Music Review: Now! That’s What I Call Music #85

Day 85 takes us to Now! #85, which was released on 22nd July 2013.

July 2013
This is how the world looked in July 2013. Geth and I were on a trip up to Edinburgh when one of those rare-for-Scotland 30°C days arrived, and the one thing I’d not packed was a swimsuit, so all I could do on this beach trip was paddle. Since then, I’ve packed one every time I’ve gone away during the summer, just in case.

I believe this was a good year for summer hits.  Let’s see if I’m remembering correctly.

Now! That's What I Call Music #85
Track 1: Daft Punk, Pharrell Williams and Nile Rodgers – Get Lucky

Great feelgood funk track – love this tune.

Track 2: Robin Thicke, TI and Pharrell Williams – Blurred Lines

Repeated artist alert!  We’ve only just had Pharrell Williams on track 1.

This track…urgh.  Infamously and rightly banned by the University of Edinburgh student union, among various other music-playing organisations, because the lyrics are really rapey and gross.  The sad thing is that it would be a really great track if it weren’t for the lyrics, ’cause the tune is great and it’s really danceable.

Track 3: Passenger – Let Her Go

Gorgeous, introspective tune – really like this one.

Track 4: Justin Timberlake – Mirrors

Nice epic atmosphere, great track.

Track 5: Naughty Boy and Sam Smith – La La La

The theme is slightly irritating, but overall it’s an interesting song, which is unusual for an era where most things are really samey.

Track 6: Icona Pop and Charli XCX – I Love It

Great chant-along track – I’ve always really liked this one!

Track 7: John Newman – Love Me Again

Another song that I really like.  The instrumentals are great.

Track 8: Jason Derulo – The Other Side

Forgettable tune, but the chorus is nice and epic.

Track 9: Pink and Lily Allen – True Love

I find this one a bit cheesy and annoying.

Track 10: Taylor Swift – 22

Good solid pop track – very danceable.

Track 11: The Wanted – Walks Like Rihanna

Every time I run the Great North Run, I find that because it’s the biggest race in the UK and the biggest half marathon in the world – nearly 60,000 runners these days – there’s no shortage of characters to keep me entertained (and believe me, you need that when running along miles and miles of identical-looking motorway).  One guy runs the race with a portable karaoke machine, and last year, when I encountered him, he was doing this song – except he’d changed the lyrics to ‘I can’t sing, I can’t dance, but who cares, I run like Mo Farah‘.  It’s possible you had to be there, but I found it hilarious, and it really got me through the rest of the race.  Thanks for that, portable karaoke guy!

Anyway, it’s another solid pop song.

Track 12: Bruno Mars – Treasure

Bruno Mars still doing his 1980 pastiches – today he’s aping Michael Jackson.  Good stuff.

Track 13: Olly Murs – Dear Darlin’

This one’s a bit of a dull ballad, so I’m not keen.

Track 14: Demi Lovato – Heart Attack

Great song with an awesome epic chorus.  Love it.

Track 15: Selena Gomez – Come And Get It

Great tune – love the rhythm on this one.

Track 16: PJ & Duncan – Let’s Get Ready To Rhumble

’90s classic, back in the charts to raise money for Childline.  It actually got to number one this time round, probably because Ant & Dec had promised to perform it on Saturday Night Takeaway.  It’s still as enjoyably daft as it was in 1994.

Track 17: Iggy Azalea – Bounce

Good beat, but there’s not enough melody for me.

Track 18: Fuse ODG – Antenna

Love the rhythm on this one – very danceable.

Track 19: Nelly – Hey Porsche

The theme really irritates me, and the tune’s very uninspired.

Track 20: Paramore – Still Into You

Great tune, though the theme is a bit cheesy.

Track 21: Imagine Dragons – Radioactive

I was talking about this one yesterday when reviewing the identically-titled Rita Ora song.  On the whole it’s a bit dull, but it’s got a great chorus.

Track 22: Gabz – Lighters (The One)

Cringeworthy kiddie vocals, appallingly cheesy theme.  Just awful.

Track 23: Rudimental and Ella Eyre – Waiting All Night

Great beat, okay tune, but it’s pretty repetitive.

Track 24: Jessie J, Big Sean and Dizzee Rascal – Wild

Bland tune on the verses, but the chorus is okay.

Track 25: Duke Dumont and A*M*E – Need U (100%)

I find the vocals really irritating on this one.

Track 26: will.i.am and Justin Bieber – #thatPOWER

Very generic electro lines, boring tune.

Track 27: David Guetta, Ne-Yo and Akon – Play Hard

Great rhythm, great bassline, great Better Off Alone sample.  Annoying video, but you can’t have everything.

Track 28: Calvin Harris and Ellie Goulding – I Need Your Love

I’ve always found the tune on this one very irritating.

Track 29: Pitbull and Christina Aguilera – Feel This Moment

Annoying, repetitive track, but the Take On Me interpolation is quite fun.

