Music Review: Now! That’s What I Call Music #35

Day 35 equals Now! #35, which takes us to 18th November 1996.

November 1996
This is the way the world looked in November 1996 (well, obviously it wasn’t actually November, as I wouldn’t have been wearing short sleeves in November in Scotland – this was September, as we didn’t take any photos in the latter part of the year for some reason). I don’t know why I chose those trainers, ’cause I thought they were super ugly even at the time.

Let’s listen to some tracks by people who were probably better dressed, even if it was the sartorially-challenged ’90s.

Now! That's What I Call Music #35
Track 1: Spice Girls – Say You’ll Be There

The eagerly-awaited (by me, anyway) follow-up to Wannabe.  With hindsight, this song’s actually pretty poor, with a dull tune and generic theme; however, it’s quite hard to separate it from the nostalgia for me, so I still have a soft spot for it.

Track 2: George Michael – Fastlove

Lovely atmosphere, great vocal hooks – really like this one.

Track 3: Peter Andre – Flava

The instrumentals are quite fun, but the vocals are pretty annoying, and that rap is super generic.

Track 4: East 17 and Gabrielle – If You Ever

Really like the intro, and it’s got a lovely tune and atmosphere.

Track 5: Deep Blue Something – Breakfast At Tiffany’s

Loved it then, love it now.  This one was a youth club classic during my first year of high school.  Great theme, great lyrics, lovely tune.

Track 6: Pet Shop Boys – Se A Vida É (That’s The Way Life Is)

I’ve always liked this one – a nice slower track with a feelgood atmosphere.

Track 7: Babybird – You’re Gorgeous

Found it annoying at the time, really quite like it now.  Love the theme and the instrumentals.

Track 8: The Beautiful South – Rotterdam

This one, on the other hand, I’ve never stopped finding annoying.  It’s that irritating chorus.

Track 9: Dodgy – If You’re Thinking Of Me

This is Dodgy’s slow, dull one.  I don’t think I even enjoyed it when I saw it live.

Track 10: Crowded House – Don’t Dream It’s Over

Crowded House’s late ’80s classic, back in the charts – I’m not sure why, but I’m not complaining.  Lovely tune.

Track 11: The Bluetones – Marblehead Johnson

Oh, it’s this one!  Great guitar hook, nice tune.

Track 12: Ocean Colour Scene – The Riverboat Song

An all-time favourite!  Absolute anthem, epic energy, great lyrics, wonderful guitar riff.  I adore this one.

Track 13: Sheryl Crow – If It Makes You Happy

I’ve always found this one annoying – not keen on the tune.

Track 14: Garbage and Tricky – Milk

Great atmosphere – really like this track.

Track 15: Neneh Cherry – Woman

Nice epic intro, awesome atmosphere all the way through.  Good stuff.

Track 16: Lighthouse Family – Goodbye Heartbreak

Nice to hear some saxophone at this late stage!  The rest of the track is a little dull, although the ‘I don’t need you now‘ bit has quite a good singalong aspect.

Track 17: Pulp – Something Changed

Nice tune, nice instrumentals, great epic chorus.  Lovely track.

Track 18: Cast – Flying

Oh, it’s this one.  Found it a bit dreary at the time, still do now.  Just not keen on the tune.

Track 19: Suede – Beautiful Ones

Good upbeat track, great tune, great lyrics.  Another solid song from Suede.

Track 20: Belinda Carlisle – Always Breaking My Heart

Nice guitar intro, nice classic-sounding track, great chorus.  Really like this one.

Track 21: Dina Carroll – Escaping

Interesting chillout bit at the start, nice beat during the verses.  Not a typical Dina Carroll ballad, which is a welcome relief.

Track 22: Boyzone – Words

Introspective cover of the Bee Gees classic.  Lovely tune, great atmosphere.

Track 23: Eternal – Someday

Fairly paint-by-numbers ballad that was released to tie in with Disney’s The Hunchback of Notre Dame film.  As such, it’s very musical-theatre-sounding.

Track 24: Backstreet Boys – I’ll Never Break Your Heart

Far too saccharine for me, and also now a Christmas-associated song thanks to the music channels (the video‘s set in a ski lodge, which I guess is why it gets put on the Christmas playlists).

Track 25: Damage – Love II Love

Oh, it’s this one.  Never been keen on this – the chorus is repetitive and irritating.

Track 26: Clock – Oh What A Night

Fairly pointless cover of the Four Seasons classic.  The main addition is the rap over the top.  It’s not horrible, but it’s not great.

Obligatory ‘I hate pointless ’90s covers’ rant: this was the version that introduced me to this song.

Track 27: Louise – Undivided Love

Good beat, but it’s a pretty generic pop tune.

Track 28: Ant & Dec – When I Fall In Love

Ant & Dec, now having changed their name from PJ & Duncan (see Now! #31 review for discussion of why), try their hand at a ballad (well, it’s a ballad until the chant-along chorus kicks in, anyway).  Horrific!

Track 29: 911 – Don’t Make Me Wait

Great, interesting piano intro.  It leads into a fairly generic and cheesy pop track, though.

Track 30: Strike – My Love Is For Real

I quite like the verses on this dance track – there’s a bit of edge there – but the tune is pretty uninspired.

Track 31: Faithless – Insomnia

Classic dance track, great epic atmosphere, wonderful electro hook.

Track 32: BBE – Seven Days And One Week

Oh, it’s this one.  I think I liked this more at the time than I do now – it’s a bit repetitive.

Track 33: Stretch ‘N’ Vern – I’m Alive

Loved it at the time, forgot about it for over twenty years, can’t say I’m too keen on it now.  The backing track is great, but the rap’s fairly awful.  I quite like the Boogie Wonderland sample though.

Track 34: Healy & Amos – Stamp!

I think I’m back in the imaginary ’90s nightclub that plays nothing but dance, although to be fair 1996 isn’t quite as bad as 1995 was.  This one has some interesting lines, but it’s a bit messy for my liking.

Track 35: Livin’ Joy – Follow The Rules

Another very generic dance track – nothing special here.

