretti – Candlelight

This wasn’t a hit – it only got to number 70. As I’ve been discussing since Now! #99, the Now! compilers have recently started to include songs that haven’t actually made the Top 40, but have been featured on hit albums – there’s less crossover than there used to be between the album and singles chart (mainly because the former is for older people like me who prefer classic pop and rock, and the latter is for the kids who like these strange new songs I’m always ranting about on here after listening to the chart on Fridays!). I wasn’t sure about this at first, but I think I’m okay about it now. After all, it’s probably an older demographic who actually still buys Now! albums. The Radio 2 demographic, if you like. This album got to number one, so I think it’s allowed.

Anyway, this track’s got a great atmosphere – lovely eerie instrumentals, lots of piano. Love this kind of epic tune!

Track 33: The 1975 – It’s Not Living (If It’s Not With You)

Again not a hit on the singles chart – it only got to number 46 – but this was also a number one album.

Wonderfully retro-sounding as ever from the 1975. Great tune, great beat.

Track 34: Westlife – Hello My Love

New Hits Friday review.

This one’s still a bit too cheesy for me.

Track 35: Take That – Everlasting

This track wasn’t even released as a single, but again the album got to number one.

As I understand it, this is one of the few new tracks on Take That’s recent remastered retrospective. It’s a bit dull until the second chorus kicks in. Also, the self-referential spoken word bit at the end is a bit odd.

Track 36: Hozier – Almost (Sweet Music)

The single only got to number 82, but the album went top ten, getting to number six.

Great bit of soft rock – really like this one.

Track 37: Bryan Adams – Shine A Light

No single release for this song, but the album got to number two.

Great beat, but it’s a little too acoustic-y for me. Nice to see Bryan Adams still rockin’ up Now! compilations though.

Track 38: Michael Bublé – Love You Anymore

Again no single release, but it was a number one album.

As usual for Bublé, it’s far too saccharine for me, but it is nice and feelgood.

Track 39: Rod Stewart – Look In Her Eyes

Yet another one that wasn’t released as a single, but the album went to number one.

Love this danceable, atmospheric song! So yeah, this is the point where I’m officially on board with the Now! compilers including songs-from-hit-albums that didn’t make the singles chart, because the notion of Rod Stewart still managing to get his new songs onto Now! compilations is the BESTEST THING.

Track 40: Hugh Jackman, Keala Settle, Zac Efron, Zendaya and The Greatest Showman Cast – The Greatest Show

Repeated artist alert! We’ve already had the Greatest Showman cast on track 28.

Great stompalong number though. Fab track.

Track 41: Frankie Goes To Hollywood – Relax

We’ve already had this track on Now! #2! How dare they be so lazy…wait. I can’t really start ranting in this case, because what’s going on here is that the Now! compilers have chosen to include six tracks from Now! #2 in order to advertise the fact that it’s had a re-release on CD today, the same release day as Now! #102. I’m hopeful that this pattern will continue, and will be scouting out the re-release for my collection this weekend!

Anyway, see the link for my review – it was track 16 on Now! #2.

Track 42: Nik Kershaw – Wouldn’t It Be Good

Still a classic from Nik Kershaw.

See my review on Now! #2 – track 2.

Track 43: Matthew Wilder – Break My Stride

I have this one on my running playlist these days!

See my review on Now! #2 – track 11.

Track 44: Cyndi Lauper – Girls Just Want To Have Fun

One of my earliest ’80s favourites.

See my review on Now! #2 – track 9.

Track 45: Culture Club – It’s A Miracle

Still love that daft boardgaming video!

See my review on Now! #2 – track 25.

Track 46: Thompson Twins – Hold Me Now

If you spend any time watching the Now! ’80s channel, which often replays the classic TV adverts for the classic ’80s Now! compilations, you will be familiar with this song as the centrepiece for the Now! #2 advert due to it’s ‘hold me now‘ (geddit?) refrain on the chorus. Still a great track, and it was a highlight when I saw Tom Bailey supporting Culture Club in November.

See my review on Now! #2 – track 3.

Great choices for those bonus tracks. Could have done with a bit of love for Duran Duran’s New Moon On Monday (track 29) but I’m hopeful for The Reflex if they do this again when they re-release Now! #3!

