Music Review: Now! That’s What I Call Music #22

Day 22, and we’ve arrived at 27th July 1992.

July 1992
This was the way the world (Germany, to be precise) looked in July 1992. We went touring all around Europe that month so we’ve got oodles of pictures showing how the world looked, but I’ve chosen our car in front of a building, ’cause I like pictures of cars.

Let’s see what might have been on the car stereo while we were exploring!

Now! That's What I Call Music #22
Track 1: Erasure – Take A Chance On Me

Erasure get to their ‘Abba covers’ phase.  I’m generally a fan of synth covers of classic songs, and I do like this one, apart from the random rap towards the end.

Track 2: CeCe Peniston – Finally

I’ve always found the chorus on this one annoying.  Sorry!

Track 3: KWS – Please Don’t Go

Nice tune, but it’s a bit repetitive for me.

Track 4: Take That – It Only Takes A Minute

Take That make their first Now! appearance!  I adored them so much as a little girl.  Robbie was my favourite, and I was so gutted when he left the group.  To this day, I don’t consider them proper Take That (‘Fake That’, I used to say derisively when they first reappeared in the ’00s) unless Robbie’s involved.

Ahem.  Anyway.

This is a nice solid pop cover of the Tavares classic – good, danceable stuff.

Track 5: Nick Berry – Heartbeat

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Urgh, Nick Berry‘s back.  I thought after Every Loser Wins, we had all suffered enough.  This one is a pointless ’90s cover of the Buddy Holly classic, presumably to tie in with the TV show Heartbeat.

Track 6: Snap – Rhythm Is A Dancer

Absolute classic, epic dance track – I love this one!  One of my favourites.

Track 7: Utah Saints – Something Good

Brilliant track with epic-level sampling of Kate Bush’s Cloudbusting.  Now, THIS is how you sample appropriately.  Wonderful stuff.

Track 8: The Cure – Friday I’m In Love

One of my favourite tracks from my favourite band – lovely feelgood song with beautiful instrumentals.

Track 9: Marc Almond – The Days Of Pearly Spencer

I’m going to see Marc Almond later this year!  I’m very excited.

Sadly, it won’t be at the one-off Soft Cell reunion gig, which is one of my big gig disappointments this year – I really wanted to go, but due to a miscommunication I missed the ten-minute ticket window.  However, I will be seeing him solo at the Electric Dreams festival, so that sort-of makes up for it.

This track has a lovely epic atmosphere and beautiful instrumentals – really like this one.

Track 10: The Beautiful South – Bell Bottomed Tear

Pretty tune and nice vocals, but it’s a bit slow for me.

Track 11: Prince – Thunder

I like the epic intro and chorus, and the instrumentals are interesting.  Good track.

Track 12: U2 – Even Better Than The Real Thing

Repetitive instrumentals, dull tune.  Not keen on this one.

Track 13: The Shamen – LSI (Love Sex Intelligence)

Good upbeat dance track – happily nodding along here.

Track 14: Electronic – Disappointed

Nice bit of synth electro from Electronic.  Solid stuff.

Track 15: Shakespear’s Sister – I Don’t Care

Nice upbeat track with a rockier edge.  Vocals not as impressive as usual for Shakespear’s Sister, but still solid.

Track 16: Carter USM – Do Re Me, So Far So Good

So, after me going on for weeks about various great Carter USM covers of various tracks, they finally show up on a Now! compilation with one of their original songs!

Great upbeat rock song, typically brilliant Carter lyrics and singalong chorus.

Track 17: Ugly Kid Joe – Everything About You

Could do without the spoken word on the intro, but it’s a classic track and a good head-nodder.

Track 18: SL2 – On A Ragga Tip

The reggae bit’s good, but the track in general is a bit haphazard.

Track 19: The Orb – Blue Room

Nice bit of chillout, though I could do without the siren noises.

Track 20: Richard Marx – Hazard

Epic atmosphere, great solid track.

Track 21: Elton John – The One

Nice tune, but it’s fairly generic for Elton John.  Not a favourite.