Track 36: Wildchild – Jump To My Beat

Very messy track with irritating lines.  Don’t like this at all.

Track 37: Underworld – Pearl’s Girl

Dull lines, very little melody, messy track.  The beat’s quite good though.

Track 38: Space – Neighbourhood

Great atmosphere, great instrumentals, really nice track.

Track 39: Björk – Possibly Maybe

Not keen on the experimental-sounding instrumentals – they’re giving me a headache – but the vocal is nice when I can hear it over the top.

Track 40: Shed Seven – Chasing Rainbows

One of my friends had a poster of Shed Seven on the wall even though she didn’t really like them.  I think she’d got it free when they were supporting someone else.  That sort of sums up Shed Seven for me – they weren’t really a band that anybody actually liked.

The track itself is dull, slow and very forgettable.

Music Review: Now! That’s What I Call Music #30

Day 30 takes us to Now! #30, which was released on 10th April 1995.

April 1995
This is how the world looked in April 1995. There seems to be a bit of a theme of photos from halfway up hills and in woods and on beaches lately. Those things have obviously not changed in appearance, but my T-shirt collection has – not sure I could pull off bright yellow these days.

On with the tunes!

Now! That's What I Call Music #30
Track 1: Freak Power – Turn On, Tune In, Cop Out

It’s starting to get to the point with some of these where I’m a bit like ‘oh!  I haven’t even thought about this song for more than twenty years’, and all these incredibly vague memories sort of flash through my mind for a second.  This must be what getting old feels like.

The track is still great – love that tune on the chorus.

Track 2: Janet Jackson – Whoops Now

Slightly ’60s-tinged, jaunty track – another one I haven’t thought about for a long time.  The chorus is a little repetitive, but it’s a nice tune.

Track 3: Boyzone – Love Me For A Reason

Yup, I had this album.  Boyzone showed up just at the right point when Take That were coming to the end of their original run, giving tween girls everywhere a new favourite band.  Pretty much every girl in my primary school class loved this song.

To adult ears, it’s kind of cheesy, and while I’ve never heard the original ’70s version, I’m guessing the cover probably doesn’t add much.

Track 4: Cher, Chrissie Hynde, Neneh Cherry and Eric Clapton – Love Can Build A Bridge

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Absolutely loved this one at the time, still like it now.  It was the Comic Relief song for 1995, back when Comic Relief songs were still good.  Love the tune, really like the way the vocals are shared throughout the song.

Track 5: East 17 – Stay Another Day

This track’s status as the Christmas number one for 1994, its festive bells toward the end, its snowy video and its ubiquity on the music channels during December all mean that this is very firmly considered a Christmas song nowadays, so it feels highly out of place in May.  I’ve always loved it, though, and remember being wowed by it when I first saw it performed on Top of the Pops in late 1994.

Track 6: Mike & The Mechanics – Over My Shoulder

This one was the ‘played all the time on the ferry’ track of summer 1995, so it just takes me straight back to being on a cross-channel voyage.  Great song, love the tune.

Track 7: Jimmy Nail – Crocodile Shoes

Super annoying chorus – never been keen on this one.

Track 8: Scarlet – Independent Love Song

Nice tune, nice atmosphere, but a bit slow, and the chorus is kind of overblown.

Track 9: Simple Minds – She’s A River

Great, epic-sounding rock song.  Really like this one.

Track 10: The Boo Radleys – Wake Up Boo!

I think the tune and theme to this one are pretty annoying, but I still find myself nodding along to it.

Track 11: The Human League – Tell Me When

Good to see the Human League back in the charts, with a great bit of synthpop.  Lovely tune.

Track 12: M People – Sight For Sore Eyes

Great danceable track  – really like this tune.

Track 13: Sting – This Cowboy Song

The instrumentals are nice, but there’s nothing special about the song.

Track 14: Shut Up And Dance – Save It Till The Mourning After

‘Sampling’ of Duran Duran’s Save A Prayer where they’ve just taken the backing track and chorus and added a horrible misplaced rap over the top.  I’m also not sure why, in the title, they’ve changed ‘morning’ to ‘mourning’.

However, no matter how messy the sampling, I love Duran Duran, and Save A Prayer is one of my favourites, so I’m just going to enjoy the sample and ignore everything else.

Track 15: R Kelly – Bump ‘N’ Grind

The vocal gymnastics at the start are pretty anthemic, but once the track gets going it’s messy, dull and irritating, not my cup of tea at all.

Track 16: Eternal – Oh Baby I…

Fairly generic-sounding ballad.  Not keen.

Track 17: Massive Attack and Tracey Thorn – Protection

Too slow for me, and I find the tune pretty dull.

Track 18: Portishead – Glory Box

Great hook, great tune, classic track.

Track 19: Oasis – Whatever

Nice violin instrumentals, awesome tune.  It’s another one I hadn’t thought about for a while.

Track 20: Outhere Brothers – Don’t Stop (Wiggle Wiggle)

This was everywhere in 1995.  It’s actually a really annoying song, but it certainly has a lot of memories attached to it.

Track 21: Alex Party – Don’t Give Me Your Life

Oh, it’s this one!  Another one I’d forgotten about.  Loved it at the time, find that chorus a little annoying nowadays.

Track 22: Strike – U Sure Do

And…oh, it’s this one!  I’ve got a feeling this is going to start happening a lot.  Found the tune annoying at the time, find it quite nice and nostalgic now.

Track 23: Kenny Dope and The Bucketheads – The Bomb! (These Sounds Fall Into My Mind)

Absolute classic – great party tune with an awesome singalong chorus.

Track 24: Nightcrawlers – Push The Feeling On

I find this one pretty repetitive, but I do like the instrumental hooks.

Track 25: Tin Tin Out – Always (Something There To Remind Me)

Electro dance cover of the ’60s classic.  The instrumentals are too messy for my liking, unfortunately.

Track 26: Corona – Baby Baby

Great dance track, great atmosphere – really like this one.