Music Video Monday: Chris De Burgh: Lady In Red

Unusually, today’s featured video doesn’t have a red phone box in it, though I assure you we’ll be straight back to the retro communication equipment next time we visit the ’80s. No, this week I felt the need to discuss another red-related issue, namely the fact that the eponymous Lady in Chris De Burgh’s video for Lady In Red wears nine different outfits throughout the course of the video…and only one of them is red. Maybe one and a half if you squint! Let’s have a look at all of her irritatingly non-red outfits.

Outfit 1: Lady in Grey and White

Chris De Burgh - Lady In Red

For lounging on the patio, the Lady wears a grey skirt and white bardot top. It’s a very nice combination, but it’s not red.

Outfit 2: Lady in Black with White Polka Dots

Chris De Burgh - Lady In Red

There’s some slightly odd artistic split-screen going on here, but you should be able to see that the halterneck dress worn by the Lady to pass by this window is also most definitely not red.

Outfit 3: Lady in Black and White Patterns and Blue Denim

Chris De Burgh - Lady In Red

For doing some softly-lit sketching, the Lady wears a more casual ensemble of a black and white patterned top with blue jeans. The bow in her hair appears to be red, which is at least a start, but she can’t really be said to be ‘in red’ here!

Outfit 4: Lady in Florals

Chris De Burgh - Lady In Red

In this sunny flower-picking sequence, the Lady goes for a floral summer playsuit. It’s cute, but it’s not red.

Outfit 5: Lady in Pale Blue and More Blue Denim

Chris De Burgh - Lady In Red

More summer hijinks as the Lady runs past camera on a sun-dappled path, and this time she’s all in blue. Not a hint of red!

Outfit 6: Lady in Black Swimwear

Chris De Burgh - Lady In Red

There’s a very brief shot of the Lady bathing in a black swimsuit. They couldn’t even be bothered to make her swimwear red.

Outfit 7: Lady in Black and…Possibly Red? Maybe?

Chris De Burgh - Lady In Red

There’s a very blurry and softly-lit sequence of the Lady dancing in workout gear. Her leggings are definitely black, but it’s almost impossible to make out the colour of her top. It could be red, but this is by no means clear-cut!

Outfit 8: Lady in Cream

Chris De Burgh - Lady In Red

Presumably heading off to work, the Lady has chosen a smart cream suit. Very professional-looking (love those ’80s power shoulders!) but still not red.

Outfit 9: Lady in Red…Finally!

Chris De Burgh - Lady In Red

The Lady looks lovely in her one red outfit of the whole video, but one out of nine is far from a great hit rate! It would have been awesome if every outfit had been red. A real missed opportunity for a good video.

Bonus Outfit: Chris De Burgh in Grey

Chris De Burgh - Lady In Red

Oh yeah, and Chris De Burgh is actually in this video too, but not in any scenes with the Lady. The film footage of her mostly non-red clothes is interspersed with video footage of Chris performing on stage that looks like it was copied straight over from Top of the Pops, presumably because, as far as I can tell from the identical outfit and stage decor of the TOTP clip below, it was.

https://www.youtube.com/watch?v=QQHHxYaUxUE

Watch the full video and look out for the Lady’s rare ‘in red’ appearances:

Music Video Monday: recent chart catchup

A couple more recently-released chart hit videos today.

Pink – Walk Me Home

It’s Pink in a red dress, defying gravity and dancing with shadows in a New-York-City-on-pause. Why can’t all modern videos be like this?

Sigrid – Don’t Feel Like Crying

I love the ’80s decor in this video, with all the art deco posters and the blinds and the plants! Great stuff.

Back to the actual ’80s next week.

Music Review: Suzi Quatro: No Control

I was interested to hear that there was a new Suzi Quatro album out this week! I first got into Suzi’s classic stuff in my late teens when I was going through my glam rock phase, and she’s still one of my favourite rock acts.

Suzi Quatro - No Control

Let’s have a listen to the new tracks.

No Soul/No Control

I like the spooky atmosphere in this one – it sort of reminds me of gothabilly tracks I’ve heard.

Going Home

It’s got a good swing rhythm, but I find the verse a bit repetitive.

Strings

This is a nice upbeat track with a real classic rock feel about it. Nice sweeping epic chorus too!

Love Isn’t Fair

Lots of stuff going on in this track – there’s a nice reggae/calypso bit in the instrumentals, a fun ’60s feel to the vocals, and a general party atmosphere. I really like this one.

Macho Man

Back to the harder guitar for this track, which is the most reminiscent so far of Suzi’s classic early ’70s period. Good piece of stompy rock.