Track 22: Roy Orbison – I Drove All Night

This one was apparently written for Orbison, but I prefer the Cyndi Lauper version, which came out first (I’m not sure which one counts as the ‘cover’ in this case).  Still a great song, though, whoever’s singing it.

Track 23: Jimmy Nail – Ain’t No Doubt

More upbeat than usual for Jimmy Nail – I quite like this one.

Track 24: Joe Cocker – Unchain My Heart

A bit overblown in the vocals at the start, but once the beat gets going it’s quite good – great funk bassline.

Track 25: Curtis Stigers – You’re All That Matters To Me

Another too-slow too-saccharine one from Curtis Stigers, and this time there’s no sax to save it.  Not keen.

Track 26: Wilson Phillips – You Won’t See Me Cry

Nice feelgood tune, nice atmosphere, great sax solo.  Still a little slow for me though.

Track 27: Crowded House – Four Seasons In One Day

Lovely tune, great lyrics – really like this one.

Track 28: Annie Lennox – Why

Nice introspective track from Annie Lennox – I really like her stuff from this period.

Track 29: George Michael and Elton John – Don’t Let The Sun Go Down On Me

Classic duet, epic track – lovely song.

Track 30: Diana Ross – One Shining Moment

Lovely tune, but again it’s a bit of a slow ballad for me.

Track 31: Vanessa Williams – Save The Best For Last

This is another one of those feelgood ballads that I always heard on the radio on ferries during family holidays around this time.  It was also used in an advert for Bisto or Oxo (I think?  I’m sure it was stock cubes or soup or something ‘comforting’), so I kind of associate it with that vibe.

Track 32: En Vogue – My Lovin’ (You’re Never Gonna Get It)

Great upbeat head-nodder from En Vogue – really like this one, especially the a cappella bit towards the end.

Track 33: Soul II Soul – Joy

This one’s a bit dull in my view – nothing special going on here.

Track 34: Incognito – Don’t You Worry ‘Bout A Thing

Great upbeat track to finish on today – love those instrumentals!

Music Review: Now! That’s What I Call Music #21

Day 21, and Now! #21 was released on 13th April 1992.

April 1992
This is the way the world looked in April 1992. If you’re thinking it looks a bit ’80s, that’s because this shiny new-to-us holiday caravan was a few years old when we bought it, and so its original features are actually of a similar era to those of the gorgeous late ’80s house in which Geth and I now live. That TV was definitely not new either (I don’t think they were even still making black and white TVs in 1992).

Let’s have a listen to the stuff that soundtracked those ungodly-long-to-a-seven-year-old three-hour car journeys to the caravan!

Now! That's What I Call Music #21
Track 1: Queen – Bohemian Rhapsody

Absolute classic, the ultimate in epic atmospheres.  A welcome return to the charts made it the Christmas number one for 1991.  Beautiful piece of work.

Track 2: Wet Wet Wet – Goodnight Girl

Wet Wet Wet definitely into their slower, more introspective ’90s phase.  Some lovely vocals here.

Track 3: Shakespear’s Sister – Stay

Beautiful, classic song, with both vocalists used to brilliant effect.  Absolutely adore this one.

Track 4: The Temptations – My Girl

There seems to have been a bit of a trend in the early ’90s for ’60s classics coming back into the charts, though I think this example probably had something to do with the My Girl film.  Lovely track, anyway.

Track 5: Simply Red – Stars

Nice instrumentals, but the vocals and tune on this one annoy me.

Track 6: The KLF – Justified And Ancient

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Bit of a messy track, with too much going on.  Not keen on the tune to the vocals either.

Track 7: Madness – It Must Be Love

Re-release of Madness’ awesome 1981 cover of the Labi Siffre song.  Great to have this song and its fabulous sax solo back in the mix!

Track 8: Genesis – I Can’t Dance

Great rock-edged head-nodder from Genesis.  Love that singalong chorus, not to mention the classic shuffle in the video!

Track 9: Julia Fordham – (Love Moves In) Mysterious Ways

Nice piano instrumentals, but it’s too much of a slow, dull ballad otherwise.

Track 10: Crowded House – Weather With You

I’ve always liked the atmosphere of the verses on this – lovely guitar and vocals.