Track 27: Clock – Axel F

Before Crazy Frog ruined the Harold Faltermeyer classic in the ’00s (which I mentioned in my review of the original), Clock had a go at a ’90s cover, which is basically a dance remix of the ’80s track.  I don’t hate it, but nothing beats the purity of the original tune.

Track 28: N-Trance – Set You Free

Absolutely classic dance track – that chorus is epic.

Track 29: JX – You Belong To Me

Ten dance tracks in a row, and we’re most definitely back in the imaginary ’90s nightclub.  This one’s got a nice atmosphere around the vocals, but it’s a bit generic otherwise.

Track 30: Perfecto Allstars – Reach Up (Papa’s Got A Brand New Pigbag)

Cover/sampling/remix (the line is becoming a bit blurred with these dance producers) of the Pigbag song with some messy drums over the top at the start and some irritating dance vocals cutting in thereafter.  Really not keen on all the messing with classic tracks that started happening during this period.

Track 31: Rednex – Cotton Eye Joe

Daft novelty country/linedance/electro dance track.  I loved it at the time, but it’s become super overplayed in the intervening years.

Track 32: Deuce – Call It Love

Great piano intro, great atmosphere.  Really like this one.

Track 33: 2 Unlimited – Here I Go

The tune to the vocals is nice, but it’s pretty generic otherwise.

Track 34: MC Sar & The Real McCoy – Run Away

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Great bassline, great atmosphere.  Good stuff.

Track 35: Nicki French – Total Eclipse Of The Heart

Dance cover of the Bonnie Tyler classic.  The vocals are very far from the original standard, and the dance beat is a bit wishy-washy.  It’s different enough not to be pointless, but it’s pretty poor.

Track 36: Sean Maguire – Suddenly

Irritating tune, irritating vocals.  I remember Smash Hits being obsessed with this guy, but his stuff’s hugely forgettable.

Track 37: Bobby Brown – Two Can Play That Game

I really liked this one at the time, and I still quite like it now – great tune.  Shame it’s by Bobby Brown.

Track 38: Ultimate Kaos – Hoochie Booty

More creepy kiddie vocals about sex from Ultimate Kaos.  Please go away.

Track 39: Pato Banton and Ranking Roger – Bubbling Hot

Like that saxophone in the background, as well as the reggae instrumentals.  Nice jaunty song.

Track 40: Mica Paris – One

Slow, soulful cover of the U2 song.  The vocals are a bit overblown, but I quite like it.

Music Review: Now! That’s What I Call Music #29

Day 29, and today’s Now! compilation takes us to 14th November 1994.

November 1994
This is how the world looked in November 1994…that is a giant lie. This was September (we have no pictures that are closer in time), hence why the trees are still green. I imagine we were still wearing those dodgy jumpers into November, though.

Let’s listen to some more mid-’90s tracks.

Now! That's What I Call Music #29
Track 1: Pato Banton, Robin Campbell and Ali Campbell – Baby Come Back

I should find that chorus annoying, but I’ve always really liked this one.  Classic track.

Track 2: Cyndi Lauper – Hey Now (Girls Just Wanna Have Fun)

Slightly odd chant-along track from Cyndi Lauper that reworks her 1984 classic and hence repeats the title.  For about five years after it was released, this was the only Girls Just Wanna Have Fun I was aware of (urgh, ’90s childhood, you embarrass me yet again) and so I was fairly flummoxed any time somebody talked about how great it was.  The 1984 original, of course, is wonderful, and was featured on Now! #2.

Track 3: Big Mountain – Baby, I Love Your Way

Super irritating chorus, super irritating lyrics!  Not a fan of this one.

Track 4: Take That – Sure

I think this was the point that I started being not-quite-as-hugely-keen on Take That.  I’ve never been a huge fan of this song, largely because of that annoying chorus.

Track 5: Michelle Gayle – Sweetness

Does what it says on the tin – saccharine as anything.  Not keen.

Track 6: Whigfield – Saturday Night

An absolute singalong classic with built-in dance moves that are the best thing in the world when you’re nine.  This was the highlight of every school disco for about two years.

Track 7: MC Sar & The Real McCoy – Another Night

‘Not on Spotify’ Type 2: YouTube Pause (TM).

The fanfare at the start is odd, but at least adds a bit of interest.  The track itself is a solid dance track with great electro lines and so-so vocals, which is fairly standard for dance of this era.

Track 8: Corona – The Rhythm Of The Night

Wonderful, classic dance track – love this one.

Track 9: New Order – True Faith ’94

1994 update of the ’80s classic.  Probably my favourite track from one of my favourite bands, and I’m lucky enough to have seen it live (well, half of it – when New Order played T in the Park 2005, the amps cut out during this track and the crowd had to finish the song for them.  Bernard Sumner then made a crack about Scottish sound engineers being stingy with the voltage, which did not go down well).  Beautiful, classic piece of synthpop.

Track 10: Sophie B Hawkins – Right Beside You

Interesting synth jingle at the beginning, then straight into a solid, atmospheric pop track.  Really nice song.

Track 11: Youssou N’Dour and Neneh Cherry – 7 Seconds

Beautiful track – the vocals on this one are just something else, and that atmosphere is amazing.

Track 12: Lisa Loeb & Nine Stories – Stay (I Missed You)

Gorgeous tune, but it’s a little too acoustic-y for my liking.

Track 13: Crash Test Dummies – Mmm Mmm Mmm Mmm

As a kid, I always got this one confused with REM’s What’s The Frequency, Kenneth? for some reason.  I think it was because Smash Hits put the lyrics to the two songs opposite each other in the lyrics section.

Anyway, this is a great track with inspired, whimsical lyrics.  I’ve always liked this one.

Track 14: Louis Armstrong – We Have All The Time In The World

’60s classic (and James Bond associated song) back in the charts due to a My Bloody Valentine cover.  Lovely tune.

Track 15: Robert Palmer – Know By Now

A welcome return to the charts for Robert Palmer – this song is a nice upbeat track with awesome spiky synth hooks and a great atmosphere.

Track 16: REM – What’s The Frequency, Kenneth?