Easy Pickings

A slightly slower track, though still quite upbeat, with lots of harmonica interspersed throughout. I really like the piano solo!

Bass Line

Despite the title, it’s again the piano that I most like in this track. It’s a lovely tune too, with a great atmosphere on the instrumentals.

Don’t Do Me Wrong

Another classic rock track with a nice swing rhythm. Love the harmonica on this one!

Heavy Duty

This is another track that could have come straight out of the ’70s. Huge bonus points for the sax solo.

I Can Teach You To Fly

This one is very reminiscent of Slade’s Coz I Love You, though it’s a little more uptempo. There are also slight hints of Abba’s later output in the vocals. It’s a very pleasing mishmash of sounds, and one of my favourite tracks on the album.

Going Down Blues

A very classic-sounding blues number to finish. Good stuff!

Overall a very interesting collection with lots of different sounds and genres going on. It feels slightly unfocused as an album, but there are quite a few standout tracks that will be going on my playlist.

Music Video Monday: Toyah: Sensational

Another new video from a classic artist today!

Mental as ever from Toyah, the video involves lots of playing football with sheep, branches worn as jewellery and other general wackiness. It’s colourful and fun and I wish younger artists would make videos like this!

The song’s great too, and I’m really looking forward to listening to her new album when it comes out next month.

Music Video Monday: recent chart catchup

A couple more recently released videos for current chart hits.

Khalid – Talk

I really like the colourful sets and costumes in this one, even if there is a bit of ‘standing around by a car’.

Roddy Ricch, Chip and Yxng Bane – How It Is

Fairly typical urban-set video with lots of smoking and designer labels. I do like that there’s a scene in a launderette, which is a classic music video setting!

Back to the ’80s next Monday.

Music Video Monday: Bananarama: Stuff Like That

A bit of a diversion for today’s Music Video Monday, ’cause Bananarama have released a new single ahead of their upcoming album release next month, and it’s ace (by ‘it’s ace’, I of course mean ‘they still sound like they did in 1988’). Unlike today’s new artists, who tend to be very lazy about releasing videos on time, Bananarama dropped the video along with the song release on Friday.

It’s so aesthetically pleasing – lots of lying about on fancy-looking sofas – and I want pretty much everything that Sara and Keren are wearing. Hopefully a few more videos will show up once the album gets going!

Music Video Monday: recent chart catchup

More videos for recent chart hits that have only recently been released!

J Cole – Middle Child

Some interesting dark imagery in this one. There is a bit of ‘standing around next to a car’, but I’ll forgive it because the car is covered in mud so it’s more of an artistic thing.

Little Mix and Ty Dolla Sign – Think About Us

The nice thing about Little Mix videos is that they’re always really pretty – pretty outfits, pretty imagery. This one has lots of butterflies and snow. Good stuff.

Cardi B and Bruno Mars – Please Me

I like the retro diner setting and the costumes (Cardi B’s hair is awesome!) but I’m not really into the NSFW dancing. I think I’m getting old. I do like the subtle homage to the video for Michael Jackson’s The Way You Make Me Feel though.

More music videos next week!

Music Video Monday: Depeche Mode: See You

Today we’re looking at See You, which is one of my favourite Depeche Mode songs. Yes, there’s a classic red phone box in the video, along with a lot of other gloriously 20th century tech. I promise I loved the song before I knew that!

Depeche Mode - See You

The video opens in a dark and deserted Hounslow train station, which is a good start. ‘London by night’ is one of my favourite settings. ‘London by night in the ’80s’ is even better.

Depeche Mode - See You

In a world before phone cameras, people actually used photo booths for purposes other than getting a terrible mugshot that will be immortalised on one’s passport/driving licence for ten years! The vague sort-of-plot of this video begins here, with these photos of a girl whom Dave Gahan is seeking, or something.

Depeche Mode - See You

I don’t remember ever seeing a photo booth on a train station platform! At first I assumed that the ‘Isle of Wight’ poster was for the music festival, but the festival wasn’t running in the ’80s, so it must just be a pretty tourism poster.

Depeche Mode - See You

The red phone box, which is the centre of a slightly odd scene where Dave stares at Martin Gore while he’s making a phone call, is obviously the very best bit of the video. Obviously.

Depeche Mode - See You

We suddenly cut to a Homebase-type store, which is full of the kind of chintzy-looking pink/peach lampshades that were absolutely everywhere when I was little.