Track 30: Sebastian Ingrosso, Tommy Trash and John Martin – Reload

Boring dance track, very forgettable tune.

Track 31: Armin van Buuren and Trevor Guthrie – This Is What It Feels Like

Fairly bland dance song with an annoying chorus.

Track 32: Chase & Status and Louis Mattrs – Lost And Not Found

Nice atmosphere, but the vocals are really dull.

Track 33: Chris Malinchak – So Good To Me

Another boring tune, one of those ‘summer chillout’ tracks that were all the rage at the time.

Track 34: Disclosure and Eliza Doolittle – You And Me

Dull and forgettable.

Track 35: Breach – Jack

Very little melody in this – just drum machine, spoken word and fairly tuneless bassline – but at least it’s something different.

Track 36: Wiley, Angel and Tinchy Stryder – Lights On

Bland tune, but at least this one’s actually got a tune.  Very forgettable though.

Track 37: Dizzee Rascal and Robbie Williams – Goin’ Crazy

Repeated artist alert!  We’ve already had Dizzee Rascal on track 24.

Interesting rhythm, but again the tune’s very uninspired.

Track 38: Psy – Gentleman

Follow-up to Gangnam Style that obviously wasn’t anywhere near as memorable as the original.

Track 39: The 1975 – Chocolate

Love this tune – great instrumentals, great lyrics.

Track 40: Union J – Carry You

Saccharine and bland.

Track 41: The Saturdays – Gentleman

A slightly more standard song about a ‘gentleman‘ than Psy’s attempt above.  It’s actually quite edgy for the Saturdays, and I like the retro references in the lyrics.  Good stuff.

Track 42: Charlie Brown – On My Way

Slow ballad, not my thing.

Track 43: Tom Odell – Another Love

Lovely piano at the start, and it’s got a nice atmosphere – quite like this tune.

Track 44: Michael Bublé – It’s A Beautiful Day

Nice and upbeat, but the song’s a bit too cheesy for me.

Music Review: Now! That’s What I Call Music #72

Day 72 brings us to Now! #72, which came out on 6th April 2009.

April 2009
This is how the world looked in April 2009. That is the kind of happy face you only get from me on the first day it’s warm enough to sit out in a beer garden after a long winter.

2009 really brought the electropop, from what I remember, so let’s get cracking!

Now! That's What I Call Music #72
Track 1: Lily Allen – The Fear

Great tune, great lyrics.  I’ve always really liked this one.

Track 2: Lady Gaga and Colby O’Donis – Just Dance

Awesome danceable piece of electropop.

Track 3: Flo Rida and Kesha – Right Round

It’s based around the hook from Dead Or Alive’s You Spin Me Round (Like A Record), so I was always going to like this one.  Flo Rida’s rap style actually goes really nicely with it.

Track 4: Alesha Dixon – The Boy Does Nothing

Alesha Dixon’s post-Strictly solo comeback song.  Love this tune, and the retro big band feel is much appreciated.

Track 5: The Saturdays – Just Can’t Get Enough

Pointless cover of the Depeche Mode classic, and one of the official Comic Relief singles for 2009 (so charity fundraising, as ever, is the ‘point’).

Track 6: Kelly Clarkson – My Life Would Suck Without You

This one’s pretty acclaimed, but I’ve always found the tune and theme really annoying.

Track 7: Tinchy Stryder and Taio Cruz – Take Me Back

Nice atmosphere – I like the electro lines.

Track 8: Kid Cudi and Crookers – Day ‘N’ Nite

Boring, repetitive tune, with some irritating vocal tics going on.

Track 9: Britney Spears – Womaniser

Great pop track – love the hooks on this one.

Track 10: TI and Rihanna – Live Your Life

It’s based around the hook from O-Zone’s Dragostea Din Tei, which gives the track quite an interesting sound.

Track 11: Akon – Right Now (Na Na Na)

Nice tune, quite like this one.

Track 12: Shontelle – T-Shirt

Interesting vocals, but I find the tune very generic.

Track 13: Ne-Yo – Mad

Boring tune, annoyingly saccharine vocals.

Track 14: The Saturdays – Issues

Repeated artist alert!  We’ve already had the Saturdays on track 5.

I quite like the rhyming of the lyrics on this one, but the tune’s a bit dull.  The Saturdays did much better songs later on.

Track 15: Leona Lewis – Forgive Me

Great vocals, great atmosphere, but the tune’s pretty forgettable.

Track 16: Girls Aloud – The Loving Kind

Another boring tune, and the vocals make it a bit too ballad-y for me.

Track 17: September – Can’t Get Over

Good beat, good electro lines.  The vocals are a little generic though.

Track 18: Steve Angello, Laidback Luke and Robin S – Show Me Love

Semi-cover of Robin S’s 1993 hit, mashed up with various other things.  It’s not very inspired.  See my Now! #24 review for the original song.

Track 19: N-Dubz – Strong Again

Boring tune, but I quite like some of the vocal hooks.

Track 20: Katy Perry – Thinking Of You

Dull ballad, not keen on this one.

Track 21: Alexandra Burke – Hallelujah

The annual bit of karaoke from the X Factor winner.  To give credit to Alexandra Burke, this is not a pointless cover: there have been so many different and beautiful versions of the Leonard Cohen classic, and she did put her own stamp on it, but it just doesn’t have as much feeling in it as classic versions like those of Jeff Buckley or Rufus Wainwright.

Speaking of the X Factor

Track 22: X Factor Finalists 2008 – Hero

There was an annoying trend in the late ’00s/early ’10s where the final twelve contestants in the X Factor would release a group single with everyone getting a line, which, just like the winner’s single, was inevitably a pointless cover of a classic song.  This meant that everyone who was interested in pop music but didn’t care about the X Factor had to put up with not one but two irritating karaoke numbers in the charts around Christmas time.  2008’s offering was a pointless cover of the Mariah Carey song.  (As often happens, the ‘point’ was charity fundraising, this time for Help For Heroes and the Royal British Legion.  Charity fundraising = awesome!  Releasing a soulless, uninspired remake of an existing song = not awesome.)

Track 23: Take That – Greatest Day

It should feel epic and sweeping – but I just find the tune irritating.  I’m not sure why.

Track 24: Alesha Dixon – Breathe Slow

Repeated artist alert!  We’ve already had Alesha Dixon on track 4.

This one’s got a nice backing track, but the tune is fairly generic.

Track 25: James Morrison and Nelly Furtado – Broken Strings

Irritatingly cheesy and slow ballad.  Not my cup of tea.

Track 26: Taylor Swift – Love Story

Super saccharine soft pop-rock!  Again, not my thing.  I prefer Taylor Swift’s more pure pop stuff from the early-to-mid-’10s.

Track 27: Pink – Sober

Nice guitar, interesting theme, but the tune’s pretty dull.

Track 28: The Killers – Human

I still remember people getting irritated about the grammar of the line ‘are we human or are we dancer‘.  Would it sound better and less jarring if the lyric was ‘dancers‘?  Yes.  Is it grammatically incorrect?  Technically, no.  Brandon Flowers is using ‘dancer‘ to mean a sort of faux-species here, and the use of the singular as an adjective in the same way that ‘human‘ can be used as an adjective is, I believe, meant to emphasise this.

Anyway, it’s quite a good tune.

Track 29: The Script – Breakeven

I’m generally not keen on this kind of soft rock, and this is no exception.  Bland tune, very forgettable.

Track 30: Jason Mraz – I’m Yours

I find this kind of cheery, bouncy, acoustic-y track really irritating.  Sorry!

Track 31: Noisettes – Don’t Upset The Rhythm (Go Baby Go)

Great bassline, lovely bit of electropop.  Really like this one.

Track 32: Metro Station – Shake It

Really like the instrumentals on this track – great guitar, great synth.  It all adds up to a nice retro ’80s tinge, which I’m all about!

Track 33: U2 – Get On Your Boots

Interesting vocals, good guitar line, quite like this one.

Track 34: MGMT – Kids

Oh, it’s this one!  Lovely electro hook, great bassline.

Track 35: The Prodigy – Omen

I saw the Prodigy at M’era Luna 2009, and this song was the anthem of the weekend, with everyone singing it all over the place.  Great dance track, builds beautifully, wonderful atmosphere.

Track 36: Kevin Rudolf and Lil’ Wayne – Let It Rock

Another great bassline and another awesome atmosphere – good track.

Track 37: Wiley and Daniel Merriweather – Cash In My Pocket

I like the ’60s retro tinge on this one.

Track 38: Kanye West – Heartless

Nice tune, quite like this track.

Track 39: TI and Justin Timberlake – Dead And Gone

Repeated artist alert!  We’ve already had TI on track 10.

Nice piano intro, nice epic atmosphere.  Great stuff, though it would be better without the rap.

Track 40: Daniel Merriweather and Wale – Change

Repeated artist alert!  We’ve already had Daniel Merriweather on track 37.  Give someone else a chance, Now! compilers!

This is a great track, though – lovely tinkly piano, good beat.

Track 41: Pet Shop Boys – Love Etc.

Nice to see Pet Shop Boys back in the charts.  I have missed that perfect synth!  Wonderful tune.

Track 42: Duffy – Rain On Your Parade

More great instrumentals!  Lovely atmosphere on this one.

Track 43: Vanessa Jenkins, Bryn West, Tom Jones and Robin Gibb – Islands In The Stream

Daft semi-cover (semi due to Robin Gibb’s involvement) of the Bee Gees-written song made famous by Kenny Rogers and Dolly Parton, featuring comedy characters Vanessa Jenkins (Ruth Jones) and Bryn West (Rob Brydon) from the sitcom Gavin & Stacey.  This was another song released for Comic Relief 2009.  The video‘s funny, but the song’s a bit pedestrian until Tom Jones shows up at the end.