As a kid, I always got this one confused with Crash Test Dummies’ Mmm Mmm Mmm Mmm…uh, never mind, you’ve heard about that a few songs ago.

Great singalong chorus, good solid track.

Track 17: Oasis – Cigarettes And Alcohol

I liked Oasis a lot more in the ’90s than I do nowadays – their music has not aged well at all – but this is still a good singalong track.

Track 18: The Rolling Stones – Love Is Strong

Good brooding atmosphere, great guitar lines.  Like this one.

Track 19: The Cranberries – Zombie

Beautiful, classic anthem.  Stunning vocals, stunning lyrics, stunning tune, just wonderful.

Fun fact: in 1998, I named my self-published magazine, which I edited and printed out for my friends for about six years, after a misheard lyric from this song.  (If you’re familiar with my teenage media ventures and are wondering just how deaf someone would have to be to mishear ‘in your head’ as ‘in my head’, well, I am that deaf.)

Track 20: East 17 – Around The World

Really nice tune, lovely instrumentals…annoying chorus.  Seriously, I’d forgotten how much that chorus annoyed me.  Oh well.

Track 21: Red Dragon and Brian & Tony Gold – Compliments On Your Kiss

Jaunty instrumentals, mid-century retro feel.  Fun track.

Track 22: Chaka Demus & Pliers – Gal Wine

Nice bouncy reggae track, like the tune.

Track 23: R Kelly – She’s Got That Vibe

Good beat, but the tune is pretty dull and repetitive.

Track 24: The Brand New Heavies – Midnight At The Oasis

Nice lounge-y atmosphere and general retro tinge.  Quite like this one, especially the sax solo.

Track 25: China Black – Stars

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Lovely piano intro, great atmosphere, but boring vocals.

Track 26: Music Relief – What’s Going On

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Charity multi-artist cover of the Marvin Gaye classic.  It’s a bit pointless, but, you know, charity.

Track 27: Céline Dion – The Power Of Love

Pointless ’90s cover of the Jennifer Rush classic.  Nothing added here at all other than an irritating dance-influenced spiky bit on the backing track.

Track 28: Kylie Minogue – Confide In Me

Lovely atmospheric track from Kylie, a bit more grown-up than her previous bubblegum pop stuff.

Track 29: Massive Attack – Sly

Great atmosphere, but the tune is pretty dull, and it’s a bit too slow for me.

Track 30: Eternal – So Good

Irritating drum hooks, irritating vocals, dull tune.  Not keen.

Track 31: Ultimate Kaos – Some Girls

Argh, I’d forgotten about this terrible group!  I’ve mentioned before that I find kiddie vocals pretty creepy, especially with a song as overtly sexual as this one.  Eww!

Track 32: Reel 2 Real and The Mad Stuntman – Can You Feel It?

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Boring, repetitive tune, but it’s got a good, danceable beat.

Track 33: M-Beat and General Levy – Incredible

Not enough melody for me.  Is that ‘Wicket, Wicket’ bit at the start a Return of the Jedi reference?  I’d love it if it were, but somehow I doubt it.

Track 34: Shampoo – Trouble

Classic daft track with silly lyrics and fairly terrible vocals.  Still love it though, mainly due to nostalgia.

Track 35: Blur and Phil Daniels – Parklife

Another wonderful chant-along classic from Blur.  There are not many songs where I know all the words, but this track is one of the privileged few.

Track 36: Erasure – I Love Saturday

I love that Erasure were still bringing the synthpop in the mid-’90s.  This is another great tune.

Track 37: Sparks – When Do I Get To Sing ‘My Way’

I’m a big Sparks fan, and this is a great, atmospheric track with an awesome dance beat.  Lovely stuff.

Track 38: 2wo Third3 – I Want The World

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Great dance track!  Wonderful tune, would be up on that dancefloor in the imaginary ’90s disco right now.

Music Review: Now! That’s What I Call Music #18

Day 18, and today’s Now! compilation takes us to 19th November 1990.

November 1990
This is the way the world looked in November 1990 (actually December, but November was another one of those months we didn’t take any photos). Pirate Lego, thankfully, hasn’t changed (or at least it hasn’t if you keep all your stuff from childhood! The new larger pirate minifigures are just wrong). Also, those twentieth century carpets are still a regular sight in British pubs, who obviously all got a job lot circa 1980.

Here’s some music from some people who may have grown out of Lego by 1990, ’cause apparently it’s only millennials who keep playing with that stuff into adulthood.

Now! That's What I Call Music #18
Track 1: The Beautiful South – A Little Time

Nice tune, vocals and atmosphere, but this track’s a bit slow for me.

Track 2: Steve Miller Band – The Joker

This one was later a Modos classic when I hung about there in 2008-2011 – it was always on DJ Mantash’s playlist.  Good times.

Good tune, great lyrics, solid head-nodder.

Track 3: Elton John –  Sacrifice

Quite a nice ballad – lovely tune, nice tinkly synth hooks.

Track 4: Roxette – It Must Have Been Love

Really like this Roxette ballad – lovely vocals, great atmosphere.  Awesome track.

Track 5: Phil Collins – Something Happened On The Way To Heaven

Epic intro, epic tune.  Like this one.

Track 6: Wilson Phillips – Hold On

Great rock ballad!  Love the tune and the vocals.

Track 7: Sinéad O’Connor – Nothing Compares 2 U

Classic, beautiful song.  Perfect lyrics, stunning melody.

Track 8: The Righteous Brothers – Unchained Melody

No idea why this was back in the charts, but it’s a ’60s favourite for me, so I’m not complaining!

Track 9: Belinda Carlisle – (We Want) The Same Thing

Probably my favourite Belinda Carlisle track – brilliant, epic rock ballad.

Track 10: Status Quo – The Anniversary Waltz [Part 1]

Irritating retro-tinged dad-rock medley of all of Status Quo’s worst tracks.  Not my cup of tea.

Track 11: INXS – Suicide Blonde

Great instrumentals, nice upbeat atmospheric pop-rock.  Really like this one.

