If you’re lucky, there’s something special about the song that was number one when you were born. Maybe it symbolises something about your life, or your interests, or the person that you ended up growing up to be. Maybe it’s just a really awesome song.
If you’re unlucky, you end up like Geth and get Theme From M*A*S*H (Suicide Is Painless) (UK number one from 25th May 1980 to 14th June 1980, fact fans!) as your birthday number one. It’s not bad as TV theme tunes go, but it’s not special to Geth – he didn’t grow up to be a soldier, or an expert on the Korean War, or even much of a M*A*S*H fan, really.
I was lucky, and my birthday number one is special to me. I love it as a Christmas baby, as an ’80s throwback, as a chart geek, and as a lover of music in general. It’s an extremely well-known Christmas song – one of those tracks you hear constantly from the middle of November until early January. It held the record for the best-selling single in UK chart history for more than twelve years, only ever being overtaken by Elton John’s Candle In The Wind ’97 after the death of Diana, Princess of Wales in September 1997.
My birthday number one is Band Aid’s Do They Know It’s Christmas?, one of the most famous recordings in music history.
I was born on 3rd January 1985, the twenty-sixth day of the thirty-five day period (9th December 1984 to 12th January 1985) that Band Aid’s Do They Know It’s Christmas? spent at number one in the UK. From the 1984-1985 UK birthrates available online, I estimate that I share my birthday number one with approximately 71,000 other Band Aid babies, including Georgia Moffett, Lewis Hamilton, and Newton Faulkner. (I would love to be able to work out the exact number, but the internet is not forthcoming at the moment!)
Due to the ubiquity of the song, I grew up with it, and it became my favourite Christmas song long before I realised that it was my birthday number one. I pored over the upside-down answers to Smash Hits quizzes that challenged readers to name all the artists involved in the song, and memorised names that were unfamiliar to me in the context of the early ’90s pop music landscape. I dutifully learnt to sing the song with my primary school class in preparation for our Christmas performance at the local old folks’ community centre. I waited excitedly for it to come on as soon as my brother and I were allowed to play the family’s Christmas compilation CD (That’s Christmas) on the 1st of December every year. It’s one of those songs that you hear hundreds of times every year, and so it never really goes out of your mind. That’s not something you can say about Theme From M*A*S*H (Suicide Is Painless).
The finer points of Bob Geldof’s project to put together a charity supergroup and the song’s recording on 25th November 1984 are well known, detailed in a hundred different BBC4 documentaries and summarised fairly well on Wikipedia (though I highly recommend the Smash Hits coverage of the recording day included in the collection book The Best Of Smash Hits: The ’80s for a bit of period flavour – it has a great group photo of all the artists involved except for Boy George, who infamously didn’t show up till six o’clock in the evening due to oversleeping in New York and having to get on a Concorde back to London).
I’ve been to a lot of concerts in my life, including a lot of concerts by artists who were big in the ’80s due to it being my favourite music era and favourite era in general. But the other day, it occurred to me that I had never gone to see a single one of the thirty-seven artists who performed on my birthday number one. I had never even seen any of the additional seven artists who couldn’t make it to the recording and so sent recorded Christmas messages to be used on the B-side of the single.
This is the part of the post where I get to the point.
I will never get to see every single one of the artists involved in my birthday number one. Sadly, two of the musicians who contributed to the song (George Michael and Rick Parfitt) and two who recorded B-side messages (Stuart Adamson and David Bowie) have since passed away. But I have decided that I will make a concerted effort to see as many of the rest of them as possible. After all, I have more opportunity than some. My brother’s birthday number one is Ben E King’s Stand By Me (a re-entry at UK number one between 15th February 1987 and 7th March 1987), which means that since King’s death in 2015 he has no longer had the possibility of seeing his birthday number one artist. People who were born between 14th December 1980 and 20th December 1980, when (Just Like) Starting Over was number one following John Lennon’s assassination, have never had the chance to see their birthday number one artist.
Enter the Band Aid bucket list!
For most of my bucket lists, I reckon that if I’m lucky enough, I’ve got another fifty or sixty years left to get them completed. Time is not so much on my side for this particular list, given that all the artists on it are now in their fifties and sixties and won’t be performing or alive forever. As such, rather similarly to the huge hoard of ’80s vintage clothing I’m collecting while it’s still cheap and plentiful, I aim to get the bulk of this project achieved while I’m still in my thirties, and so I’m targeting >50% list completion by my fortieth birthday on 3rd January 2025. That gives me six years, one month and fourteen days as of this post to see as many of the following artists as possible. I’d better get a wiggle on.
The artists who sang on the track:
The extra artists who recorded messages for the B-side:
Current progress: song artists 4/37 (10.8%); message artists 2/7 (28.6%); total artists 6/44 (13.6%).
I have arranged to find out about future performances by all of these artists using the extremely lazy 21st century method of following them all on Twitter!
I’ll keep updating this post as I see more artists. I’m looking forward to this project!