Track 11: Right Said Fred – Deeply Dippy

Typically daft track from Right Said Fred – nice tune on the bridge though.

Track 12: Mr Big – To Be With You

Argh, annoying vocals from the start, and that chant-along chorus only makes it worse!  Never been a fan of this one – too cheesy for me.

Track 13: Everything But The Girl – Love Is Strange

Everything But The Girl are a bit hit and miss for me.  This one’s too slow and too repetitive as far as I’m concerned.

Track 14: Roxette – Church Of Your Heart

Solid pop-rock as ever from Roxette – nice tune, good head-nodder.

Track 15: Brian May – Driven By You

Nice upbeat rock track, suitably epic lines going on.  Really like this one.

Track 16: The Wonder Stuff – Welcome To The Cheap Seats

I actually had this one in my head earlier today because the interview I was transcribing for work contained the phrase ‘we’re in the cheap seats’.

Anyway, the song is an absolute belter and one of my favourite Wonder Stuff tracks.  Stunning folk-rock instrumentals, singalong chorus, and bonus backing vocals from Kirsty MacColl.  Beautiful.

Track 17: The Jesus & Mary Chain – Far Gone And Out

Great upbeat rock track – Jesus & Mary Chain are another band that nailed that ’90s sound early on.

Track 18: James – Born Of Frustration

Love this tune and the way it builds – that trumpet hook is truly epic!

Track 19: The Cure – High

Lovely, sweet track from the Cure – gorgeous tune.

Track 20: Shanice – I Love Your Smile

The vocal hook on this one has always annoyed me, and that rap is awful and misplaced.  It gets one point for the sax solo, though.

Track 21: The Pasadenas – I’m Doing Fine Now

Pleasant, inoffensive cover of the ’70s classic.  A little dull for my tastes, though.

Track 22: Kylie Minogue – Give Me Just A Little More Time

Another generic cover of a ’70s track.  Not a fan of this trend.

Track 23: East Side Beat – Ride Like The Wind

Nice atmosphere, good upbeat dance track.

Track 24: 2 Unlimited – Twilight Zone

Typically epic dance from 2 Unlimited – great track.

Track 25: The KLF and The Children Of The Revolution – America: What Time Is Love?

‘Not on Spotify’ Type 2: YouTube Pause (TM).

An annoying doubling-up-the-artist faux pas from the Now! compilers – we’ve not had one of those for a while!

Unfortunately, this track is just as messy as the earlier one in my book – some nice samples, but they get drowned out by the cacophony.

Track 26: Clivilles & Cole – A Deeper Love

This one’s a bit generic – the piano instrumentals and vocals sound like pretty much every song that was released around this time.

Track 27: Opus III – It’s A Fine Day

Really like the vocal melody on this one.

Track 28: Erasure – Breath Of Life

Another perfect piece of synthpop from Erasure – those synth lines are to die for.

Track 29: MC Hammer – Addams Groove

Daft novelty track to tie in with the Addams Family film.  Still better than most of the stuff MC Hammer did.

Track 30: Salt-N-Pepa – Expression

Not enough in the track to keep my interest here – pretty much Salt-N-Pepa-by-numbers.  I do quite like the line ‘excuse us while we rap’, though.

Track 31: CeCe Peniston – We Got A Love Thang

‘Not on Spotify’ Type 2: YouTube Pause (TM).

Annoying vocals, generic tune.  Not a fan.

Track 32: Paula Abdul – Vibeology

Like the instrumentals, but the song structure is a bit messy.  Also, that I-can-only-imagine-it’s-a-pregnancy-reference ‘in the funky way’ hook is insanely annoying.

Track 33: Alison Limerick – Make It On My Own

Not enough melody for me here – this one’s pretty dull.

Track 34: Tina Turner – Way Of The World

As is typical with most Tina Turner songs of this era, this one’s a bit slow and dull for me.  Nice sax solo though.

Track 35: Curtis Stigers – I Wonder Why

Mega sax intro, but it can’t save this boring, saccharine ballad.  Not for me.

Track 36: Diana Ross – When You Tell Me That You Love Me

And we’re back to an overblown, slow ballad to close the compilation.  Nice tune, but it’s just too cheesy for me.