Track 12: Public Image Ltd – Don’t Ask Me

Good tune, like the guitar intro, interesting vocals (well, it is John Lydon).  Great track.

Track 13: Talk Talk – It’s My Life

I’m a little surprised to find this featuring so late, ’cause I had it in my head as being late ’80s.  Great synth line, great tune.

Track 14: The LAs – There She Goes

The LAs crack the definitive ’90s sound early on.  Super acoustic and plaid-sounding.

Track 15: Tina Turner – Be Tender With Me Baby

Pretty dull ballad, but some of the instrumentals are quite interesting.

Track 16: Robert Palmer and UB40 – I’ll Be Your Baby Tonight

Standard reggae tune from UB40, with Robert Palmer’s vocals giving it plus points.

Track 17: Pet Shop Boys – So Hard

Pet Shop Boys enter the ’90s with some slightly harder electro.  The usual great synth lines are still intact though.

Track 18: Bass-O-Matic – Fascinating Rhythm

Nice bassline (as you might expect) but everything else is a bit generic.

Track 19: Soul II Soul and Kym Mazelle – Missing You

Boring soul track with standard early ’90s beat, nothing special.

Track 20: DNA and Suzanne Vega – Tom’s Diner

Love that jaunty singalong hook!  Fantastic track.

Track 21: Sting – Englishman In New York

An all-time favourite – lovely, melancholy song with beautiful lyrics and a gorgeous sax solo.  Love this one.

Track 22: The Cure – Close To Me ’90

Really like this 1990 reworking of the 1985 classic.  Great track from the Cure.

Track 23: Neneh Cherry – I’ve Got You Under My Skin

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Not enough melody here for me, although there’s quite a nice bassline that starts up mid-track.

Track 24: Blue Pearl – Little Brother

Dull tune, annoying vocals.  Not keen on this one.

Track 25: Kylie Minogue – Step Back In Time

Annoying chorus alert!  It would be a solid pop song, but that chorus makes it the kind of unwanted earworm that I need to cleanse with OMG ANYTHING OTHER THAN THIS.

Track 26: Kim Appleby – Don’t Worry

Nice ’70s-retro-tinged pop tune.  Quite like this one.

Track 27: Technotronic – Megamix

Largely enjoyable medley of dance tracks, some better than others.

Track 29: Bombalurina – Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini

This silly novelty track was played at every birthday party I went to in the early ’90s.  It’s not high art, let’s face it, but I still find myself happily nodding along.

Track 30: Betty Boo – Where Are You Baby?

For some reason, I’ve got a vague, distant memory of Betty Boo being a figure of derision in Smash Hits in the early ’90s.  But then, lots of artists were, so I could be getting confused.

The track’s not much to write home about either way – bad rap verse, mid-century-retro-tinged chorus.  Not my thing.

Track 31: The Adventures Of Stevie V – Dirty Cash (Money Talks)

Like the atmosphere on this one – good solid pop, with a bit of sax in there for good measure.

Track 32: MC Hammer – Have You Seen Her?

Irritating slow track from MC Hammer with slightly creepy vocals.  Not a fan of this one.

Track 33: Jimmy Somerville – To Love Somebody

Odd, slow reggae cover of the Bee Gees classic.  Still, better than the saccharine ballads that usually end these compilations.

Music Review: Now! That’s What I Call Music #16

Day 16 takes us to 20th November 1989.

November 1989
This is the way the world looked in November 1989, when I was small and Christmas trees were…silver. I am 100% positive that nobody usually put up their Christmas trees in November back in the ’80s – that is most definitely a 21st century thing due to ongoing Christmas creep – but I think my great-aunt and great-uncle got the decorations out early that year so that the wee bro and I could ‘help’. Of course, in my world, Christmas decorations still look like that – or even older – ’cause my mum and her mum before her have been keeping them all as heirlooms since the ’40s.

So, we’ve reached the end of the ’80s in our Now! compilation journey.  Let’s enjoy those last few glorious tracks!

Now! That's What I Call Music #16

Track 1: Tears For Fears – Sowing The Seeds Of Love

So I was super gutted when Tears For Fears announced their tour last autumn, ’cause the tickets were pricy, we would have had to travel to Leeds, and I just couldn’t justify the expense at the time.  It was one of my big gig regrets for 2018.

In the last week, they’ve announced they’ve had to postpone the tour to 2019 for medical reasons.  The tickets all became available again, I found out Alison Moyet was supporting (which I hadn’t known before), and I was feeling a bit more flush than I had in the autumn.  I bought tickets for the Leeds gig.  Of course I did.

So I’m going to see Tears For Fears (and Alison Moyet) in February 2019, and now I don’t have to feel sad and disappointed every time one of their tracks comes on Vintage TV (which is approximately every five minutes).  Winning!

Anyway, this track.  It’s a bit ‘pre-1990s’ for my liking, especially ’cause I adore their early-to-mid-1980s stuff so much, but it’s a nice tune and I always find myself singing along when it comes on Vintage TV.  Which, as I say, is often.

Track 2: Belinda Carlisle – Leave A Light On

Really like this singalong track.  Lovely vocals, lovely tune.

Track 3: Erasure – Drama!

Lovely tinkly slow synth intro before the beat bangs in.  Epic atmosphere, great track.

Track 4: Debbie Harry – I Want That Man

Really like the tune on this one.  Nice upbeat pop.

I think you can probably guess, however, how I feel about the line ‘here comes the twenty-first century/it’s gonna be much better for a girl like me‘.  Yeah.  I’m glad someone’s optimistic.

Track 5: Sydney Youngblood – If Only I Could

Gotta love those bouncy instrumentals.  Great head-nodder.

Track 6: Curiosity Killed The Cat – Name And Number

I’ve always really liked this one!  That chorus is great.

Fun fact: Little Mix avoided a pointless cover of this by doing that strange 2010s thing where you cover the chorus only and then do a completely different verse, meaning you can call the track a different name (in this case How Ya Doin’?).