Depeche Mode - See You

Conveniently, the store also has a photo booth in it, with more photos of the mysterious girl lying around. It’s interesting that photos from booths already had to be ‘passport approved’ in the early ’80s, as I thought that HM Passport Office only started to get really pernickety about rules for photos in the ’00s. It’d be nice if you still only had to pay 40p!

Depeche Mode - See You

It wouldn’t be a home improvement store without a TV department, and those are some super ’80s TVs.

Depeche Mode - See You

The music section actually looks very similar to a 2019 music section, as physical media has come full circle! I went into HMV the other day and popped up to the music floor out of sheer interest. It was all classic albums on vinyl as far as the eye could see, with the CDs relegated to a couple of racks at the back – because who buys CDs anymore? I didn’t spot any singles though.

Depeche Mode - See You

The girl in the photos turns out to be the cashier at the store, which (finally) explains why the setting randomly switched about two minutes previously. Dave buys a copy of the See You single, which is like an extra-specially dorky version of the dorky thing where bands wear their own band merch in public.

Depeche Mode - See You

The video ends with a slightly sinister CCTV monitoring scene, though I do like all the pretty computer keyboards. I remember when keyboard buttons were all orange and grey like that!

Watch the full video:

Music Video Monday: Heaven 17: Let Me Go

See also: my more recent Phone Box Thursday post about the phone box in this video.

Today on ‘Dee’s Favourite ’80s Music Videos All Have Classic Red Phone Boxes In Them’, we’re looking at Heaven 17’s 1982 video for Let Me Go. Fun fact: this was never a Top 40 hit. However, it is my favourite Heaven 17 song, and was my absolute highlight when I saw them at Electric Dreams in December.

Heaven 17 - Let Me Go

The video opens in a black ‘n’ white deserted London, where the members of Heaven 17 are approaching a red phone box with its door hanging open, rather like the ones you see nowadays in areas where councils are not performing proper phone box upkeep. The phone is off the hook and repeating the automated voice from the speaking clock on a loop.

Heaven 17 - Let Me Go

It’s not clear at this point what has happened to everyone else in London – there was a discarded Evening Standard fluttering about at the start of the video with the headline ‘British Electric Foundation crashes – Share prices halved – city rumours confirmed’, but that doesn’t really tell us anything (British Electric Foundation was the predecessor project to Heaven 17, so it’s probably just an in-joke!). However, Heaven 17 are still here and still walking purposefully towards…something.

Heaven 17 - Let Me Go

In addition to the classic red phone box, we have a bonus classic red postbox that has spit out all its post (this doesn’t really make any sense, but the alternative explanation is that when people found it was full, they just dumped their envelopes in front of it instead of going off to find a different one that wasn’t full, and frankly that’s just silly). I’m not as obsessed with postboxes as I am with phone boxes, largely because the former are still in common use and therefore not an endangered species on British streets.

Anyway, this is the point when Glenn Gregory realises that Martyn Ware and Ian Craig Marsh have disappeared into thin air (I suppose that must be what also happened to everyone else, although I’m not sure what it has to do with the British Electric Foundation crashing).

Heaven 17 - Let Me Go

I’m sure this slo-mo sequence of Glenn running past the National Westminster Bank (the old name for NatWest, fact fans) is meant to be very artistic and beautiful, but as a recreational runner, every time I see it I just think, ‘He’s not wearing the appropriate gear!’

Heaven 17 - Let Me Go

Inside the…train station? (it’s sheltered but open to the elements from the sides, and there’s a bench), there’s lots of cash fluttering about, adding to the forboding feeling of ‘London city types in the ’80s all disappeared into thin air’.

Heaven 17 - Let Me Go

The video then briefly turns to colour for a ghostly crowd sequence. This type of ‘single person swimming against the tide of a crowd’ scene is something I associate more with Kate Bush’s 1985 video for Running Up That Hill, but apparently Heaven 17 did it first.

Heaven 17 - Let Me Go

But soon Glenn returns to the empty black ‘n’ white world, and what’s this? Why, it’s a GPO 332, the standard GPO phone issued between 1937 and 1959! Glenn doesn’t bother using it – it’s clearly just here in the video for aesthetic decoration, and it performs that job beautifully.

Heaven 17 - Let Me Go

The video ends with a shot of the swinging receiver in the phone box again, with the speaking clock still repeating itself over and over to a nonexistent listener. A nice, suitably haunting image to finish on!

Watch the full video: