Music Review: Now! That’s What I Call Music #64

Day 64 takes us to Now! #64, which came out on 24th July 2006.

July 2006
This is how the world looked in July 2006, or at least it did if you were at T in the Park, with me and my mate Gemma looking suitably terrified in front of the ‘Maze of Terror’. I already told you she loved the Thrills.

Let’s see what bands might have been playing the festival circuit that year.

Now! That's What I Call Music #64
Track 1: Gnarls Barkley – Crazy

Great vocals from Cee Lo Green, but there’s something about the tune I’ve always found a bit depressing.

Track 2: Nelly Furtado – Maneater

This one has always been said to be inspired by the Hall & Oates track of the same name.  I’ve never been able to hear any similarities, but this is still a great song – it’s just not as good as Hall & Oates.  But then, few things are.

Track 3: Infernal – From Paris To Berlin

Nice bassline, nice ’80s-sounding dance track.  Really like this one.

Track 4: Rogue Traders – Voodoo Child

I’ve always loved this one, mainly ’cause it was used brilliantly in the Doctor Who episode ‘The Sound Of Drums’ when the Master wreaks havoc on the Earth.  Great dance track.

Track 5: McFly – Don’t Stop Me Now

Terrible pointless cover of the Queen song.  Actually, I shouldn’t say pointless, because the vocals are so poor compared to Freddie Mercury that it’s really obviously different.  Another good ‘point’ of this song is that it illustrates that there is a very good reason why nobody ever covers Queen songs, and that is because nobody has a hope of getting close to the brilliance of the originals.  I have no idea why McFly thought they could get away with this one.

Track 6: Pink – Who Knew

Dull tune that has none of the edge you usually get with Pink.  It sounds more like the kind of cheesy soft-rock you’d get from Kelly Clarkson or somebody like that.

Track 7: Sandi Thom – I Wish I Was A Punk Rocker (With Flowers In My Hair)

ARGH.  I almost don’t have the words to describe how awful I’ve always found this song.  It was the first notable example of a teenage singer discovered on YouTube.  The song, completely unironically, manages to conflate the late ’70s punk movement with the late ’60s hippy movement – hey, those alternative types are all the same, right?  If she really meant what she was singing about, the whole ‘born too late into a world that doesn’t care‘, she would at least have done enough research to know the difference.  ARGH.  Also, when I was at T in the Park 2006, she was given a five-minute slot on the main stage, because SHE ONLY HAD ONE SONG.

Sandi Thom, you are a totally fake 20th century girl.  Everything about this song is utterly cringeworthy.

ARGH.

And breathe.

Track 8: The Kooks – She Moves In Her Own Way

Too twee, acoustic-y, and cheesy for me.

Track 9: The Feeling – Fill My Little World

I’ve always found this one revoltingly twee, and worse, horrendously catchy.  I’ve got a horrible feeling it’s going to be stuck in my head again now after years of blissfully forgetting about it.

Track 10: Keane – Is It Any Wonder?

Quite like the guitar riff – it’s a bit edgier than I’d usually expect from Keane.  The vocals are still pretty bland though.

Track 11: Snow Patrol – You’re All I Have

Boring tune, very forgettable.

Track 12: Razorlight – In The Morning

Some nice interesting lines going on here, quite like this one.

Track 13: Orson – Bright Idea

The beat’s interesting, but the tune is a bit depressing.

Track 14: The Zutons – Valerie

Great tune, love that chord progression.  I know the Mark Ronson and Amy Winehouse cover became more well-known, but I’ve got a real soft spot for the original.

Track 15: Dirty Pretty Things – Bang Bang You’re Dead

Good rock track, but the lines are a bit messy, and the tune on the vocals is kind of generic.

Track 16: The Automatic – Monster

Great track – it’s featured on Lego Rock Band, so I had a lot of fun drumming along to it back in the day.

Track 17: Paul Oakenfold and Brittany Murphy – Faster Kill Pussycat

Nice bassline, nice interesting vocals – good stuff.

Track 18: Chicane and Tom Jones – Stoned In Love

Good dance beat, but the tune’s pretty bland.  Not even Tom Jones’ vocals can make this one interesting.

Track 19: Primal Scream – Country Girl

Unfortunately, due to the theme, this one’s a bit country-inspired, and country music is not my thing at all.

Track 20: Bon Jovi – Who Says You Can’t Go Home

Bon Jovi starting to sound a bit dad-rock.  Not hugely keen on this one.

Track 21: Matt Willis – Up All Night

Matt Willis going solo from Busted and thankfully sounding a little more grown-up.  It’s not a bad rock song.

Track 22: Fall Out Boy – Dance, Dance

Great beat, interesting vocals.  Really like this one.

Track 23: Lily Allen – Smile

It’s a nice tune, but Lily Allen’s best stuff would appear later on.

Track 24: Rihanna – SOS

Good atmosphere, good solid pop track.

Track 25: The Black Eyed Peas – Pump It

The Latin tinge from the Misirlou sample (better known as the Pulp Fiction music) is great.  Happily nodding along here.

Track 26: The Pussycat Dolls and Snoop Dogg – Buttons

Great atmosphere, nice Eastern-tinged instrumentals.

Track 27: Ne-Yo – So Sick

Pretty tune on the instrumentals at the beginning, but the vocal line’s pretty boring.

Track 28: Busta Rhymes – Touch It

Messy rap, no melody, not my thing.

Track 29: Christina Milian and Young Jeezy – Say I

I like the retro ’70s-sounding backing track, and the vocals are quite interesting.

Track 30: Sérgio Mendes and The Black Eyed Peas – Mas Que Nada

Repeated artist alert!  We’ve already had the Black Eyed Peas, just five tracks ago.

Great Latin track – still a favourite for warm-ups and cool-downs in Zumba classes everywhere.

Track 31: The Ordinary Boys and Lady Sovereign – Nine2Five

Great uptempo song with that Ordinary Boys ska tinge – and somehow Lady Sovereign’s rap style melds really well with it.

Track 32: Sugababes – Red Dress

Great bassline, good beat, good pop track.

Track 33: Beatfreakz – Somebody’s Watching Me

Pointless ‘cover’ (actually a remix that doesn’t give proper credit to the original artist) of the Rockwell classic that leaves out the verses and just samples the chorus.  Definitely need to go listen to the original after this.

Track 34: Sunblock and Robin Beck – First Time

Another remix masquerading as a cover, this time of Robin Beck’s 1988 hit.  Yet another ’80s classic where I will be listening to the original after this Now! compilation is done!

Track 35: Bob Sinclar and Steve Edwards – World, Hold On (Children Of The Sky)

Great atmosphere, great beat – quite like this track.

Track 36: Supermode – Tell Me Why

Cover of a nonexistent mash-up of the Bronski Beat songs Smalltown Boy and Why?  When we used to run our Electrolicious Sundays night at Mr Modos, Geth would always mix the original Smalltown Boy into this, which really emphasised the shortcomings of this cover.  More originals to listen to when I’m done here!

Track 37: Mousse T and The Dandy Warhols – Horny As A Dandy

Mash-up of Horny and Bohemian Like You.  I’ve mentioned before how much I hate mash-ups.  This just makes me want to go and listen to the two originals to scrub this mess from my brain.  I think it’s going to be a long night on Spotify.

Track 38: The Shapeshifters and Chic – Sensitivity

Love that classic funk – great retro sound.  Also, apparently it was only Nile Rodgers representing Chic on this track, but I suppose he basically is Chic now.

Track 39: Beverley Knight – Piece Of My Heart

Fairly pointless cover of the ’60s classic, but it’s a great song whoever does it.

Track 40: James Morrison – You Give Me Something

Oh, it’s this one.  Boring tune, and it’s too slow for me.

Track 41: Will Young – Who Am I

Interesting backing track, but the vocal’s very repetitive.

Track 42: Ronan Keating and Kate Rusby – All Over Again

Bit of an odd pairing that I would never have guessed did a song together.  It’s slow and sappy and not my kind of thing, but I suppose the vocals are quite nice.

Track 43: Girls Aloud – Whole Lotta History

Nice tune, nice atmosphere, but I find the vocal lines a bit messy and jarring.

We’ve avoided any ‘Not on Spotify’ moments again!  Hopefully this will become more and more regular.

Music Review: Now! That’s What I Call Music #27

Day 27, and today’s Now! compilation was released on 28th March 1994.

March 1994
This is the way the world looked in March 1994. TVs were still box-shaped, walls were still wallpapered, and I was clearly getting to my awkward-looking phase (although I’m going to give myself points for the cute dress, clearly an ’80s hand-me-down from someone).

Let’s see what that TV might have been showing when I switched on Top of the Pops on a Thursday night!

Now! That's What I Call Music #27
Track 1: Ace Of Base – The Sign

Great tune, interesting lines.  Happily chair-dancing along here.

Track 2: Chaka Demus & Pliers, Jack Radics and Taxi Gang – Twist And Shout

Fairly uninspired cover of the ’60s classic – I’d go as far as to call it pointless.  Nothing much added other than some reggae vocals over the top.

Track 3: D:Ream – Things Can Only Get Better

Is there anyone who doesn’t associate this one with its use for the campaign of New Labour in 1997?

In late April 1997, a few days before the election, I went to the Usher Hall in Edinburgh with my family for a Labour Party rally.  Once we’d gawked at the famous politicians hanging about outside (George Robertson!  I’ve seen him on the telly!), we went inside, found our seats and waited for the show to start.  I asked my dad excitedly if maybe D:Ream would come on stage and perform Things Can Only Get Better.

Dad, perhaps not wanting to get my hopes up, shook his head.  ‘Nah,’ he said.  ‘I think they’re a bit too famous to come and do that.’

And for the most part, the rally didn’t feature anyone as famous as D:Ream.  There were a lot of comedians I’d never heard of doing semi-funny sketches, and then the main event was an hour-long speech by Tony Blair that was revered in the press the next day as showing him to be a ‘man of the people’, as he had come out from behind the lectern and put his hands in his pockets, which apparently gave him the air of someone having a chat down the pub.  Ah, 1997 media.  Anyway, the speech captured my twelve-year-old attention for a whole hour, so it can’t have been bad.

What was much better, though, was that as soon as Blair left the stage to rapturous applause, D:Ream bounced on and launched into Things Can Only Get Better.  I grinned at my dad, and my dad grinned at me, and it was one of those awesome moments.  I’ve reminisced about seeing a lot of these Now! tracks played live by the bands, but this was the one I saw first.

Back in 1994, however, there was no political bent to this song – it was just an awesome pop track that I adored watching on Top of the Pops, with Peter Cunnah in his brightly coloured plaid suits.

And skipping forward to the 2010s, it will never stop being hilarious that the keyboardist from D:Ream eventually became Professor Brian Cox.  Not ever.

Right, back to my usual one-line reviews about epic atmospheres, head-nodders and annoying choruses.

Track 4: East 17 – It’s Alright

Speaking of epic atmospheres!  That melancholy piano intro is just stunning.  Then it bangs into a classic dance track with a great chant-along chorus.  Loved it at the time, still love it now.

Track 5: M People – Moving On Up

Nice feelgood tune, great singalong chorus – good stuff.

Track 6: Eternal – Save Our Love

I quite like those bells tolling at the start, but the vocals are too overblown for what is a fairly mediocre tune – which is very typical of mid-’90s pop, I find.

Track 7: Enigma – Return To Innocence

Yup, it’s the overplayed chillout track.  I’ll give it a pass for being used to good effect on Britain’s Got The Pop Factor.

Track 8: Bee Gees – For Whom The Bell Tolls

I normally like the Bee Gees in all their eras, but this one is too slow for me, although the tune is nice.

Track 9: Wendy Moten – Come In Out Of The Rain

It’s everything I dislike in a ballad – slow, saccharine, overblown vocals, zero edge, generic tune.  Don’t like this one at all!

Track 10: Dina Carroll – The Perfect Year

The music channels have defined this one as a Christmas song by featuring it in all their Christmas playlists, so I am most definitely feeling the seasonal dissonance right now.  It’s another slow ballad from Dina Carroll, and I’m still not a fan, even with that sax solo.

Track 11: Phil Collins – Everyday

Nice piano intro, gorgeous tune.  Really like this one.

Track 12: Richard Marx – Now And Forever

Lovely tune, but it’s just far too slow and acoustic-y for me.

Track 13: The Cranberries – Linger

Lovely tune, typically gorgeous vocals from Dolores O’Riordan (RIP 🙁 ).  Geth and I used to play this one a lot when we were DJing our Motherfolker night at Mr Modos circa 2010.  Good times.

Track 14: Tori Amos – Cornflake Girl

Great tune with really interesting piano lines and nice jaunty vocals.  Good stuff.

Track 15: The Beautiful South – Good As Gold (Stupid As Mud)

Nice bouncy tune, quite like this one.

Track 16: Meat Loaf – Rock And Roll Dreams Come Through

One of my favourites!  We had it on a Top Gear compilation, and as a result it’s one of my favourite Meat Loaf songs (and I unashamedly adore Meat Loaf, so there’s stiff competition).  For me, it evokes fast cars driving along cliffside roads in the middle of nowhere in the middle of the night.  Wonderful track, especially that epic squealing sax solo.

Track 17: Primal Scream – Rocks

Absolutely classic track – great singalong chorus, great tune.

Track 18: Gin Blossoms – Hey Jealousy

Nice tune, but the chorus annoys me slightly.

Track 19: Smashing Pumpkins – Disarm

Love those bells at the start – well, I love all the instrumentals in this track!  Great epic atmosphere, great song.

Track 20: Doop – Doop

Wonderfully silly novelty song.  I loved watching this one on Top of the Pops because of the girls’ colourful outfits – I’m not sure how many years it was before I realised it wasn’t actually them singing on the track.

Track 21: Right Said Fred – Wonderman

Great synthy dance track, typically silly vocals.  Really like this one.

Track 22: Cappella – Move On Baby

Good solid dance track, nodding along to this right now.

Track 23: Culture Beat – Anything

Nice epic slow synth bit to start, and then it kicks into the interesting vocal melody, and then we have dance track liftoff.  Great track.

Track 24: 2 Unlimited – Let The Beat Control Your Body

2 Unlimited starting to get a bit samey now, although it’s still very danceable.

Track 25: Reel 2 Real and The Mad Stuntman – I Like To Move It

Another lifelong favourite!  I always sing this when I’m impatient for people to hurry up (in my head, obviously, because I’m a coward).  Great hooks, great danceable beat.

Track 26: K7 – Come Baby Come

This one’s a bit repetitive for me, although I do like some of the instrumentals, and the chanting bits.

Track 27: Credit To The Nation – Teenage Sensation

That whistling at the start is super annoying, and the rest of the song is not really anything to write home about.

Track 28: EYC – The Way You Work It

‘Not on Spotify’ Type 2: YouTube Pause (TM).

I remember pretty much every word of EYC’s Smash Hits interviews during this period, especially the one they did about different brands of cola, but I don’t really remember any of their songs.  This one’s okay, though – not a bad piece of pop, if a little generic.

Track 29: Bitty McLean – Here I Stand

‘Not on Spotify’ Type 2: YouTube Pause (TM)

Nice jaunty beat, but the tune’s a bit dull.

Track 30: Deep Forest – Sweet Lullaby

Nice atmosphere, good bit of chillout.  Vocals are awful though.

Track 31: Björk – Violently Happy

Great epic atmosphere as ever from Björk – really like this one.

Track 32: Shara Nelson – Uptight

The tune’s a bit dull, but the beat’s alright for nodding along to.

Track 33: Gabrielle – Because Of You

Good head-nodder, nice tune.

Track 34: Carleen Anderson – Nervous Breakdown

Interesting tune, quite like this track.

Track 35: Juliet Roberts – I Want You

Love that epic intro, great atmosphere, solid dance track.

Track 36: Urban Cookie Collective – Sail Away

Another great dance tune from Urban Cookie Collective – the chorus is a little repetitive, but the beat is great.

Track 37: Degrees Of Motion and Biti – Shine On

Nice beat, but the vocals are a bit much for me, and the tune’s a bit dull.

Track 38: Joe Roberts – Lover

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Dull, slow tune, though the atmosphere’s quite nice.

Music Review: Now! That’s What I Call Music #17

Day 17 and we’ve arrived in the 1990s with our Now! compilation journey!  This one was released on 23rd April 1990.

April 1990
This was the way the world looked in April 1990 (actually March – we apparently didn’t take any photos in April – but I don’t imagine it changed much in the course of a couple of weeks). I was clearly much hardier as a child, because I spent a lot of time on British beaches in months when it’s traditionally too cold to do so (i.e. every month of the year), whereas nowadays I’ll stand and shiver for a couple of minutes before going back into the pub.

Let’s see what the 1990s have in store for us!

Now! That's What I Call Music #17
Track 1: Erasure – Blue Savannah

More solid synthpop from Erasure.  Great tune, great epic atmosphere.

Track 2: The Rebel MC – Better World

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Repetitive beats make for a dull intro, but it’s better once a bit of melody kicks in.

Track 3: Paula Abdul – Opposites Attract

Good beat, but the tune’s a bit dull for my liking.

Track 4: Beats International – Dub Be Good To Me

Classic dance track, really like this tune.  Great vocal melody.

Track 5: UB40 – Kingston Town

Bit of a slow one from UB40, with an irritating tune.  Not really a fan.

Track 6: Candy Flip – Strawberry Fields Forever

Weird synth cover of the Beatles classic.  Pretty much a pointless cover other than the synth, as the vocals definitely don’t do anything new.

Track 7: Tina Turner – I Don’t Wanna Lose You

Fairly standard Tina Turner ballad, a bit dull for me.

Track 8: Phil Collins – I Wish It Would Rain Down

Phil Collins turns his hand to a rock ballad.  To be fair, that guitar is just the right level of over-the-top for me, so I quite like this one.

Track 9: Happy Mondays – Step On

Love this one!  Classic track – I will always dance to this at weddings, in clubs, and in my chair right now.

Track 10: Primal Scream – Loaded

Another classic dance track – love those trumpet hooks.

Track 11: Depeche Mode – Enjoy The Silence

How were Depeche Mode not on a Now! compilation throughout the entirety of the ’80s? *blink*

Anyway, this classic synthpop track is not a bad way to start.  Epic tune, great vocals, has had me on the dancefloor of a thousand goth clubs.

Track 12: Jesus Jones – Real Real Real

Great upbeat rock-tinged track.  Happily nodding along here.

Track 13: Inspiral Carpets – This Is How It Feels

Lovely electro instrumentals, beautiful classic song.  Really like this one.  Another example where Carter USM did a great and not-at-all-pointless cover.

Track 14: The House Of Love – Shine On

Really like this one!  Great tune – love those guitar instrumentals.

Track 15: Faith No More – From Out Of Nowhere

Another great guitar riff.  Not so keen on the vocals, but it’s a good tune.

Track 16: The Quireboys – Hey You

I quite like the rock turn this Now! compilation has taken!  This one’s a great head-nodder.

Track 17: Technotronic and MC Eric – This Beat Is Technotronic

Great dance track, really like the melody on this one.  Geth just arrived home and talked all over it, so I wasn’t quite able to hear it properly!

Track 18: Lonnie Gordon – Happenin’ All Over Again

Like the tune, but the vocal line is a bit repetitive for my liking.

Track 19: 49ers – Don’t You Love Me

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Nice upbeat dance track, interesting vocal.  Bit dull otherwise.

Track 20: Jimmy Somerville – Read My Lips (Enough Is Enough)

Another solid pop track from Jimmy Somerville.  Great atmosphere on this one.

Track 21: Cliff Richard – Stronger Than That

More saccharine vocals from Cliff Richard.  His band are doing a good job at the pop-rock though.

Track 22: Jam Tronik – Another Day In Paradise

Interesting electro cover of the Phil Collins track.  Really like this one.

Track 23: JT & The Big Family – Moments In Soul

Interesting instrumentals, good atmosphere, but some of the samples are a little irritating.

Track 24: Mantronix and Wondress – Got To Have Your Love

Nice bass intro, nice instrumentals, good solid pop, though the vocals are a bit dull until the chorus kicks in.

Track 25: Bizz Nizz – Don’t Miss The Party Line

Great electro dance tune, though I could do without the live crowd on the track.

Track 26: E-Zee Possee and MC Kinky – Everything Starts With An ‘E’

Another live crowd spoiling the otherwise good guitar intro.  Then the weird vocal starts and it all goes south.  Also, I’m guessing that title is a drug reference (the ‘ec-ec-ec-ec-ecstasy‘ lyric is also a bit of a clue), which means the 1990s have properly arrived.

Track 27: D-Mob and Nuff Juice – Put Your Hands Together

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Is that a brief sample of the Halloween theme at the start?  If so, it makes the track 100% more awesome, even though the rest of it is a bit of a messy sample-fest.

Track 28: Adamski and Seal – Killer

Absolute classic – that chorus is great, and the instrumentals are wonderfully epic.

Track 29: Orbital – Chime

Upbeat dance track with some interesting instrumentals – good head-nodder, though it gets a bit repetitive after a while.

Track 30: Tongue ‘N’ Cheek – Tomorrow

Nice sweeping piano intro, then it goes a bit house, then a bit ’70s retro.  Once it gets going, it’s pretty much pop-by-numbers, with a random rap late in the track (yup, the ’90s are definitely here…sigh).

Track 31: Electribe 101 – Talking With Myself

Good instrumentals, dull vocal.  Bonus points for the James Bond theme randomly popping up in the middle of the song, though.

Track 32: Sydney Youngblood – I’d Rather Go Blind

Problematic title and theme, for starters.  Fairly tuneless intro, repetitive vocals, out-of-kilter instrumentals.  Not a fan of this one.