Fun fact 2: In a further example of my family’s sloth-like speed at adopting new phone technologies, we didn’t get an answerphone until the mid-’90s, so I wouldn’t have understood the premise of this song at the time.

Track 7: The Beautiful South – You Keep It All In

Nice jaunty instrumentals, and in comes Jacqui Abbott on the vocals – we are definitely post-Housemartins now.  Not my favourite Beautiful South track, but it’s a nice tune with typically whimsical lyrics.

Track 8: Wet Wet Wet – Sweet Surrender

A bit slower from Wet Wet Wet, but I really like those instrumentals.  Chorus could be more epic, though.

Track 9: Queen – Breakthru

Nice vocal harmony intro to a slightly erratic track.  The tune is a bit dull, but it’s still pretty solid from Queen.

Track 10: Tina Turner – The Best

Classic singalong track – one of those ones where I’m up on the dancefloor at the wedding disco.  Epic song.

Track 11: Transvision Vamp – Born To Be Sold

Slower and a bit acoustic from Transvision Vamp today.  I still really like it, though.

Track 12: Wendy & Lisa – Waterfall ’89

Slow pop-by-numbers, dull repetitive tune, nothing special.

Track 13: Kate Bush – The Sensual World

Church bell intro!  You don’t hear that on every pop song, but then it is Kate Bush.  Love the tune too, nice epic atmosphere.

Track 14: Fine Young Cannibals – I’m Not The Man I Used To Be

For some reason, on Now! #16 there were a few tracks that featured on the CD release only.  I don’t know if it’s because CDs had more space, and the Now! compilers were excited about the novelty of that, or what.  Anyway, this is the first of them.

Nice instrumentals, but this track is a bit slow and dull for my liking.

Track 15: Then Jerico – Sugar Box

A bit saccharine, but I quite like the tune, especially when it gets a bit rockier as the track goes on.

Track 16: Living In A Box – Room In Your Heart

Wow.  We’ve reached 1989 and even Living In A Box were doing dull ballads.  Nothing to elevate this one.

Track 17: Richard Marx – Right Here Waiting

I’ve always had a soft spot for this ballad.  It’s the kind of thing I should hate, but I don’t.

Track 18: Milli Vanilli – Girl I’m Gonna Miss You

It’s Milli Vanilli and their possibly-fake vocals again!  I actually really like this one, it’s a lovely tune and theme.

Track 19: The Rebel MC and Double Trouble – Street Tuff

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Nice upbeat dance track, like the sampling.  Good stuff.

Track 20: Bobby Brown – On Our Own

Good instrumentals and sung vocals on this one – the rap’s a bit dull though.

Track 21: Technotronic and Felly – Pump Up The Jam

Classic dance track – another ‘oh, it’s this one!’ moment.  Happily chair-dancing right now.

Track 22: Lil’ Louis – French Kiss

Another track that was on the CD release only.

Repetitive intro that goes on too long – get on with it!  The shortest version I was able to find is eight minutes long, so it takes forever to get going.  Not my kind of thing, especially when it slows down and brings in the orgasm noises.  I’m guessing this is not the version that was on the Now! compilation.

Track 23: Adeva – I Thank You

Highly pre-1990s dance track.  Vocals a bit over-the-top for me.

Track 24: D-Mob and Cathy Dennis – C’mon And Get My Love

Really like the drum machine on that intro.  Solid dance tune.

Track 25: De La Soul – Eye Know

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Too repetitive for me, and I don’t like the backing tune.

Track 26: Inner City – Whatcha Gonna Do With My Lovin’

Not an Inner City fan anyway, and this one is kind of slow and repetitive.  Not for me.

Track 27: Big Fun – Can’t Shake The Feeling

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Something about the tune annoys me.  It’s fairly pop-by-numbers otherwise.

Track 28: Cliff Richard – I Just Don’t Have The Heart

Actually quite an upbeat one from Cliff Richard!  His vocals are still super cheesy and irritating though.

Track 29: Jimmy Somerville and June Miles Kingston – Comment Te Dire Adieu

Great track!  Daft French atmosphere, awesome tune.  I’m chair-dancing again here!

Track 30: Brother Beyond – Drive On

Another ‘CD release only’ track..

A bit cheesy, but I really quite like this – it’s just nice, pure, upbeat pop.

Track 31: Shakespear’s Sister – You’re History

Really squawky and squeaky in the vocals, with Siobhan Fahey going a bit overboard, obviously still feeling that post-Bananarama freedom.  Quite an interesting tune, though.

Track 32: Oh Well – Oh Well

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Nice funky melody, quite a nice track when they’re not rapping.

Track 33: Neneh Cherry – Kisses On The Wind

Bit of a messy sample mishmash at the start, but it’s okay once it gets going.

Track 34: Redhead Kingpin & The FBI – Do The Right Thing

Headache-inducing intro, repetitive track.  Not my cup of tea.

Track 35: Fresh 4 and Lizz E – Wishing On A Star

Not a fan of this drum ‘n’ bass cover, but at least it does something different to the Rose Royce original.

Music Review: Now! That’s What I Call Music #15

Day 15’s Now! compilation was released on 14th August 1989.

August 1989
This is what the world looked like in August 1989. Beautiful sunshine, beautiful view, and I’m clearly complaining about something, ’cause I’m four. At least I’m complaining while wearing an awesome ’80s coat though.

On with the tracks!

Now! That's What I Call Music #15
Track 1: Queen – I Want It All

Brilliant track, one of my favourites from Queen.  Wonderful guitar solo from Brian May, of course, but the best bit is when it goes quiet for a drums ‘n’ chanting singalong.  Great stuff.

Track 2: Simple Minds – Kick It In

After an uninspiring slow intro, this track does what it says on the tin, thankfully.  Vocals a bit experimental for my liking, though.

Track 3: Fine Young Cannibals – Good Thing

Bit of a retro-sounding track from Fine Young Cannibals.  Nice tune, but a bit repetitive for me.

Track 4: Holly Johnson – Americanos

I’m not hugely keen on Holly Johnson’s post-FGTH solo stuff.  There’s something irritating about the tune and instrumentals on this one.

Track 5: Transvision Vamp – Baby I Don’t Care

Great pop-rock track from Transvision Vamp.  Nice singalong chorus, great guitar.

Track 6: INXS – Mystify

Nice bouncy instrumentals, nice vocals, lovely epic quiet chorus.  Really like this one.

Track 7: Roxette – The Look

Love this track!  Great guitar, great vocals, awesome tune.  Roxette are one of those bands where I like pretty much all of their stuff, but this is a real standout.

Track 8: Stevie Nicks – Rooms On Fire

Slight aside for a minute while I bemoan the fact that I am no longer going to try and get tickets to see Fleetwood Mac this year because they’ve had drama again, with Lindsey Buckingham quitting, and I WANTED TO SEE ALL FIVE OF THEM BECAUSE THAT’S THE CLASSIC LINEUP DAMMIT.  This is the only gig disappointment of 2018 that I have not been able to mitigate somehow.

Anyway, this Stevie Nicks solo track is lovely and epic, absolutely holding its own against the Fleetwood Mac back catalogue.  Cracking song.

Track 9: Paul McCartney – My Brave Face

Nice upbeat track, nice tune.  Good head-nodder.

Track 10: Gerry Marsden, Paul McCartney, Holly Johnson and The Christians – Ferry ‘Cross The Mersey

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Never been keen on any version of this track, ’cause the chorus annoys me.  I do appreciate the instrumental treatment of this one, though.

Track 11: The Beautiful South – Song For Whoever

So, back on Saturday when I was listening to Now! #10, Geth went on this big ominous ramble during Build by the Housemartins that that was the point when the Housemartins were starting to sound like the Beautiful South, and that it would only be a matter of time before the former went bang and the latter rose from the ashes.  That did of course happen in the late ’80s, but as much as I do prefer the Housemartins, I don’t think the Beautiful South are a bad thing.  This song is lovely and has just the right level of whimsy for my liking.

Track 12: Kirsty MacColl – Days

Beautiful cover of the Kinks track.  There’s enough interesting things done with the instrumentals here (not to mention MacColl’s gorgeous vocals) to make the cover non-pointless, and the result is lovely and sweeping.

Track 13: Danny Wilson – The Second Summer Of Love

Not sure about this folk-rock track – I quite like the bridge, but the chorus is a bit cheesy.

Track 14: Waterfront – Cry

Good instrumentals on the intro, but the track is a bit generic.  Sax solo does save it a bit.

Track 15: Hue & Cry – Violently

Another slow one from Hue & Cry – again, a bit dull for me.  They just never matched Labour Of Love as far as I’m concerned.

Track 16: Cliff Richard – The Best Of Me

1989: the year everyone decided Cliff Richard was a thing again for some reason.  This one is mouldy cheddar, but what do you expect?

Track 17: Soul II Soul and Caron Wheeler – Back To Life (However Do You Want Me)

I’ve always liked that ‘back to life/back to reality‘ hook.  Nice head-nodder as well.

Track 18: Neneh Cherry – Manchild

Nice tune and great instrumentals, but it’s a bit slow for me.

Track 19: Bobby Brown – Every Little Step

Dull tune, but the beat’s all right.

Track 20: Inner City – Do You Love What You Feel

Nice intro – then the dull vocal kicks in.  Not a fan.

Track 21: D-Mob and LRS – It’s Time To Get Funky

Good dance track, quite like this one.

Track 22: Donna Allen – Joy And Pain

Love that sax!  Nice tuneful ballad, even if the vocals are a bit repetitive.

Track 23: Gladys Knight – Licence To Kill

Love a James Bond soundtrack song!  (We’ll gloss over the missed opportunity of A View To A Kill for now.)  Epic almost-orchestral instrumentals, building atmosphere, great vocals – this is what you want.

Track 24: Natalie Cole – Miss You Like Crazy

Super saccharine ballad, annoying chorus.  Not my thing.

Track 25: Pet Shop Boys – It’s Alright

More classic synthpop from Pet Shop Boys.  Love those synth hooks.

Track 26: Jive Bunny & The Mastermixers – Swing The Mood

Novelty cartoon rabbit that I quite liked at the time, being four.  The mix of classic swing and rock ‘n’ roll tracks leaves a little to be desired, though.

Track 27: Swing Out Sister – You On My Mind

Nice upbeat track, lovely tune, good vocals – I quite like this one.

Track 28: Bananarama – Cruel Summer ’89

I don’t know whose idea this 1989 remix was, but it’s a good excuse to hear some classic Bananarama again!  Great track when it’s not the weird remix bit.

Track 29: De La Soul – Say No Go

‘Not on Spotify’ Type 1: lazy tribute version substitute.

Finally, some rap that’s actually interesting!  Great instrumentals too.

Track 30: Norman Cook and MC Wildski – Blame It On The Bassline

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Here’s another phoenix from the ashes of the Housemartins’ split, back in the days before he was going by Fatboy Slim.  This was actually the Beats International project, although I guess they hadn’t come up with the name yet.

Really quite like this mishmash of samples, especially the Blame It On The Boogie hooks.

Track 31: Double Trouble and The Rebel MC – Just Keep Rockin’

Nice upbeat dance track – happily nodding along here.

Track 32: The Cure – Lullaby

My favourite song from my favourite band!  Now THIS is a good way to end a compilation.  Indescribably beautiful mournful track – I will adore it forever.

Music Review: Now! That’s What I Call Music #14

Two weeks into this review series, and Now! 14 takes us to 20th March 1989.

March 1989
This is how the world looked in March 1989. Nice garden stonework features, lots of plants, and head-to-toe red outfits.

Both me and the wee bro were clearly better dressed than this lot, but let’s listen to their songs anyway.

Now! That's What I Call Music #14
Track 1: Marc Almond and Gene Pitney – Something’s Gotten Hold Of My Heart

The Gene Pitney solo original from the ’60s is one of my all-time favourite songs.  This version with Marc Almond doesn’t quite match the original for me, but it’s still really good.

Track 2: Phil Collins – Two Hearts

Phil Collins back on form after that awful one from yesterday.  Great bouncy singalong chair-dancer.

Track 3: Erasure – Stop!

Love the spiky synth on this one.  More great pop from Erasure.

Track 4: Bananarama and LaNaNeeNeeNooNoo – Help!

An early example of a Comic Relief single, with Bananarama teaming up with their parody versions (actually French and Saunders) for a not-quite-pointless cover of the Beatles classic.  There’s not much added to the song other than the daft comedy spoken word sections, but the backing instrumentals are quite interesting.

Track 5: Hue & Cry – Looking For Linda

More upbeat than Ordinary Angel yesterday, but the chorus annoys me.  Sorry!

Track 6: Yazz – Fine Time

Yazz has ditched the Plastic Population, and judging by this song, I can’t decide whether it was the best move.  The tune is nice and soulful, but perhaps a little slow for me.  No annoying chorus, though, so that’s a huge improvement.

Track 7: Kim Wilde – Four Letter Word

Obligatory Kim Wilde gig mention.  Yes, she played this one too!

Bit of a slower, quieter one from Kim Wilde, but still a great pop track – really nice build to the atmosphere.

Track 8: Sam Brown – Stop

This is the second track on this compilation with this title.  Between this and the Transvision Vamp/Duran Duran mixed message from yesterday, I’m beginning to think bands in the late ’80s were running out of originality when it came to titles.

Absolutely love this track – beautiful tune, wonderful epic atmosphere.

Fun fact: Jamelia did the most pointless of pointless covers of this in 2003 for the Love Actually soundtrack – it sounds EXACTLY the same.

Track 9: Roy Orbison – You Got It

Was Roy Orbison really still going in 1989?  *googles*  Apparently so.

Really like this tune, especially that bridge.  Nice head-nodder.

Track 10: Fine Young Cannibals – She Drives Me Crazy

Hands down my favourite Fine Young Cannibals song.  Absolutely classic track with a beautiful simplicity to the vocals and lyrics, and some stunning guitar instrumentals.  Adore this one.

Track 11: INXS – Need You Tonight

That hook!  Another one that used to be used to announce the ad breaks on VH1 Classic.  An all-time favourite, with wonderful vocals and a great atmosphere.

Track 12: Status Quo – Burning Bridges (On And Off And On Again)

Annoying riff to start that reminds me of a sing-song nursery rhyme.  This is echoed in the chorus.  The verses are okay though.  Then there’s that random instrumental of the tune that I only know from Manchester United’s Come On You Reds song in the ’90s.  Just a bit of a mess, really.

Track 13: Then Jerico – Big Area

Nice tinkly intro, which smashes into a bit of epic guitar-led atmosphere.  Boring vocals, but the instrumentals are great.

Track 14: Morrissey – The Last Of The Famous International Playboys

Fairly upbeat for Morrissey.  Bit of a dull tune though.

Track 15: Poison – Every Rose Has Its Thorn

Boring slow guitar track.  My least favourite kind of music!  Not a fan at all.

Track 16: Simple Minds – Belfast Child

Beautiful track from Simple Minds, based on traditional melody As She Moved Through The Fair.  A favourite since childhood.

Track 17: Neneh Cherry – Buffalo Stance

I’ve got a soft spot for this classic, which I find to be a great singalong head-nodder.

Track 18: Inner City – Good Life

A little repetitive, but better than Big Fun yesterday.

Track 19: S-Express – Hey Music Lover

Super irritating spoken sample at the start!  I like the synth lines though.

Track 20: Living In A Box – Blow The House Down

Nice upbeat pop track, good head-nodder.  Really like that chorus.

Track 21: The Style Council – Promised Land

I’m a little surprised the Style Council were still going in ’89 – I was sure Paul Weller had gone solo by then.  Oh well, gotta keep improving that music knowledge.

Nice track though – good bouncy song, great synth going on in there.

Track 22: Adeva – Respect

Vocals a bit erratic for my liking, but a good dance track.

Track 23: Tone Lōc – Wild Thing

I quite like that clappy intro.  Rap bit is kind of dull though.

Track 24: Natalie Cole – I Live For Your Love

The dullest type of dull ballad, only marginally saved by the tinkly instrumentals.  Not keen.

Track 25: Robin Beck – First Time

Really like the tune on this one – great rock ballad.

Track 26: Paula Abdul – Straight Up

Great chair-dancing track.  Love the chorus too, good singalong potential.

Track 27: Samantha Fox – I Only Wanna Be With You

Upbeat cover of the Dusty Springfield classic.  Different enough not to be pointless (there’s no mistaking that ’80s synth), but there’s something cheesy and annoying about it.

Track 28: Brother Beyond – Be My Twin

Vocals are too saccharine, but I quite like the tune.  Nice sax solo too.

Track 29: Climie Fisher – Love Like A River

‘Not on Spotify’ Type 2: YouTube Pause (TM).

We’re getting towards the end of the compilation!  Do I dare hope?  Could today finally be the day when every track from the original compilation is present and correct on Spotify…oh.  Oh well.  So close.

Typically cheesy vocals for Climie Fisher, although there’s a nice almost-edge to the instrumentals underneath.

Track 30: Duran Duran – All She Wants Is

Yup, I still love Duran Duran, and this one is predictably wonderful (that bassline! that synth! those vocals! that chanting!) as ever.  Just a cut above.

Track 31: Level 42 – Tracie

All right, all right, I’m clicking on that ticket link now!  I’m buying those tickets!  I’ve received the email confirmation!  I’m going to see Level 42 in October!

It was for the best that I did that tonight, too, ’cause there were only two floor seats left that were next to each other!

This one’s a great jaunty track with some nice synth hooks.  Hope they play it when I go see them!

Track 32: Michael Ball – Love Changes Everything

I’ve got a soft spot for Michael Ball, mainly ’cause he’s so ubiquitous on British TV these days.  This track from the musical Aspects Of Love is as saccharine as you would expect, but it makes a nice change from the slow pop ballads that have been ending the last few Now! compilations.